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"Has such a range of genres that you can't pigeon hole it into one, therefore it held my attention. The shadowy love story between the main characters', it spoke about technology from a whole new perspective. The description alone in the book allowed you to image the scenes as if you were walking through the novel with the characters." -LaShawn CIA field operative Matthew Roger Harris, called out of his two year retirement on request of his dying stepfather's final aspiration. His stepfather, curious to find out once and for all; can scientists generate a new self-sustaining sun. Harris, following the lead of a murdered scientist, directs him to the project, Pandora, a device that could harness the power of a star stronger than our sun. Who else could fashion such a thing but the Chelsea Company. Who else could help Harris find Pandora other than this Company who heads the world in technology. Harris has to make peace with Nzingha Chelsea, CEO of the Chelsea Company who he betrayed on his last mission two years earlier, and fight secret assassins, all in search of Pandora in order to complete his father's dying wish. His father is slipping away fast and Harris's time is running out. "Ambitious book with a large scope that doesn't disappoint. The pace is fast and cinamatic, yet Wiggins attention to detail and character gives the book depth and focus. There's action, there's romance, there's science fiction there's intrigue, there's politics, and there's a message." -Sermons
In the futuristic world of Avatar, Jake, a wounded ex-marine is thrust into an elaborate scheme to mine an exotic planet for its rare and valuable natural resources. Scientists have created Avatars -- bodies designed to look like the planet′s alien inhabitants that have to be operated by a human consciousness. Walking in his Avatar body, Jake finds himself drawn to the planet′s way of life. But as the threat of war grows ever closer, Jake finds himself torn between his human roots and the new friends he wants to protect.. Ages: 7-10
"A passionate and thought-provoking book, particularly in our present economic climate" - Therapy Today, May 2009 "A vibrant, passionate, and hugely readable text which goes to the heart of the therapeutic project: how to help clients lead fuller and more meaningful lives" - Mick Cooper, Professor of Counselling at University of Strathclyde The unspoken yearning that brings people to therapy is often that of a desperate desire for happiness. Should therapists ignore this desire, interpret it or challenge it? And what does our preoccupation with happiness tell us about contemporary culture and the role of the therapist? In this book, Emmy van Deurzen addresses the taboo subject of the moral role of psychotherapists and counsellors. Asking when and why we decided that the aim of life is to be happy, she poses searching questions about the meaning of life. Psychotherap y and the Quest for Happiness seeks to define what a good life consists of and how therapists might help their clients to live well rather than just in search of happiness. This text makes stimulating reading for all trainee and practising counsellors and psychotherapists, especially those interested in the existential approach. Emmy van Deurzen is Co-Director of the Centre for the Study of Conflict and Reconciliation, and honorary Professor at the School of Health and Related Research, University of Sheffield
There Were Nine of Them: men with the names Oppenheimer, Teller, Fermi, Bohr, Lawrence, Bethe, Rabi, Szilard, and Compton-brilliant men who believed in science and who saw before anyone else did the awesome workings of an invisible world. They came from many places, some fleeing Nazism in Europe, others quietly slipping out of university teaching jobs, all gathering in secret wartime laboratories to create the world's first atomic bomb. At one such place hidden away in the mountains of northern New Mexico-Los Alamos-they would crack the secret of the nuclear chain reaction and construct a device that incinerated a city and melted its victims so thoroughly that the only thing left was their scorched outlines on the sidewalks. During the war, few of the atomic scientists questioned the wisdom of their desperate endeavor. But afterward, they were forced to deal with the sobering legacy of their creation. Some were haunted by the dead of Hiroshima and Nagasaki and would become anti-nuclear weapons activists; others would go on to build bigger and even deadlier bombs. Some would remain friends; others would become bitter rivals and enemies. In explaining their lives and their struggles, Brian VanDeMark superbly illuminates the ways in which these brilliant and sensitive men came to terms with their horrific creation. The result is spectacular history and a moral investigation of the highest order.
The most current and complete guide to a favorite teen genre, this book maps current releases along with perennial favorites, describing and categorizing fantasy, paranormal, and science fiction titles published since 2006. Speculative fiction continues to be of consuming interest to teens, so if you work with that age group, keeping up with the explosion of new titles in this category is critical. Likewise, understanding the many genres and subgenres into which these titles fall—wizard fantasy, alternate worlds, fantasy mystery, dystopian fiction, science fantasy, and more—is also key if you want to motivate young readers and direct them to books they'll enjoy. Written to help you master a complex array of genres and titles, this guide includes more than 1,500 books, most published since 2006, organizing them by genre, subgenre, and theme. Subgenres growing in popularity such as "steampunk" are highlighted to keep you current with the latest trends. The guide will serve three audiences. Of course, you can turn to it as you help your teenage patrons select the books and genres that will interest them most. Teen readers, whether devoted fans or newcomers, can use it themselves to find titles and subgenres they might like. In addition, the guide will help teachers and parents match students with the right books.
