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While the topic of queer sexuality in imperial Russia and the Soviet Union has been investigated for decades by scholars working in the fields of sociology, history, literary studies, and musicology, it has yet to be studied in any comprehensive or systematic way by those working in the visual arts. Queer(ing) Russian Art: Realism, Revolution, Performance is meant to address this lacuna by providing a platform for new scholarship that connects "Russian" art with queerness in a variety of ways. Situated at the intersection of Visual Studies and Queer Studies and working from different theoretical and disciplinary perspectives, the contributors expose and explore the queer imagery and sensibilities in works of visual art produced in pre-Soviet, Soviet and post-Soviet contexts and beneath the surface of conventional histories of Russian and Soviet art.
Standing at the intersection of Visual Studies and Queer Studies, the volume Queer(ing) Russian Art: Realism, Revolution, Performance exposes and explores the queer imagery and sensibilities in works of visual art in pre-Soviet, Soviet and post-Soviet contexts and beneath the surface of conventional histories of Russian art.
This book explores how queerness and representations of queerness in media and culture are responding to the shifting socio-political, cultural and legal conditions in post-Soviet Russia, especially in the light of the so-called ‘antigay’ law of 2013. Based on extensive original research, the book outlines developments historically both before and after the fall of the Soviet Union and provides the background to the 2013 law. It discusses the proliferating alternative visions of gender and sexuality, which are increasingly prevalent in contemporary Russia. The book considers how these are represented in film, personal diaries, photography, theatre, protest art, fashion and creative industries, web series, news media and how they relate to the ‘traditional values’ rhetoric. Overall, the book provides a rich and detailed, yet complex insight into the developing nature of queerness in contemporary Russia.
Creative Multilingualism: A Manifesto is a welcome contribution to the field of modern languages, highlighting the intricate relationship between multilingualism and creativity, and, crucially, reaching beyond an Anglo-centric view of the world.
Over the past two decades, the exiled Russian artist Slava Mogutin has gained international acclaim for his gritty, candid portrayal of disaffected youth and documentation of alternative urban subcultures, as well as his writings, multimedia work, and political activism.Bros & Brosephinesis a survey of Mogutin's studio and fashion photography, commissioned portraits, and previously unpublished images. From his early raw analog snapshots to elaborate compositions, sets, and post-production, the book offers Mogutin's signature explosive blend of art, fashion, and fetish, transcending and dissecting the conventional notions of beauty and masculinity.The monograph also features Mogutin's collaborations with fellow artists, including Brian Kenny, Gio Black Peter, Andrey Bartenev, Asher Levine, Martin Elmasflaco, Sebastien Meunier, François Sagat, Jan Wandrag, and many more.
This book studies satirical protest in today’s Russia, addressing the complex questions of the limits of allowed humor, the oppressive mechanisms deployed by the State and pro-State agents as well as counterstrategies of cultural resistance. What forms of satirical protest are there? Is there State-sanctioned satire? Can satire be associated with propaganda? How is satire related to myth? Is satirical protest at all effective?—these are some of the questions the authors tackle in this book. The first part presents an overview of the evolution of satire on stage, on the Internet and on television on the background of the changing post-Soviet media landscape in the Putin era. Part Two consists of five studies of satirical protest in music, poetry and public protests.
Explores the work of a playful, emphatically countercultural collective whose satirical poetry and prose, pop music, cinema, and conceptual performance in post-Soviet Russia has influenced other protest artists, such as Pussy Riot.
Combines development theory with practice through a case study of the West African community of Tostan
Based on ethnographic fieldwork in Guangdong, China, this book asks: what does it mean for Chinese non-heterosexual people to go against existing state regulations and societal norms to form a desirable and legible queer family? Chapters explore the various tactics queer people employ to have children and to form queer or ‘rainbow’ families. The book unpacks people’s experiences of cultivating, or losing, kinship relations through their negotiation with biological relatives, cultural conventions and state legislations. Through its analysis, the book offers a new ethnographic perspective for queer studies and anthropology of kinship.
»Roman Charity« investigates the iconography of the breastfeeding daughter from the perspective of queer sexuality and erotic maternity. The volume explores the popularity of a topic that appealed to early modern observers for its eroticizing shock value, its ironic take on the concept of Catholic »charity«, and its implied critique of patriarchal power structures. It analyses why early modern viewers found an incestuous, adult breastfeeding scene »good to think with« and aims at expanding and queering our notions of early modern sexuality. Jutta Gisela Sperling discusses the different visual contexts in which »Roman Charity« flourished and reconstructs contemporary horizons of expectation by reference to literary sources, medical practice, and legal culture.