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Quicklets: Learn More. Read Less. Robert Kirkman is a New York Times bestselling author living in Richmond, Kentucky. Kirkman is currently a partner at Image Comics, which publishes The Walking Dead. His other works at the company include Invincible and The Astounding Wolf-Man. Invincible has been adapted into a motion comic. The Walking Dead won the 2010 Eisner Award for Best Continuing Series and the 2010 Scream Award for Best Comic Book. He also founded a new imprint at Image called Skybound, which focuses on up-and-coming series outside of the mass-market. He remains active on the television series as an executive producer and writer. The Walking Dead originated as a New York Times bestselling comic series written by Robert Kirkman. The first season's universally critically acclaimed. Whether it's because it packs a raw, emotional punch (TV Guide) or contains wonderfully skilled framed shots (Newsday), The Walking Dead shows that it's a unique entry on television network AMC.
ABOUT THE BOOK "What is Community College? Well, you've heard all kinds of things. You've heard it's 'loser college' for remedial teens, twenty-something dropouts, middle-aged divorcees, and old people keeping their minds active as they circle the drain of eternity. That's what you heard; however, I wish you luck!" - Dean Pelton's Orientation Speech (Pilot) Community appeared on NBC's Thursday lineup for the first time on September 17th, 2009. The show centers around a group of misfit students studying at a four-year community college in the fictional town of Greendale, Colorado. The critics praised the show as extremely innovative. After generally positive reviews of the first season, NBC hoped that Community's audience would grow with summer reruns, picking up the show for a second season, which aired from September 23rd, 2010 to May 12th, 2011. However, after a promising start, it continued to struggle in the ratings, failing to establish itself with the audience of its lead-in, The Office. The third season premiered on September 22nd, 2011 but after only ten episodes was put on hiatus to become a midseason replacement show in January, later pushed back until spring. As of the date of this publication (February, 2012), Community is set to air the rest of its third season on NBC starting on March 15th, 2012, with the fate of a fourth season as yet undecided. MEET THE AUTHOR Evelyn hails from a very tiny country of Estonia, so it's ironic that she chose to be a writer when English isn't her fist language! After a few years of working for newspapers and local TV news, she chose to forego any idea of a schedule and started a freelance writing and marketing business. Because it isn't the most stable of jobs, Evelyn would often supplement her income with random gigs, including being a singing telegram and an airline interpreter. She has an unnaturally close relationship with food and for a number of years worked as a chef. However, after crying too many times in the kitchen, Evelyn had to give up her professional culinary pursuits. Instead, you'll find her traveling, reading, participating in your general 'debauchery' and making new friends. She has several degrees and some accolades but she'd much rather tell you about the time she smuggled a kitten on an airplane out of Russia. EXCERPT FROM THE BOOK Though the premise of the show originally introduced Jeff Winger, a lawyer with a shady past, as the lead, after the first few episodes the storylines of other students at Greendale's Community College grew to greater prominence. Community became a mishmash of messy, yet intriguing characters that contribute to the show's originality and plethora of comedic scenarios. The show famously uses other TV shows and films as the basis for individual episodes, and frequently exploits their cliches to present a further comedic twist. Community is both intelligently written and doesn't take itself too seriously. Because it relies heavily on other pop culture trivia, it is occasionally hard to follow if the references are unfamiliar to the viewer. The upside is that through the show, you can discover other shows and films you might have otherwise missed. For the conspiracy theorists, there is a rumor that an intentional 'O.J. Simpson is guilty' reference is made during the show's opening credits. For the Community enthusiast, it is just another example of how the show is layered with innuendos and clever between-the-lines dialogue, only obvious after multiple viewings. Therein lies the brilliance of this show.
