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Queens in War Zones is a story about five African American females who grew up in a treacherous suburb in Birmingham, Alabama. One of them will tell the story of the challenges they faced while living in this hazardous community. She will also tell the regular complications each of theVm endured as young women. Through all the trials and tribulations, nothing could separate their bond and love for one another. The story will take a fatal turn when one of them knocks on deaths door to save a loved one.
in the confusing decade following World War II, comic books were all the rage. They treated such issues as the atomic and hydrogen bombs, communism, and the Korean War, and they offered heroes and heroines to deal with these problems. Using five representative cartoon stories, historian William Savage looks at the immense popularity of comic books and their impact on the American public. Cartoons.
This book, based upon a series of psychological research studies, examines Sierra Leone as a case study of a constructivist and narrative perspective on psychological responses to warfare, telling the stories of a range of survivors of the civil war. The authors explore previous research on psychological responses to warfare while providing background information on the Sierra Leone civil war and its context. Chapters consider particular groups of survivors, including former child soldiers, as well as amputee footballers, mental health service users and providers, and refugees. Implications of the themes emerging from this research are considered with respect to how new understandings can inform current models of trauma and work with its survivors. Amongst the issues concerned will be post-traumatic stress and post-traumatic growth; resilience; mental health service provision; perpetration of atrocities; and forgiveness. The book also provides a critical consideration of the appropriateness of the use of Western concepts and methods in an African context. Drawing upon psychological theory and rich narrative research, Trauma, Survival and Resilience in War Zones will appeal to researchers and academics in the field of clinical psychology, as well as those studying post-war conflict zones.
This book deals with an aspect of the Great War that has been largely overlooked: the war reportage written based on British and American authors’ experiences at the Western Front. It focuses on how the liminal experience of the First World War was portrayed in a series of works of literary journalism at different stages of the conflict, from the summer of 1914 to the Armistice in November 1918. Sara Prieto explores a number of representative texts written by a series of civilian eyewitness who have been passed over in earlier studies of literature and journalism in the Great War. The texts under discussion are situated in the ‘liminal zone’, as they were written in the middle of a transitional period, half-way between two radically different literary styles: the romantic and idealising ante bellum tradition, and the cynical and disillusioned modernist school of writing. They are also the product of the various stages of a physical and moral journey which took several authors into the fantastic albeit nightmarish world of the Western Front, where their understanding of reality was transformed beyond anything they could have anticipated.
In Queens of Afrobeat, the women of Afrobeat music—a unique blend of jazz, soul, highlife, and West African rhythms—are finally given the recognition they deserve. This extensive study takes a multifaceted view of the storied lives of the women behind Fela Kuti's activist music. Dotun Ayobade's wide-ranging research pulls from interviews with surviving queens, ethnographic narratives, the exploration of newspaper archives, and close readings of album covers, photographs, and promotional materials to help us see and understand the women who surrounded Fela Kuti on stage and in everyday life. Not only were these artists crucial performers and backup singers for Kuti's most important compositions, they also played key roles in his activism and campaigns of social protest against the Nigerian government in the 1970s. Drawing on previously untapped material, Queens of Afrobeat weaves together an intricate narrative of women's participation in popular music. The stories of these remarkable women transform and uniquely personalize our understanding of the politics and performance of one of the major modern musical traditions in Africa.
A highly-illustrated, entertaining account of English royal history from 1066 to the present that explores the scandals behind each royal dynasty, from the ‘accidental’ murder of William II to American divorcée Meghan Markle, highlighting the individuals honoured with the crown of England—and those unfortunate enough to cross their paths.
Despite its reputation as the longest established in Europe, the history of the English monarchy is punctuated by scandal, murders, betrayals, plots, and treason. Since William the Conqueror seized the crown in 1066, England has seen three civil wars; six monarchs have been murdered or executed; the throne of England has been usurped four times, and won in battle three times; and personal scandals and royal family quarrels abound.
One Face in a Million is an entirely fictional story evolved over many years. The author began thinking about writing a story after he visited southern Africa in 1967, where his wife had been born and raised and was often called Mu Shangaaniana when she was young. He began to formulate a story about a young gal who had been raised on a mission station in Mozambique. She was anxious to leave Africa for America to have a more interesting life. A plot formed in his my mind, and he envisioned a striking gal having a life that was quite amazing. She would travel and fall in love, meet notable people, and experience a lot of success. Would that prove to be satisfying for her? During the years that followed, William was privileged to travel to many places throughout the world, so his story evolved in a way that readers could share in some of his traveling experiences. His protagonist had to decide what was really important in her life. Her story takes place across the span of a few decades; therefore, the story eventually developed into a series of five books, which should be considered as one. Because the title is One Face in a Million, William knew her appearance would be of real interest. He looked at images of several notable actresses of the past, but the one that he preferred was of Merle Oberon. Perhaps it would be just as well for any reader to formulate their own ideas of what his characters would look like. Although this is a fictitious story, he hopes that it entertains those who choose to read it.
This amusing insight into Cunard's legendary liners begins more than fifty years ago when Paul Curtis joined the original Queen Mary as entertainments officer. Over a Cunard high tea in the Queens Room, Paul recounts the stories of these iconic ships. Then, over a drink in the Red Lion, he shares the tales of the antics of both passengers and crews. The facts are delivered in vivid detail – some of them things you should know and an occasional peep at things you shouldn't. Simply turning these pages releases a sniff of the sea and a whiff of champagne. Paul has worked, travelled upon or photographed every Cunard Queen ever built. He has an offbeat sense of humour and a keen appetite for the ridiculous. A life at sea can do that to you.
Significant changes in New York City's Latino community have occurred since the first edition of Latinos in New York: Communities in Transition was published in 1996. The Latino population in metropolitan New York has increased from 1.7 million in the 1990s to over 2.4 million, constituting a third of the population spread over five boroughs. Puerto Ricans remain the largest subgroup, followed by Dominicans and Mexicans; however, Puerto Ricans are no longer the majority of New York's Latinos as they were throughout most of the twentieth century. Latinos in New York: Communities in Transition, second edition, is the most comprehensive reader available on the experience of New York City's diverse Latino population. The essays in Part I examine the historical and sociocultural context of Latinos in New York. Part II looks at the diversity comprising Latino New York. Contributors focus on specific national origin groups, including Ecuadorians, Colombians, and Central Americans, and examine the factors that prompted emigration from the country of origin, the socioeconomic status of the emigrants, the extent of transnational ties with the home country, and the immigrants' interaction with other Latino groups in New York. Essays in Part III focus on politics and policy issues affecting New York's Latinos. The book brings together leading social analysts and community advocates on the Latino experience to address issues that have been largely neglected in the literature on New York City. These include the role of race, culture and identity, health, the criminal justice system, the media, and higher education, subjects that require greater attention both from academic as well as policy perspectives. Contributors: Sherrie Baver, Juan Cartagena, Javier Castaño, Ana María Díaz-Stevens, Angelo Falcón, Juan Flores, Gabriel Haslip-Viera, Ramona Hernández, Luz Yadira Herrera, Gilbert Marzán, Ed Morales, Pedro A. Noguera, Rosalía Reyes, Clara E. Rodríguez, José Ramón Sánchez, Walker Simon, Robert Courtney Smith, Andrés Torres, and Silvio Torres-Saillant.