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The story of the greatest jazz concert ever It has entered musical legend as simply "the Massey Hall concert," the night in Toronto in May 1953 when five of the most creative and influential jazz musicians of all time took the stage together, for the only time in their lives: Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus, and Max Roach. The event did not have auspicious beginnings. There was no rehearsal not even a sound check. A world heavyweight title fight on the same night meant the hall was less than half full. Charlie Parker turned up with a white plastic saxophone. But a tape machine was running, and the recordings of the concert became an album that has been reissued over and over again for nearly fifty years - sometimes entitled, with little exaggeration, "The Greatest Jazz Concert Ever. "Quintet of the Year is the tale of that historic concert - but to fix its co-ordinates in history this groundbreaking book navigates decades of musical innovation and social change. Geoffrey Haydon traces the lives of these five jazzmen from their beginnings in music to the point where they boarded the plane to fly to Canada: the reckless excess of the world-famous Parker; the fragile and mercurial pianist Bud Powell; Gillespie, the high priest of bop; Mingus, the bassist from the West Coast; and Roach, the modern drummer supreme. And it follows their lives afterwards, whether to civil rights activism or tragically early death, to show how their stories dramatized for the world the condition of black artists in America. At its centre, "Quintet of the Year recreates the never-to-be-repeated occasion of that remarkable concert itself, from the backstage rows to theembarrassment of box-office receipts insufficient to pay the illustrious performers - and most importantly, the wonder of pieces like "Hot House," "Salt Peanuts," and "A Night in Tunisia" treated to the prodigious artistry of five of the finest American musicians of the twentieth century, for one night only.
One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come.
"This biography traces the output of jazz master Charles Mingus--his recordings, his compositions, and his writings--highlighting key moments in his life and musicians who influenced him and were influenced by him. As a young man, Mingus played with Louis Armstrong as well as with Kid Ory. Mingus also played in bands led by Duke Ellington, Charlie Parker, Lionel Hampton, Red Norvo, Art Tatum, and many others. He began leading his own bands in New York City in 1955. Eric Dolphy, Rahsaan Roland Kirk, Jimmy Knepper, Jackie McLean, Toshiko Akiyoshi, Cat Anderson, and Jaki Byard are among the many distinguished jazz artists who made music with Mingus during the 1950s, 1960s, and 1970s. In addition to leaving behind a large collection of compelling recordings by large and small units, Mingus was also a talented writer. His autobiography, Beneath the Underdog: His World Composed by Mingus, is unlike any other book by a major jazz artist. Mingus creates vivid portraits of the many people who passed through his life and tells his story with compelling prose. Mingus also wrote a good deal of poetry and prose, all of it reflecting his unique vision. In 1977 he was diagnosed with amyotrophic lateral sclerosis. After several months of steady deterioration, he died in 1979 in Mexico"--Provided by publisher.
Within his broad historical narrative Professor Smallman provides descriptive analyses of key works, many with music examples, and also comments perceptively on local trends and developments.
The Five Quintets is a mammoth poetic adventure undertaken by the celebrated poet Micheal O’Siadhail, attempting nothing less than an exploration of the predicaments of Western modernity. Drawing on inspiration from T S Eliot’s Four Quartets, The Five Quintets brings the premise of Dante’s Divine Comedy into the current day.