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Quicklets: Your Reading Sidekick! This Hyperink Quicklet includes an overall summary, chapter commentary, key characters, literary themes, fun trivia, and recommended related readings. ABOUT THE BOOK When Tina Fey left Saturday Night Live at the end of the 2005-2006 season to concentrate on developing, writing, and starring in a new program for NBC, reaction among comedy fans was mixed. On the one hand, SNL had lost yet another of the talented cast member who made it a resurgent hit in the late 1990s. On the other hand, anticipation of Fey’s new show was high. Fey had originally pitched the series to NBC as a sitcom about a cable news network during early in her tenure as a writer for SNL. According to Time, when the pitch was rejected, she reworked the idea into a show revolving around a sketch comedy series and variety show not unlike SNL. NBC ordered a pilot for the show, which was well-reviewed upon its October 2006 debut, and went to series as 30 Rock. Although 30 Rock has rarely been a ratings darling, online reviews and critical establishment barometer, Metacritic, shows that it has been one of the critical establishment’s most consistently well-reviewed television programs of the past ten years. It is also one of the best-reviewed comedies of all time. MEET THE AUTHOR Jonathan Nathan is a writer, an editor, and a comedian living in San Francisco. His work has appeared in the San Francisco Chronicle, California Northern, The Rumpus, McSweeney's Internet Tendency, BeyondChron, the Hutchinson News, and other publications. EXCERPT FROM THE BOOK There are two main storylines in the first season: Liz Lemon’s struggle to find a compatible romantic partner while balancing her work and personal life, and the adjustment of the cast and crew of TGS to the new additions of Jack Donaghy and Tracy Jordan. Lemon’s personal life is the meatiest and most constant plotline in the season, as she is the protagonist of the series and her work/life conflicts are largely the narrative hook of the show. In the first few episodes, her love life is barely mentioned, reflective of a new series still struggling to find its voice. The third episode of the series, “Blind Date,” is the first to venture in this direction, and although it’s primarily a one-and-done, short-term story played for awkward laughs when Jack sets Liz up on a blind date with a friend of his who turns out to be a woman (because, in his words, her shoes “are definitely bi-curious”). The episode met universal acclaim and was greeted by many critics as a hopeful sign of things to come. The plotline was more earnestly engaged a few episodes later in “Jack Meets Dennis,” when Liz takes back her ne’er-do-well ex-boyfriend, Dennis Duffy, to whom a few allusions had been made earlier in the season. Duffy is an obnoxious lout who epitomizes the stereotypes of the boorish South Bostonian, but Liz finds it hard to leave him permanently because he’s easy and low-maintenance. Jack strongly disapproves, and warns Liz that she faces a mediocre life with Dennis in her future... Buy a copy to keep reading!
ABOUT THE BOOK 30 Rock emerged from its first season into a changing comedy world. New leaders like Louis CK and Patton Oswalt were taking the standup world by storm. Even the pop-star status of Dane Cook, often reviled by hardcore comedy fans for his unadventurous material and impersonal style, represented a culture thinking about comedy as an essential need. This culture thought about comedy performers as distinct, individual voices to be followed loyally. On television, new shows like The Sarah Silverman Program and The Naked Trucker and T-Bones Show debuted on Comedy Central. Silvermans show, in particular, was crammed with longtime alt comedy favorites like Brian Posehn, Jay Johnston, and Steve Agee. It was produced in part by Rob Schrab, creator of the cult classic comic book Scud: The Disposable Assassin. At the cinema, The Simpsons, once the standard-bearer for an advancing vanguard of hip, post-modern, ironic, anti-establishment comedy, completed its journey into the mainstream by releasing one of the top-grossing films of 2007. Oswalt received his first major motion picture starring role in Ratatouille, a movie which ended up sweeping the major awards ceremonies in the Best Animated Film category. MEET THE AUTHOR Jonathan Nathan is a writer, an editor, and