ABOUT THE BOOK Season 5 of the hit Fox medical drama series House follows the life and times of the brilliant but sociopathic Dr. Gregory House as he and his medical team solve difficult and life-threatening cases at the fictional Princeton-Plainsboro Teaching Hospital in New Jersey. The fifth season of House provides some wonderful character-development and has a powerful finale. As a television series, House has been entertaining as a medical drama, mystery, and even a comedy. The medical terminology is relatively accurate for a one-hour television show compared to the faux science of CSI. Each episode of House is a mystery where the medical staff must locate the clues and find the diagnosis before time runs out for their patient. Sometimes even knowing the diagnosis is not enough to save the patients life. Most of the comedy comes from Houses need to undermine authority or knock people off their high horse when he feels that one deserves it. And to House, they always deserve it. MEET THE AUTHOR With a BS in Business Administration and a Technical Writing Certificate, Tom Tonthat has written anime reviews for "The Escapist," video game and television articles for Yahoo!, and the occasional instructional manual. He loves anime, origami, toys, films, television, and comics. Find Tom Tonthat on Facebook: http://www.facebook.com/kvalentine Twitter: TravelValenti Site: Travelingvalentine.com EXCERPT FROM THE BOOK The importance of the rational versus the intuitive is a major theme toward the end of the season when House blurs the line between the two. He manages to rationalize his intuition and blur his reality and fantasy. He feels that he is in control but Wilson knows that House lives life dangerously. When the bombshell about him and Cuddy drops, House soon realizes that he can only be hurt by those he is attached to emotionally. House is the brainchild of David Shore, whose previous television production experience includes producing two late 90s seasons of Law & Order, and writing for a variety of shows like NYPD Blue, Due South, The Practice, and The Outer Limits. He was asked to come up with a medical procedural show for NBC in 2003. David's idea was to make the medical procedural show emphasize the characters over the medicine since it made for more compelling television. He decided to base the protagonist of his medical show on Sherlock Holmes and became the creator, writer, and producer of House. NBC decided to pass on House and instead chose Medical Investigation as its medical procedural show of choice. Medical Investigation was a medical mystery drama filled with an eclectic staff of medical geniuses that no one really watched and only lasted one season. Fortunately, Fox picked up on David Shore's medical drama and the rest is television history. CHAPTER OUTLINE Quicklet on House Season 5 + About the Show + About the Director and Producer + Overall Summary + Episode-by-Episode Commentary & Summary + ...and much more House Season 5
When I was a boy, I had a favourite treat. It was when my mum made . . . CHOCOLATE CAKE! Ohhh! I LOVED chocolate cake. Fantastically funny and full of silly noises, this is Michael Rosen's love letter to every child's favourite treat, chocolate cake. Brought to life as a picture book for the first time with brilliant and characterful illustrations by Kevin Waldron.
ABOUT THE BOOK Albert Camus’ The Stranger is not a terribly complicated book. It has only a few characters, and a simple plot. A determined reader could finish it in a single evening. The essence of the story is that a young Frenchman (“Meursault”) living in Algeria kills a young Arab man, is tried, convicted, and sentenced to death. The homicide occurs near the middle of the book (which is only 123 pages long). The actual reason for the killing is somewhat obscure; the way the story is told leads one to believe it was mis-adventure. The coast of Algiers as seen from the basilica of Our Lady of Africa. Photo by Nilfanion. Used here under the Creative Commons Attribution 2.0 Generic license. Meursault is revealed to be a somewhat dissolute man, not particularly ambitious, not particularly talented or interesting; in fact he is not particularly anything except self-indulgent, callous and aloof. He is intelligent and likable in a superficial way, but his lack of appreciation for other people renders him shallow. All in all the book reads like a well-written pulp fiction novel. One might conclude that for some existentialists (as Camus is often said to be), the world is dreary and dangerous, populated only by the characters from Mad Men, Seinfeld, and a few zombies (i.e., bureaucrats). A fearsome place. But happiness is, after all, a choice. A hard choice sometimes, but a choice. Which is to say a discipline; it is a challenge one must rise to. From that perspective of “happiness,” the book is not so much a study of a person, or humanity, or even “existence,” as it is a study of a pathological condition. Meursault suffers from “alienation” in the most extreme sense. He has no particular connection to anyone or anything. He isn’t merely “detached” or “aloof” or “stoic” or even “centered” -- he is not part of society and he’s just