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The romantic side of Henry James, revealed through his letters to young male friends
Drawing on queer theory, this study locates unorthodox desire in Henry James with a special focus on his two most deliberately queer novels, The Bostonians and The Princess Casamassima. Jacob Jacobson shows how queer desire in these texts is exploited beyond the personal to solicit pawns for subversive causes. More than banal prattle, anarchism and feminism are viable threats to the status quo. By subtly depicting the potency of the politics of same-sex erotics, James legitimates queer desire. If fictional deaths are possible metaphors for sex, Jacobson argues that Hyacinth's unlawful suicide can be concurrently read as a veiled act of licentious masturbation. Hyacinth recovers through death both his body politic and his body erotic in what is James's biggest challenge to patriarchy.
Sheldon M. Novick has written an extensive biographical introduction. This is complimented by an essay documenting James's friendships with younger men, which includes quotations from unpublished letters. Other subjects include the influence on James of the emergence of a specific concept of 'the homosexual' and James's reactions to the aesthetic movement; and there are close analyses of many of James's stories and novels, selected so that all of his career is represented.
The true meaning of being fashionably late in Henry James's late works.
This groundbreaking volume presents a radical revision of gay criticism and focuses on E. M. Forster's place in the emerging field of queer studies. Many previous critics of Forster downplayed his homosexuality or read Forster naively in terms of gay liberation. This collection situates Forster within the Bloomsbury Group and examines his relations to major figures such as Henry James, Edward Carpenter, and Virginia Woolf. Particular attention is paid to Forster's several accounts of India and their troubled relation to the British colonial enterprise. Analyzing a wide range of Forster's work, the authors examine material from Forster's undergraduate writings to stories written more than a half-century later. A landmark book for the study of gender in literature, Queer Forster brings the terms "queer" and "gay" into conversation, opening up a dialogue on wider dimensions of theory and allowing a major revaluation of modernist inventions of sexual identity.
Henry James and Sexuality offers a bold, new interpretation of James' fiction. Hugh Stevens argues that James' writing contains daring and radical representations of transgressive desires and marginalized sexual identities. He demonstrates the importance of incestuous desire, masochistic fantasy, and same-sex passions in a body of fiction that ostensibly conforms to, while ironically mocking, the contemporary moral and publishing codes James faced. This original and exciting work will transform our understanding of this most enigmatic of writers.
In Henry James and Queer Modernity, first published in 2003, Eric Haralson examines far-reaching changes in gender politics and the emergence of modern male homosexuality as depicted in the writings of Henry James and three authors who were greatly influenced by him: Willa Cather, Gertrude Stein and Ernest Hemingway. Haralson places emphasis on American masculinity as portrayed in fiction between 1875 and 1935, but the book also treats events in England, such as the Oscar Wilde trials, that had a major effect on American literature. He traces James's engagement with sexual politics from his first novels of the 1870s to his 'major phase' at the turn of the century. The second section of this study measures James's extraordinary impact on Cather's representation of 'queer' characters, Stein's theories of writing and authorship as a mode of resistance to modern sexual regulation, and Hemingway's very self-constitution as a manly American author.
This study challenges the notion that closeted secrecy was a necessary part of social life for gay men living in the shadow of the trial and imprisonment of Oscar Wilde. It reconstructs a surprisingly open network of queer filiation in which Henry James occupied a central place. The lives of its satellite figures — most now forgotten or unknown — offer even more suggestive evidence of some of the countervailing forms of social practice that could survive even in that hostile era. If these men enjoyed such exemption largely because of the prerogatives of class privilege, their relative freedom was nevertheless a visible rebuke to the reductive stereotypes of homosexuality that circulated and were reinforced in the culture of the period. This book will be of particular interest to scholars of Henry James and queer studies, readers of late Victorian and modern literature, and those interested in the history and social construction of gender roles.
Colm Tóibín knows the languages of the outsider, the secret keeper, the gay man or woman. He knows the covert and overt language of homosexuality in literature. In Love in a Dark Time, he also describes the solace of finding like-minded companions through reading. Colm Tóibín examines the life and work of some of the greatest and most influential writers of the past two centuries, figures whose homosexuality remained hidden or oblique for much of their lives, either by choice or necessity. The larger world couldn't know about their sexuality, but in their private lives, and in the spirit of their work, the laws of desire defined their expression. This is an intimate encounter with Mann, Baldwin, Bishop, and with the contemporary poets Thom Gunn and Mark Doty. Through their work, Tóibín is able to come to terms with his own inner desires—his interest in secret erotic energy, his admiration for courageous figures, and his abiding fascination with sadness and tragedy. Tóibín looks both at writers forced to disguise their true experience on the page and at readers who find solace and sexual identity by reading between the lines.