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The Genesis flood account has been probed and analyzed for centuries. But what might the biblical author have been saying to his ancient audience? In order to rediscover the biblical flood, we must set aside our own cultural and interpretive assumptions and visit the distant world of the ancient Near East. Walton and Longman lead us on this enlightening journey toward a more responsible reading of a timeless biblical narrative.
From a historical perspective, the book studies how modernist artists, as the first generation who began to rethink intensively the legacy of German Idealism, sought to recreate the self so as to recreate their relationships with the material world. Theoretically, the book converses with the topical de-anthropocentric interests in the 21st century and proposes that the artist may escape human-centeredness through the transformation of the self. Part One, “Artificiality,” begins the discussion with the fin-de-siècle cult of artificiality, where artists such as Theophile Gautier, Charles Baudelaire, J.K. Huysmans, and Gustave Moreau dedicate themselves to love stony sphinxes, marble statues, and inorganic appearances. The cult of artificiality is a mischievous subversion to Hegel’s maxim that inwardness is superior to matter. In the cult of artificiality, art is superior to nature, though art is no longer defined as immaterial imagination but rather reconfigured as mysterious appearances that defy signification and subjugate the feeling heart. Part Two, “Auto-philosophical Fiction,” discusses the genre where the artists (Marcel Proust, Walter Pater, and Virginia Woolf) set philosophical ideas in the laboratory of their lives and therefore translate their aesthetic ideals—the way they wish to relate to the world—into a journey of self-examination and self-cultivation. In Pater’s novel 'Marius the Epicurean', the hero explores how a philosophical percept may be translated into sentiments and actions, demonstrating that literature is a unique approach to truth as it renders theory into a transformative experience. Exploring the latest findings of empiricist psychology, the artists seek to escape the Kantian trap by cultivating their powers of reception and to register passing thoughts and sensations. Together, the book argues that de-anthropocentrism cannot be predicated upon a metaphysics that presumes universal subjectivity but must be a form of aesthetic inquiry that recreates the self in order to recreate our relationships with the world.
The Untold Story of One Man's Quest for a Lost World In 1679, Renaissance man Olof Rudbeck stunned the world. He proposed that an ancient lost civilization once thrived in the far north of his native Sweden: the fabled Atlantis. Rudbeck would spend the last thirty years of his life hunting for the evidence that would prove this extraordinary theory. Chasing down clues to that lost golden age, Rudbeck combined the reasoning of Sherlock Holmes with the daring of Indiana Jones. He excavated what he thought was the acropolis of Atlantis, retraced the journeys of classical heroes, opened countless burial mounds, and consulted rich collections of manuscripts and artifacts. He eventually published his findings in a 2,500-page tome titled Atlantica, a remarkable work replete with heroic quests, exotic lands, and fabulous creatures. Three hundred years later, the story of Rudbeck’s adventures appears in English for the first time. It is a thrilling narrative of discovery as well as a cautionary tale about the dangerous dance of genius and madness.
