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Quicklets: Your Reading Sidekick! ABOUT THE BOOK Que puta es la guerra, Agustin said. War is a bitchery. For Whom the Bell Tolls is considered by many to be Ernest Hemingways best work. While that is certainly open to debate, the fact that it was the best selling work of his prolific career is not. For Whom the Bell Tolls struck a chord with readers worldwide, as they followed hero Robert Jordan into the Spanish mountains, fell in love with Maria, fought the fascists along side the partizan rebels, and lay broken and bloody on a mountainside, waiting, with him. EXCERPT FROM THE BOOK The next day, low flying enemy planes are seen. Determined to carry on, Robert Jordan goes with Pilar and Maria to meet the leader of another rebel band nearby. On the way, Pilar shares stories of the violent beginnings of the revolution. The other leader, El Sordo, agrees to assist Robert Jordan with the bridge. On the return trip, Pilar leaves Robert Jordan and Maria and they again make love. Both claim to have felt the earth move. The next day El Sordos group is killed by fascists. With their numbers cut in half, Robert Jordan sends a message to Golz to call off the attack. A snow storm begins and the rebels must stay in the cave. There are some tense words between Robert Jordan and Pablo, and Robert Jordan even considers killing Pablo. Pablo manages to convince everyone he is on their side. When the snow ends, Robert Jordan goes back outside to sleep and Maria follows him. The next day, Robert Jordan awakes to the sound of an approaching cavlaryman. He kills him and the others scramble to ready for a possible attack. They hear the sounds of an emerging battle over at El Sordos hill. They listen as their allies are killed, unable to come to their aid without giving away their position... Buy a copy to keep reading! CHAPTER OUTLINE Quicklet on Ernest Hemingway + About “For Whom the Bell Tolls” + About Ernest Hemingway + Overall Summary + The Epigraph + ...and much more
Quicklets: Your Reading Sidekick! ABOUT THE BOOK Everything about him was old except his eyes and they were the same color as the sea and were cheerful and undefeated. The Old Man and the Sea is one of the most recognized titles in the American canon, the simple story of a man named Santiago, who has acquired iconic status for his encounter with the ultimate catch in the Atlantic ocean. The novel addresses themes common to many of Hemingways novels: identity, manhood, death, and religion. His straightforward confrontation of these issues, central to the American experience, gives a contemporary relevance to the novel. Hemingway wrote The Old Man and the Sea in 1952 while in Cuba, the last book he published during his lifetime. The book is largely responsible for Hemingways celebrity, and was extremely successful before he died. The novel likely began as a story written for Esquire magazine in 1936 about a fisherman at sea, attacked by sharks while chasing a giant catch. The success of this story led him to expand it into a short novel. Hemingway published Across the River and Into the Trees in 1952, though it was met with great disappointment. Many doubted that the author had another great novel in him. Hemingway was concerned, as it was important to him that The Old Man and the Sea become a literary success. MEET THE AUTHOR Sara Sisun is a writer and painter born in Denver, Colorado. She received a BA in Art and Writing at Stanford University in 2009 and an MFA at the San Francisco Art Institute in 2011. She has studied at the Art Students League of Denver, the Slade School of Art, and Oxford University. She is the recipient of the Allied Arts Award, the New York Art Exchange Scholarship, and the Elizabeth Greenshields Fellowship. Sara currently teaches, writes, and paints in San Francisco, California. EXCERPT FROM THE BOOK He realizes that this fish is very, very large. He prays that he will be able to manage it, and that his hand will uncramp. As he drifts further out, and with nothing to occupy his time, he begins to wishes that he could fall asleep and dream about the lions because they are the only thing left. He misses getting to read the baseball scores, and he compares himself in his mind to the great DiMaggio, who plays with a bone spur in his heel, just as he is fishing with a cramped arm. The old man catches glimpses of the fish and knows that he is huge. He feels as though he is starting to lose his senses, and fervently hopes that the fish dies and not him. He reminds himself again and again to keep a clear head. As the fish pulls close to the boat, the old man grabs his harpoon and spears him as hard as he can. He drives the harpoon deeply into the fishs chest, he sense that the fish, has his death in him. The fish dies, floating to the surface of the ocean. The old man thinks the fish must be at least fifteen hundred pounds. Its eyes are as detached as a saints. The old man is running out of food and water, so he runs the line through the giant fishs gills and begins to tow him home. But as they are on their way when the old man becomes aware of a shark alongside the boat. The shark lunges for the fish, taking a chunk out of it for lunch; When the fish is mutilated, the old man feels as though he has been mutilated. The old man guesses he has lost about forty pounds of fish from the blow, and that other sharks will be coming... Buy a copy to keep reading! CHAPTER OUTLINE Quicklet On Ernest Hemingway’s The Old Man and the Sea + About the Novel + About the Author + Overall Plot Summary + Summary and Analysis + ...and much more
In the fall of 1948, Ernest Hemingway made his first extended visit to Italy in thirty years. His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A poignant, bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the worldweary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War. Hemingway's last full-length novel published in his lifetime, it moved John O'Hara in The New York Times Book Review to call him “the most important author since Shakespeare.”