a comedian living in San Francisco. His work has appeared in the San Francisco Chronicle, California Northern, The Rumpus, McSweeney's Internet Tendency, BeyondChron, the Hutchinson News, and other publications. He's written about everything from politics to philosophy, from sports to cinema, from drugs to thugs. EXCERPT FROM THE BOOK One of the elements that Tina Fey and other creative minds behind 30 Rock sought to bring more to the forefront in the second season of the program was the idea of the strong recurrent subplot. While narrative elements had certainly appeared and reappeared throughout the shows freshman season, they had been decidedly in the background. That changed in Season 2, as a very clear throughline emerged as the prominent focal point of the show: Jack Donaghys attempts to rise in the corporate ranks at General Electric. At the end of the first season, Donaghy had suffered a heart attack brought on by issues in his personal life stemming from conflicts with everyone in his life from his mother to his girlfriend to Liz Lemon. He comes back strong in the premiere of the second season, having had a winning offseason as a television executive. He and Lemon are both certain that this will be their year. Donaghy, in fact, is quite sure that he has a shot at becoming the next chairman of GE. The current head of the company, Don Geiss, has been sending signals that he plans to retire soon, and Donaghy believes he has a strong chance at becoming his hand-picked replacement. However, Donaghy is thwarted by his old nemesis from the first season, Devon Banks. Banks, a gay man, has connived a brilliant plan. He narrowly worked his way through a pray the gay away program, Banks has seduced Geisss probably mentally challenged daughter, and is preparing to marry into the Geiss family. Its a smart move, and one that keeps Donaghy on his toes throughout the season. Banks and Donaghy trade jabs and blows back and forth throughout the season, and although its clear that Geiss favors Donaghy as his replacement, tragedy inevitably strikes. CHAPTER OUTLINE Quicklet on 30 Rock Season 2 + Troubles Brewing: A Sophomore Slump? + Tina Fey: A Life in Comedy + Main Characters + Key Terms + ...and much more 30 Rock Season 2
ABOUT THE BOOK The fourth season of 30 Rock, the brainchild of award-winning writer and actress Tina Fey, lives up to its reputation as a critical darling with a hardcore fan-base. 30 Rock, a three-time Emmy winner for Outstanding Comedy Series, returns with a 22-episode season continues to look behind the scenes of a Saturday Night Live-style comedy sketch show. Fey, an alum of SNL lives in New York, and the show is shot on location in Manhattan and at a studio in Long Island City. Fey first pitched the sitcom to NBC when she was the head writer for SNL in 2002. The original concept was in a cable-news setting, but she changed the focus to more familiar ground after discussions with the network. She remained as the head writer and a performer on the show until 30 Rock debuted in 2006. MEET THE AUTHOR Linda is a professional journalist with over 20 years of experience. Her first book, Hexes for Exes, was published in 2007 and is available everywhere fine books are sold! EXCERPT FROM THE BOOK The fourth season of 30 Rock follows two main story arcs as the latest season of The Girlie Show (TSG) with Tracy Jordan begins. It begins with the search and hiring of a new actor for the show, and delves into the personal life of head writer Liz Lemon and her search for what she wants in a man. As the season opens, executive Jack Donaghy is worried TGS is failing to connect with middle America, the people he calls real Americans. Jack feels his cast and crew have lost touch with their roots and have become too elite to know what flyover country finds funny. As usual, 30 Rock touches on major themes percolating in American society. At the time of its original prime time run in NBC (2009-10), the country was in a period of political upheaval. It was a year into the presidency of Barack Obama, and a serious backlash about taking back the country was forming in much of middle America. It was framed by the media and the right wing as the elite vs. real Americans. These themes are clearly indicated with 30 Rocks early storylines in the fourth season. Liz ventures out of her East Coast liberal cocoon in search of an actor who will satisfy Jacks desire for a new actor. CHAPTER OUTLINE Quicklet on 30 Rock Season 4 + About 30 Rock + About the Creator + Overall Summary + 30 Rock Season 4 Episode Guide + ...and much more 30 Rock Season 4