Evil. Women. The Feminine. The relationships that bring together these three ideas form the basis for the papers gathered together in this volume. By asking how, why, when, and to what purpose these three terms are often linked serves as the starting point of interrogation for each of the authors here considered.
A scientist friend asked Bruno Latour point-blank: “Do you believe in reality?” Taken aback by this strange query, Latour offers his meticulous response in Pandora’s Hope. It is a remarkable argument for understanding the reality of science in practical terms. In this book, Latour, identified by Richard Rorty as the new “bête noire of the science worshipers,” gives us his most philosophically informed book since Science in Action. Through case studies of scientists in the Amazon analyzing soil and in Pasteur’s lab studying the fermentation of lactic acid, he shows us the myriad steps by which events in the material world are transformed into items of scientific knowledge. Through many examples in the world of technology, we see how the material and human worlds come together and are reciprocally transformed in this process. Why, Latour asks, did the idea of an independent reality, free of human interaction, emerge in the first place? His answer to this question, harking back to the debates between Might and Right narrated by Plato, points to the real stakes in the so-called science wars: the perplexed submission of ordinary people before the warring forces of claimants to the ultimate truth.
Anne Rice, creator of the Vampire Lestat, the Mayfair witches and the amazing worlds they inhabit, now gives us the first in a new series of novels linked together by the fledgling vampire David Talbot, who has set out to become a chronicler of his fellow Undead. The novel opens in present-day Paris in a crowded café, where David meets Pandora. She is two thousand years old, a Child of the Millennia, the first vampire ever made by the great Marius. David persuades her to tell the story of her life. Pandora begins, reluctantly at first and then with increasing passion, to recount her mesmerizing tale, which takes us through the ages, from Imperial Rome to eighteenth-century France to twentieth-century Paris and New Orleans. She carries us back to her mortal girlhood in the world of Caesar Augustus, a world chronicled by Ovid and Petronius. This is where Pandora meets and falls in love with the handsome, charismatic, lighthearted, still-mortal Marius. This is the Rome she is forced to flee in fear of assassination by conspirators plotting to take over the city. And we follow her to the exotic port of Antioch, where she is destined to be reunited with Marius, now immortal and haunted by his vampire nature, who will bestow on her the Dark Gift as they set out on the fraught and fantastic adventure of their two turbulent centuries together. Look for Anne Rice’s new book, Prince Lestat and the Realms of Atlantis, coming November 29, 2016.
For much of the mid-twentieth century, Roberto Gerhard found himself an outsider. He was airbrushed from much writing on contemporary music in Spain during the Franco regime, and was known in England more for his ‘commercial’ music for theatre, film and radio than his concert works. However, his significance as a musical innovator in developing serial technique and in the field of electro-acoustics is now being gradually recognised in both Spain and England, as well as further afield. The volume explores an extensive range of Gerhard’s work from the early Wind Quintet and the Spanish ballets Pandora and Don Quixote with their overt political overtones, through to the late period Metamorphoses and a newly discovered chance-based composition Claustophilia written in response to a request by John Cage for his book Notations. One of the key themes presented throughout the book is Gerhard’s innovative use of serialism. Gerhard’s development of Schoenberg’s technique led him to explore the serialization of both pitch and time. This volume suggests evidence for the first time that situates Gerhard’s idiosyncratic experiments alongside rather than after the total serialist works of his European counterparts Pierre Boulez, Olivier Messiaen and Karlheinz Stockhausen.
PANDORA’S BOX: STAY IN OR EXPAND is an alternative-world fiction book. Siena is a Celestial Messenger in training. Siena gets inspired by watching her favorite instructor Penti dancing with Her Love Sirius. Penti giving off the strong feelings of safety and love while Sirius danced with Her is what Siena has always longed for. Unlike Siena, Penti is meant to go through the Carnation Ceremony to live in the Physical World. Siena convinces Penti to reveal Her story and becomes the recorder for one of the greatest romance books of all time, Penti’s Love!