#1 NEW YORK TIMES BESTSELLER • From the author of Timeline, Sphere, and Congo comes the sequel to the smash-hit Jurassic Park, a thriller that’s been millions of years in the making. “Fast and gripping.”—The Washington Post Book World It is now six years since the secret disaster at Jurassic Park, six years since the extraordinary dream of science and imagination came to a crashing end—the dinosaurs destroyed, the park dismantled, and the island indefinitely closed to the public. There are rumors that something has survived. . . . “Harrowing thrills . . . fast-paced and engaging.”—People “A very scary read.”—Entertainment Weekly “Action-packed.”—New York Daily News “An edge-of-the-seat tale.”—St. Petersburg Times
The reprint of Count Byron de Prorok's classic archaeology/adventure book first published in 1936 by E P Dutton and Co. in New York. In this exciting and well illustrated book, de Prorok takes us into the deep Sahara of forbidden Algeria to the Queen of the Tuaregs and many prehistoric ruins. Then he on to the Siwa Oasis in Egypt and then to Ethiopia. De Prorok continues on to Mexico and the remote jungles of Chiapas to discover a lost Mayan tribe and a lost city and a search for King Solomon's mines in Ethiopia Great reading, history and adventure! Includes: Tin Hinan, Legendary Queen of the Tuaregs; The mysterious A'Haggar Range of southern Algeria, Jupiter, Ammon and Tripolitania; The 'Talking Dune'; The Land of the Garamantes; Mexico and the Poison Trail; Seeking Atlantis Shadowed by the 'Little People' Ancient Pyramids of the Usamasinta and Piedras Negras in Guatemala; In Search of King Solomon's Mines and the Land of Ophir; Ancient Emerald Mines of Ethiopia. Also includes 24 pages of special illustrations of the famous Search For the Tassili Frescoes by Henri Lhote (1959). A visual treat Of a remote area of the world that is even today forbidden to outsider
Tom and his companions face a new challenge in the mysterious land of Tavania. Raging forest fires are destroying all in their path. Tom knows a Beast is to blame, but can he defeat Hellion, a creature made entirely of flames, and escape with his life...? Don't miss CONVOL THE COLD-BLOODED BRUTE KRESTOR THE CRUSHING TERROR MADARA THE MIDNIGHT WARRIOR ELLIK THE LIGHTNING HORROR CARNIVORA THE WINGED SCAVENGER
In this classic work by one of America's most widely read historians, Daniel J. Boorstin demonstrates why and how, on the 250th anniversary of his birth, Thomas Jefferson continues to speak to us.
A ravenous Beast terrorises the windswept plains of Tavania: Madara the Midnight Warrior is on the prowl! If Tom cannot defeat her, the dark portals over the land will continue to destroy the kingdom... Don't miss CONVOL THE COLD-BLOODED BRUTE HELLION THE FIERY FOE KRESTOR THE CRUSHING TERROR ELLIK THE LIGHTNING HORROR CARNIVORA THE WINGED SCAVENGER
One man’s quest to find the oldest Bible scrolls in the world and uncover the story of the brilliant, doomed antiquarian accused of forging them. In the summer of 1883, Moses Wilhelm Shapira—archaeological treasure hunter and inveterate social climber—showed up unannounced in London claiming to have discovered the oldest copy of the Bible in the world. But before the museum could pony up his £1 million asking price for the scrolls—which discovery called into question the divine authorship of the scriptures—Shapira’s nemesis, the French archaeologist Charles Clermont-Ganneau, denounced the manuscripts, turning the public against him. Distraught over this humiliating public rebuke, Shapira fled to the Netherlands and committed suicide. Then, in 1947 the Dead Sea Scrolls were discovered. Noting the similarities between these and Shapira’s scrolls, scholars made efforts to re-examine Shapira’s case, but it was too late: the primary piece of evidence, the parchment scrolls themselves had mysteriously vanished. Tigay, journalist and son of a renowned Biblical scholar, was galvanized by this peculiar story and this indecipherable man, and became determined to find the scrolls. He sets out on a quest that takes him to Australia, England, Holland, Germany where he meets Shapira’s still aggrieved descendants and Jerusalem where Shapira is still referred to in the present tense as a “Naughty boy”. He wades into museum storerooms, musty English attics, and even the Jordanian gorge where the scrolls were said to have been found all in a tireless effort to uncover the truth about the scrolls and about Shapira, himself. At once historical drama and modern-day mystery, The Lost Book of Moses explores the nineteenth-century disappearance of Shapira’s scrolls and Tigay's globetrotting hunt for the ancient manuscript. As it follows Tigay’s trail to the truth, the book brings to light a flamboyant, romantic, devious, and ultimately tragic personality in a story that vibrates with the suspense of a classic detective tale.
"Extraordinarily compelling. The Quest for the Lost Nation is a model for comparative history-and should serve as an incentive for a new generation to do more of this kind of work."--Michael Geyer, University of Chicago.