ABOUT THE BOOK 30 Rock is an NBC television series that has ruled Thursday nights in a way no half-hour sitcom has since the days of Friends. Created by former Saturday Night Live head writer and Weekend Update anchor Tina Fey, the show initially had trouble finding an audience. That changed practically overnight after Fey returned to SNL to play then-vice presidential hopeful Sarah Palin with whom Fey shares a resemblance. The show, now in its sixth season, has won many awards and continued to dominate televisions comedy genre. After garnering critical and commercial success for her work on SNL, Tina Fey surprised many in the television world by leaving the venerable sketch comedy show show in May of 2006 to work on her own NBC sitcom called 30 Rock. The show was inspired by Tinas own experience working as a writer on SNL, with 30 Rock about the behind-the-scenes craziness of an NBC late night sketch comedy show. MEET THE AUTHOR Kent Page McGroarty is a freelance writer. She is a frequent lifestyle contributor to online magazine EDGE Publications and Demand Media sites LIVESTRONG.com, eHow Home and Garden and Local.com. Kent also works as a blogger and copywriter, including for her own site, A Natural Day.net. She has a B.A. in English from Saint Joseph's University. EXCERPT FROM THE BOOK 30 Rock follows the life of 30-something Liz Lemon (Tina Fey), the head writer of The Girlie Show, a Saturday Night Live-type show filmed at NBCs 30 Rockefeller Plaza in New York. When the series begins, Liz has been informed of the death of her old boss and his subsequent replacement, the business-minded Jack Donaghy (Alec Baldwin). Jack has little experience producing television shows as he has previously worked in GEs corporate offices only, though GE owns NBC. He is initially unconcerned with the show as he oversees numerous other projects, but realizes he needs to drastically change The Girlie Show if the show is to remain on the air. Jack therefore hires Tracy Jordan (Tracy Morgan), a movie actor known for running through the streets of New York in his underwear among many other random acts of goofiness. Liz is against the hiring the minute Jack mentions the idea because she knows Tracy is insane, but Jack goes ahead and hires Tracy, anyway. Liz realizes the veins of Girlie Show star, Jenna Maroney (Jane Krakowski), will explode at the thought of another actor coming in to proverbially throw up all over her spotlight. But, Liz promises Jenna she will take care of it. Taking care of it doesnt go so well when Jack re-names the show TGS With Tracy Jordan. CHAPTER OUTLINE Quicklet on 30 Rock Season 6 + Introduction + About the Director and Producer + Overall Summary + Episode-By-Episode Summary and Commentary + ...and much more 30 Rock Season 6
Like the hipster movement it ridicules, Portlandia has its roots in the early 1990s - the Grunge Era. After early innovators like Mudhoney and Tad paved the way, the blockbuster triumvirate of Nirvana, Soundgarden, and Alice in Chains ruled MTV and college radio for half a decade, with Pearl Jam going on to even greater, and more sustained success. Kevin Smith and Richard Linklater made films that idealized underemployment and post-high-school doldrums. Quentin Tarantino pioneered a schizophrenic, heavily referential style of film that seemed designed to mimic the long, drawn-out, conversations of a group of stoned young film buffs with nothing to do and too big of a videotape collection. Flannel shirts and what Silver Jews frontman David Berman would later describe as "sarcastic hair" were the height of fashion. Every young kid in America since the second World War has probably been called a lazy, good-for-nothing slacker by his or her parents at least once, but in 1993, there was no higher compliment. Everybody was going to be an artist, a comedian, a writer, a filmmaker, an actor, a poet. And in two different grunge havens, separated by half a continent, Fred Armisen and Carrie Brownstein were starting their long journeys toward that dreamed-of success. Given that they both found their most widely celebrated success working together on a sketch comedy series, it is perhaps surprising that they both started out playing in cult favorite indie rock bands.
