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Players of all kinds of instruments including flute, fiddle, mandolin, recorder, whistle, guitar, harp and more can use this collection of music which is popular at modern renaissance festivals. the music is presented simply, with melody lines and chord symbols, allowing for a wide range of interpretation. In addition to many period dance tunes, the book contains a selection of vocal numbers with lyrics included. Each selection is accompanied by text to suggest ideas for performance, place the music in a modern festival context and provide useful information to those interested in studying historical sources of early music. Cantiga's arrangements of some of the tunes in this book can be heard on the companion recording. They are played at a listening tempo by the ensemble: Wooden flute or recorder, fiddle, cello, harp and percussion.
When you attend a Renaissance Faire, you participate in a unique experience. This is an apportionment of Queen Elizabeth's Golden Age that is revived and presented to you daily for an immersive enjoyment. A one of a kind art form consisting of scripted scenes and histrionic performances on stage as well as interactive opportunities amongst the streets throughout the "Faire". For more than fifty years, thousands of actors have studied the Elizabethan tongue as a second language, refine their skills with techniques of improvisational performances, dances, songs and period wardrobe to become a reincarnated resident of an Elizabethan Shire.The opportunity of participation with folk liturgy at a "Faire" will help to foment in us the memories of simpler times more in harmony with nature and the world. I am appreciative that you desire to join us in this twenty first century Renaissance Language learning experience.
Getting to finally know her elf dad has been a good thing, although camping out in a homemade gingerbread RV while acting out the 16th century isn’t so fab. But a mysterious unicorn sighting, fairies showing up in the oddest places, and that nasty, vain elf-girl Elia are all working against Keelie’s chances to have a good time.
All's faire in love and war for two sworn enemies who indulge in a harmless flirtation in a laugh-out-loud rom-com from debut author Jen DeLuca. Emily knew there would be strings attached when she relocated to the small town of Willow Creek, Maryland, for the summer to help her sister recover from an accident, but who could anticipate getting roped into volunteering for the local Renaissance Faire alongside her teenaged niece? Or that the irritating and inscrutable schoolteacher in charge of the volunteers would be so annoying that she finds it impossible to stop thinking about him? The faire is Simon's family legacy and from the start he makes clear he doesn't have time for Emily's lighthearted approach to life, her oddball Shakespeare conspiracy theories, or her endless suggestions for new acts to shake things up. Yet on the faire grounds he becomes a different person, flirting freely with Emily when she's in her revealing wench's costume. But is this attraction real, or just part of the characters they're portraying? This summer was only ever supposed to be a pit stop on the way to somewhere else for Emily, but soon she can't seem to shake the fantasy of establishing something more with Simon or a permanent home of her own in Willow Creek.
The realm of Queen Arianna is a kingdom of beauty and peace. She rules with gentility, love and a velvet glove, beloved by all her people. Amidst the tranquility of her reign, there is a breed of men, warriors and pirates, knights and knaves, that engage in back-alley duels. These are the "Rogue Blades."They battle for the entertainment of the masses and the coins that they throw. The masses, bored by the peaceful reign of Arianna, crave the clashing of weapons, the ringing of swords, and the spilling of blood. Disturbed by the violent blood-sport that is staining her reign, the Queen has ordered her Royal Guard to put an end to these contests.In the dueling world, Dave the Knave, self-proclaimed Greatest Swordsman That Has Ever Lived, hears about the growing fame of Sir James the Great Knight, seconded by the faithful Squire Paul. Dave believes that they are on a collision course, headed for a battle of epic proportions. Will they meet before the Royal Guard brings an end to the street duels? Or is there something even more ominous in store for everyone?
We can no longer ignore the fact that fascism is on the rise in the United States. What was once a fringe movement has been gaining cultural acceptance and political power for years. Rebranding itself as "alt-right" and riding the waves of both Donald Trump's hate-fueled populism and the anxiety of an abandoned working class, they have created a social force that has the ability to win elections and inspire racist street violence in equal measure. Fascism Today looks at the changing world of the far right in Donald Trump's America. Examining the modern fascist movement's various strains, Shane Burley has written an accessible primer about what its adherents believe, how they organize, and what future they have in the United States. The ascension of Trump has introduced a whole new vocabulary into our political lexicon—white nationalism, race realism, Identitarianism, and a slew of others. Burley breaks it all down. From the tech-savvy trolls of the alt-right to esoteric Aryan mystics, from full-fledged Nazis to well-groomed neofascists like Richard Spencer, he shows how these racists and authoritarians have reinvented themselves in order to recruit new members and grow. Just as importantly, Fascism Today shows how they can be fought and beaten. It highlights groups that have successfully opposed these twisted forces and outlines the elements needed to build powerful mass movements to confront the institutionalization of fascist ideas, protect marginalized communities, and ultimately stop the fascist threat. Shane Burley is a writer, filmmaker, and antifascist based in Portland, Oregon.
Law and economics is the leading intellectual movement in law today. This book examines the first great law and economics movement in the early part of the twentieth century through the work of one of its most original thinkers, Robert Hale. Beginning in the 1890s and continuing through the 1930s, progressive academics in law and economics mounted parallel assaults on free-market economic principles. They showed first that "private," unregulated economic relations were in fact determined by a state-imposed regime of property and contract rights. Second, they showed that the particular regime of rights that existed at that time was hard to square with any common-sense notions of social justice. Today, Hale is best known among contemporary legal academics and philosophers for his groundbreaking writings on coercion and consent in market relations. The bulk of his writing, however, consisted of a critique of natural property rights. Taken together, these writings on coercion and property rights offer one of the most profound and elaborated critiques of libertarianism, far outshining the better-known efforts of Richard Ely and John R. Commons. In his writings on public utility regulation, Hale also made important contributions to a theory of just, market-based distribution. This first, full-length study of Hale's work should be of interest to legal, economic, and intellectual historians.
Privy to Murder Shay O’Hanlon never knew the Minnesota Renaissance Festival was such a strange and bawdy event until JT Bordeaux—her badge-wearing, medieval-loving girlfriend—drags her along for a visit. The sixteenth-century faire is full of thrilling jousts, feisty wenches, and pickle vendors showing off their tasty tonsil ticklers, but Shay is distracted by the call of her full bladder. While trying to rein in her newest dog’s overactive nose, she finds a dead body with a pickle stuffed in his mouth. A real dead body. In the privy. And before Shay can shout “Huzzah!” JT is arrested for being the porta-potty body’s murderer. Together with her quirky crew of caper-solving pals, Shay must scramble for clues to free JT from the clink . . . and her troubled past.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Calling all Raina Telgemeier fans! The Newbery Honor-winning author of Roller Girl is back with a heartwarming graphic novel about starting middle school, surviving your embarrassing family, and the Renaissance Faire. Eleven-year-old Imogene (Impy) has grown up with two parents working at the Renaissance Faire, and she's eager to begin her own training as a squire. First, though, she'll need to prove her bravery. Luckily Impy has just the quest in mind—she'll go to public school after a life of being homeschooled! But it's not easy to act like a noble knight-in-training in middle school. Impy falls in with a group of girls who seem really nice (until they don't) and starts to be embarrassed of her thrift shop apparel, her family's unusual lifestyle, and their small, messy apartment. Impy has always thought of herself as a heroic knight, but when she does something really mean in order to fit in, she begins to wonder whether she might be more of a dragon after all. As she did in Roller Girl, Victoria Jamieson perfectly—and authentically—captures the bittersweetness of middle school life with humor, warmth, and understanding.