Quicklets: Your Reading Sidekick! ABOUT THE BOOK Published in 1970, Islands in the Stream is the first of Ernest Hemingways posthumous novels. The novel was lightly edited by his widow, Mary Hemingway, and his publisher, Charles Scribner, Jr. Mary carefully points out in a note that opens the book, Beyond the routine chores of correcting spelling and punctuation, we made some cuts in the manuscript, feeling that Ernest would have surely made them himself. Hemingway began work on this massive project in 1945. The pages he wrote from then until his death in 1961 became several different novels, some posthumous, some published before his death. All are loosely connected in that they were worked on concurrently, and at times, part of the same work. Pieces were cut here and there to provide material for other books, and when finished, he produced enough text for four novels: Old Man, Islands, Across the River and into the Trees, and The Garden of Eden. MEET THE AUTHOR Ben Mitchell-Lewis is a resident of New Hampshire, but tries to spend as much time as possible traveling around New England, the country, and the world. He is a graduate of Colby College and is slowly cracking into the freelance writing game. Ben likes to get outside in any capacity (but especially to rock climb or ski), and travel/adventure writing is his favorite genre, though classic American novels are hard to beat. EXCERPT FROM THE BOOK The novels protagonist is Thomas Hudson, a world famous painter. As the book opens with Part I: Bimini, the reader is introduced to Hudson and his house set on a hill in Bimini, an island in the Bahamas. The house is as much a character as Hudson, and the whole of Part I revolves around the house, with brief interludes at bars, docks, and aboard a cabin cruiser equipped for lengthy days of fishing and exploring. After an initial introduction to Hudson, the reader is familiarized with his habits, his daily life, his routines, and his staff, especially Eddy a constant companion, a good fisherman, and very attentive to Hudsons needsl. Hudson has several others always at hand to cook, clean, and mix drinks, the same people that accompany him fishing and help take care of his children. For Bimini is really about Hudsons relationship with his children the three boys, Tom, David, and Andrew, arrive in Bimini for a vacation with their father shortly after the books opening. Before they arrive, Roger Davis is brought in. He is an old, dear friend of Hudsons, a fellow expatriate, and plays a pivotal role in the rest of Part I. While Hudson and Davis drink and carouse in the days before the boys visit, Roger gets into a heated fight with a wealthy man from New York on the docks. The events of that evening are quite trying for Davis and Hudson, and they retreat to the hilltop house to sleep it off and wait for the boys. Buy a copy to keep reading! CHAPTER OUTLINE Ernest Hemingway's Islands in the Stream + About the Book + About the Author + Summary + Chapter-by-Chapter Commentary + ...and much more
ABOUT THE BOOK I first read Hemingway’s posthumously-published memoir, A Moveable Feast (1964), when I was spending my junior year abroad studying at the University of Exeter in England, and I fell in love with the book. I think it appealed to me especially since I imagined myself to be -- like Hemingway and his friends -- an expatriate, at least for those nine months. It’s an exquisitely readable book, peppered with all sorts of literary figures I knew through English classes: Gertrude Stein, Ezra Pound, F. Scott Fitzgerald, and Ford Madox Ford. There is nothing better for a young reader than to learn the secrets and hear the voices of writers known only through their novels, stories, and poems. A Moveable Feast brings them and the 1920s Parisian literary culture that surrounded them alive. MEET THE AUTHOR professional writer Vivian Wagner has wide-ranging interests, from technology and business to music and motorcycles. She writes features regularly for ECT News Network, and her work has also appeared in American Profile, Entrepreneur, Bluegrass Unlimited, and many other publications. She is also the author of Fiddle: One Woman, Four Strings, and 8,000 Miles of Music (Citadel 2010). For more about her, visit her website at www.vivianwagner.net. EXCERPT FROM THE BOOK A Moveable Feast is an episodic book, with short chapters devoted to various people, themes, and locations important to Hemingway during the period he and Hadley lived in Paris from 1921 to 1926. The book is roughly chronological, beginning when Hemingway and Hadley first arrive in Paris and ending when Hemingway has an affair and their marriage begins to fall apart. The book’s first chapter is called “A Good Café on the Place St.-Michel,” and it gives readers a first glimpse into the world that Hemingway inhabits. He describes how he’s writing about Michigan and his boyhood while being in the café, and the perspective he has in this opening scene encapsulates the expatriate perspective he has throughout the book: “I was writing about up in Michigan and since it was a wild, cold blowing day it was that sort of day in the story. Buy a copy to keep reading!