ABOUT THE BOOK "What is Community College? Well, you've heard all kinds of things. You've heard it's 'loser college' for remedial teens, twenty-something dropouts, middle-aged divorcees, and old people keeping their minds active as they circle the drain of eternity. That's what you heard; however, I wish you luck!" - Dean Pelton's Orientation Speech (Pilot) Community appeared on NBC's Thursday lineup for the first time on September 17th, 2009. The show centers around a group of misfit students studying at a four-year community college in the fictional town of Greendale, Colorado. The critics praised the show as extremely innovative. After generally positive reviews of the first season, NBC hoped that Community's audience would grow with summer reruns, picking up the show for a second season, which aired from September 23rd, 2010 to May 12th, 2011. However, after a promising start, it continued to struggle in the ratings, failing to establish itself with the audience of its lead-in, The Office. The third season premiered on September 22nd, 2011 but after only ten episodes was put on hiatus to become a midseason replacement show in January, later pushed back until spring. As of the date of this publication (February, 2012), Community is set to air the rest of its third season on NBC starting on March 15th, 2012, with the fate of a fourth season as yet undecided. MEET THE AUTHOR Evelyn hails from a very tiny country of Estonia, so it's ironic that she chose to be a writer when English isn't her fist language! After a few years of working for newspapers and local TV news, she chose to forego any idea of a schedule and started a freelance writing and marketing business. Because it isn't the most stable of jobs, Evelyn would often supplement her income with random gigs, including being a singing telegram and an airline interpreter. She has an unnaturally close relationship with food and for a number of years worked as a chef. However, after crying too many times in the kitchen, Evelyn had to give up her professional culinary pursuits. Instead, you'll find her traveling, reading, participating in your general 'debauchery' and making new friends. She has several degrees and some accolades but she'd much rather tell you about the time she smuggled a kitten on an airplane out of Russia. EXCERPT FROM THE BOOK Though the premise of the show originally introduced Jeff Winger, a lawyer with a shady past, as the lead, after the first few episodes the storylines of other students at Greendale's Community College grew to greater prominence. Community became a mishmash of messy, yet intriguing characters that contribute to the show's originality and plethora of comedic scenarios. The show famously uses other TV shows and films as the basis for individual episodes, and frequently exploits their cliches to present a further comedic twist. Community is both intelligently written and doesn't take itself too seriously. Because it relies heavily on other pop culture trivia, it is occasionally hard to follow if the references are unfamiliar to the viewer. The upside is that through the show, you can discover other shows and films you might have otherwise missed. For the conspiracy theorists, there is a rumor that an intentional 'O.J. Simpson is guilty' reference is made during the show's opening credits. For the Community enthusiast, it is just another example of how the show is layered with innuendos and clever between-the-lines dialogue, only obvious after multiple viewings. Therein lies the brilliance of this show.
ABOUT THE BOOK For some television comedies, it takes time to create truly memorable episodes. Classic series like Friends, South Park, and Seinfeld needed a season or two to fully flesh out their characters and give them the personality traits we grew to love. Others, like Arrested Development and Curb Your Enthusiasm, wasted no time in cranking out classic dialogue and classic episodes. It’s in this group that ABC’s mockumentary-style comedy Modern Family falls. It hit the ground running in its debut season, netting a Season 1 score of 87 on review aggregator Metacritic. That score made it the top-rated TV comedy of 2009, and the 87 tally trailed only Season 4 of Friday Night Lights. From shore to shore, critics were eager to praise Modern Family’s refreshing take on the American home. The San Francisco Chronicle called it “the best new comedy by far” in a season stacked with great new shows, and the New York Times hailed it as “the best new half hour of funny television.” Even the residents of the White House sang its praises, as President Obama revealed to People that his family’s go-to show to watch together was Modern Family. MEET THE AUTHOR Luke stole an English degree from the University of Illinois at Urbana-Champaign. He's been a blogger for nearly a decade, and a digital editor at an ad agency for three years. EXCERPT FROM THE BOOK Acceptance - Prevalent in just about every Modern Family episode. The couples are at the forefront here, and seem to in a lot of ways be complete opposites. Mitchell is uptight and no-nonsense, while Cam is sensitive and emotional. Phil is young at heart, nerdy, and longs to be the cool parent, whereas Claire is the disciplinarian, the worrier, and eager to prove she’s not as crazy as she once was. Jay and Gloria, for all of their physical differences, are just as dissimilar in their personalities. Gloria is passionate and wears her heart on her sleeve, and Jay avoids confrontation and stifles emotion in favor of manliness. When one of these six people forgets the traits of another (which can happen often because of the stark differences), conflict arises. It’s when each person can be accepted for who he or she is that true happiness emerges (this is fittingly found at the conclusion of each episode)... Buy a copy to keep reading!