too lazy to care. The book fails as a morality play because it gets us in, but does not provide a way out, except for death. If life is meaningless and absurd, and death is the only way out, why not get out sooner rather than later? That’s not much of a lesson. The moral of The Stranger may very well be to accept life as it is and choose to live it to the fullest, but Camus doesn’t seem to advocate that (at least not directly; if all we had to judge him by is this book, we would have to force ourselves to give him the benefit of the doubt.) EXCERPT FROM THE BOOK Albert Camus (1913-1960) was born in Algeria to French parents. His life was devoted to writing and the arts; he was a journalist, editor, playwright, author, essayist, actor, and a French partisan working with the French resistance during WWII. Albert Camus, Nobel prize winner, half-length portrait, seated at desk, facing left, smoking cigarette. New York World-Telegram and the Sun Newspaper Photograph Collection, see http://www.loc.gov/rr/print/coll/130_nyw.html, where the New York World-Telegram and Sun Newspaper Photograph Collection considers all of its photographs public domain. Although Camus became one of France’s most famous writers, he was raised in poverty. He was born to what is known as “pied-noir” parents, which is a way of saying Camus was part of a lower-caste family. His father was a farm laborer. Camus’ mother, Catherine Hélène Sintés, a factory worker and cleaning lady, was illiterate and deaf. She was of Spanish descent, thus the “pied-noir” designation. His father, Lucien Auguste Camus, was in 1914 killed during WWI at the Battle of the Marne when Albert was a year old. ...buy the book to continue reading!
WINNER OF THE PULITZER PRIZE • NATIONAL BESTSELLER • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle). • From the bestselling author of The Passenger A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
E. H. Gombrich's Little History of the World, though written in 1935, has become one of the treasures of historical writing since its first publication in English in 2005. The Yale edition alone has now sold over half a million copies, and the book is available worldwide in almost thirty languages. Gombrich was of course the best-known art historian of his time, and his text suggests illustrations on every page. This illustrated edition of the Little History brings together the pellucid humanity of his narrative with the images that may well have been in his mind's eye as he wrote the book. The two hundred illustrations—most of them in full color—are not simple embellishments, though they are beautiful. They emerge from the text, enrich the author's intention, and deepen the pleasure of reading this remarkable work. For this edition the text is reset in a spacious format, flowing around illustrations that range from paintings to line drawings, emblems, motifs, and symbols. The book incorporates freshly drawn maps, a revised preface, and a new index. Blending high-grade design, fine paper, and classic binding, this is both a sumptuous gift book and an enhanced edition of a timeless account of human history.
The timeless guide to achieving the state of “relaxed concentration” that’s not only the key to peak performance in tennis but the secret to success in life itself—part of the bestselling Inner Game series, with more than one million copies sold! “Groundbreaking . . . the best guide to getting out of your own way . . . Its profound advice applies to many other parts of life.”—Bill Gates, GatesNotes (“Five of My All-Time Favorite Books”) This phenomenally successful guide to mastering the game from the inside out has become a touchstone for hundreds of thousands of people. Billie Jean King has called the book her tennis bible; Al Gore has used it to focus his campaign staff; and Itzhak Perlman has recommended it to young violinists. Based on W. Timothy Gallwey’s profound realization that the key to success doesn’t lie in holding the racket just right, or positioning the feet perfectly, but rather in keeping the mind uncluttered, this transformative book gives you the tools to unlock the potential that you’ve possessed all along. “The Inner Game” is the one played within the mind of the player, against the hurdles of self-doubt, nervousness, and lapses in concentration. Gallwey shows us how to overcome these obstacles by trusting the intuitive wisdom of our bodies and achieving a state of “relaxed concentration.” With chapters devoted to trusting the self and changing habits, it is no surprise then, that Gallwey’s method has had an impact far beyond the confines of the tennis court. Whether you want to play music, write a novel, get ahead at work, or simply unwind after a stressful day, Gallwey shows you how to tap into your utmost potential. No matter your goals, The Inner Game of Tennis gives you the definitive framework for long-term success.
During the 1967 school year, on Wednesday afternoons when all his classmates go to either Catechism or Hebrew school, seventh-grader Holling Hoodhood stays in Mrs. Baker's classroom where they read the plays of William Shakespeare and Holling learns muchof value about the world he lives in.