ABOUT THE BOOK “I like to describe Portland as a city with a lot of self-esteem, filled with people with a lot of self-doubt. Portland is a really kind place, with all kinds of people who will go to tyrannical lengths to show you how kind they are, to the point that it actually feels kind of mean. I think a lot of our characters are trying to navigate that.” – Portlandia co-creator Carrie Brownstein, quoted in The Daily Beast “You remember the 90s, when everyone was pickling their own vegetables, and brewing their own beer? People were growing out their mutton chops and waxing their handlebar moustaches. Everyone was knitting and sewing clothes for their children. People were wearing glasses all the time, like contact lenses had never been invented.” “Wait, are we talking about the 1990s?” – Jason From LA and Melanie, Episode 5, “The Dream of the 1890s” If you haven’t heard the joke, then you haven’t been going to the right bars in the right cities with the right people. Hang around enough cool, plugged-in, young, urban progressives - “hipsters,” as they’ve been termed in the last few years - and you’re bound to eventually meet a couple of them who are self-aware enough to have latched on to it. The joke is dry, bitter, self-deprecating. It indicts the entire hipster scene for a sin, one which is simultaneously inconsequential and monumental, that has characterized American progressives - young and old, hip and square, urban and rural - for decades. “Hey, are you a hipster?” “No.” “OK, you’re a hipster.” Hipsters are becoming notorious for their self-loathing. The internet is lousy with Tumblrs, blogs, and entire websites dedicated to bashing the hipster phenomenon. But who are the people hanging out long enough to make all these observations in the Mission, in Williamsburg, in Silver Lake, in Wicker Park, in Capitol Hill? It generally takes one to know one, when it comes to hipsters, and the joke is that one of the first identifiers of a hipster is denial of membership in the group. It’s a social identity literally built around participants’ pretending to not be participants. EXCERPT FROM THE BOOK “Hey, are you a hipster?” “No.” “OK, you’re a hipster.” Hipsters are becoming notorious for their self-loathing. The internet is lousy with Tumblrs, blogs, and entire websites dedicated to bashing the hipster phenomenon. But who are the people hanging out long enough to make all these observations in the Mission, in Williamsburg, in Silver Lake, in Wicker Park, in Capitol Hill? It generally takes one to know one, when it comes to hipsters, and the joke is that one of the first identifiers of a hipster is denial of membership in the group. It’s a social identity literally built around participants’ pretending to not be participants. It’s not new, this progressive self-hatred. Its roots run deep. Liberals have always seemed uneasy with their own ideals. Conservatives rarely engage in the same degree of public, brutal, hilarious, humiliating self-flagellation. Recent studies have confirmed that conservative politics are bolstered by what is termed “low-effort thinking.” Firmly attached to a relatively simple, black-and-white worldview, a conservative does not see enough complexity in the issues of the day to see the funny side of his or her own perspective. But philosophical self-mutilation is so deeply entrenched in the left that progressives even do it in their daily lives. They wryly adopt and self-apply the most insulting terms hurled at them from across the aisle. Bleeding heart. Flaming liberal. Treehugger. And so on and so forth.
From viral Instagram sensation, lifestyle photographer, and mommy blogger Laura Izumikawa comes Naptime with Joey, a ridiculously delightful photo book of her now internet-famous daughter dressed up in various pop culture costumes—a perfect gift for new parents everywhere. Lights, Camera…Nap! Joey Marie wears many hats (or, rather, wigs): she’s dressed up as Inigo Montoya, Britney Spears, Beyoncé, Pikachu, Anna Wintour, Moana, and Barb from Stranger Things. She’s taken trips to Hawaii, baked croissants, and blasted off to the moon as an astronaut (at least, in her dreams). She’s held occupations such as pizza chef, aerobics instructor, and handy-dandy-fixer-upper (figuratively, of course). She’s inspired a parenting blog, been the face of her mom Laura Izumikawa’s Instagram account—and for the first time, she’s taken the leap from the ranks of internet-baby-snoredom to the pages of a book. Naptime with Joey is chockablock full of over a hundred deliciously adorable photos of Joey dressed up as various pop culture characters, movie stars, musicians, vacationers, and holiday-goers, making this the most fun, festive, and downright delightful gift under the sun!
E. H. Gombrich's Little History of the World, though written in 1935, has become one of the treasures of historical writing since its first publication in English in 2005. The Yale edition alone has now sold over half a million copies, and the book is available worldwide in almost thirty languages. Gombrich was of course the best-known art historian of his time, and his text suggests illustrations on every page. This illustrated edition of the Little History brings together the pellucid humanity of his narrative with the images that may well have been in his mind's eye as he wrote the book. The two hundred illustrations—most of them in full color—are not simple embellishments, though they are beautiful. They emerge from the text, enrich the author's intention, and deepen the pleasure of reading this remarkable work. For this edition the text is reset in a spacious format, flowing around illustrations that range from paintings to line drawings, emblems, motifs, and symbols. The book incorporates freshly drawn maps, a revised preface, and a new index. Blending high-grade design, fine paper, and classic binding, this is both a sumptuous gift book and an enhanced edition of a timeless account of human history.