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Prince Leopold, Duke of Albany (1853-84), is acknowledged to have been the most intelligent and probably the most interesting of Queen Victoria's four sons. He was the youngest and a strong-willed attractive character, with an immense thirst for life. He was also, however, the first haemophilia sufferer in the royal family and endured continual ill health; as if haemophilia was not enough, he was also epileptic. In this biography, Charlotte Zeepvat has drawn on sources to reveal a compelling human story which also touches on the wider worlds of late 19th-century Oxford and of literature, art and politics in the Victorian period. In particular, it examines the question of haemophilia and the royal family. There are many questions to answer, such as when did the Queen and Prince Albert realize their youngest son was ill and how much did they understand of his illness? Some of Leopold's early attacks were described as "rheumatism" - was this an attempt to keep the truth concealed or a genuine misunderstanding? The book also presents a full and balanced picture of Leopold's relationship with his mother. Letters already published provide snapshots of individual quarrels between mother and son but no one has yet considered the relationship as a whole. Finally it eamines Leopold's life at Oxford, the varied and interesting friendships he developed there (with, among others, Charles Dodgson - "Lewis Carroll" - John Ruskin and Oscar Wilde), his political views and the importance of his work as unofficial secretary to the Queen.
Prince Leopold, Duke of Albany (1853-84), is acknowledged to have been the most intelligent and, in the words of one writer, 'by far and away the most interesting' of Queen Victoria's four sons. He was a strong-willed, attractive character, with an immense thirst for life. He was also, however, the first royal haemophiliac and suffered continual ill health: in addition to haemophilia, Leopold suffered from epilepsy. nineteenth-century Oxford and of literature, art and politics in the Victorian period, it examines the question of haemophilia and the royal family from a new angle, at the first appearance of the condition. For example, when did the Queen and Prince Albert realise that their youngest son was ill and how much did they understand of his illness? The book also presents a full and balanced picture of Leopold's relationship with his mother, looking beyond snapshots of individual quarrels between mother and son. Finally, it examines Leopold's life at Oxford, the varied and interesting friendships he developed there with Lewis Carroll, John Ruskin and Oscar Wilde; his political views; and the importance of his work as unofficial secretary to the Queen.
Beatrice Mary Victoria Feodore, later Princess Henry of Battenberg, was the last-born – in 1866 – of Victoria and Albert's children, and she would outlive all of her siblings to die as recently as 1944. Her childhood coincided with her mother's extended period of mourning for her prematurely deceased husband, a circumstance which may have contributed to Victoria's determination to keep her youngest daughter as close to her as possible. She would eventually marry Prince Henry of Battenberg in 1885, but only after overcoming her mother's opposition to their union. Beatrice remained Queen Victoria's favourite among her five daughters, and became her mother's constant companion and later her literary executor, spending the years that followed Victoria's death in 1901 editing her mother's journals and voluminous correspondence. Matthew Dennison's elegantly written biography restores Beatrice to her rightful place as a key figure in the history of the Victorian age, and paints a touching and revealing portrait of the life and family of Britain's second-longest-reigning monarch.
Queen Victoria's son, Prince Leopold, died from haemophilia, but no member of the royal family before his generation had suffered from the condition. Medically, there are only two possibilities: either one of Victoria's parents had a 1 in 50,000 random mutation, or Victoria was the illegitimate child of a haemophiliac man. However the haemophilia gene arose, it had a profound effect on history. Two of Victoria's daughters were silent carriers who passed the disease to the Spanish and Russian royal families. The disease played a role in the origin of the Spanish Civil War; and the tsarina's concern over her only son's haemophilia led to the entry of Rasputin into the royal household, contributing directly to the Russian revolution.
The secrets of Queen Victoria's sixth child, Princess Louise, may be destined to remain hidden forever. What was so dangerous about this artistic, tempestuous royal that her life has been documented more by rumor and gossip than hard facts? When Lucinda Hawksley started to investigate, often thwarted by inexplicable secrecy, she discovered a fascinating woman, modern before her time, whose story has been shielded for years from public view. Louise was a sculptor and painter, friend to the Pre-Raphaelites and a keen member of the Aesthetic movement. The most feisty of the Victorian princesses, she kicked against her mother's controlling nature and remained fiercely loyal to her brothers-especially the sickly Leopold and the much-maligned Bertie. She sought out other unconventional women, including Josephine Butler and George Eliot, and campaigned for education and health reform and for the rights of women. She battled with her indomitable mother for permission to practice the "masculine" art of sculpture and go to art college-and in doing so became the first British princess to attend a public school. The rumors of Louise's colorful love life persist even today, with hints of love affairs dating as far back as her teenage years, and notable scandals included entanglements with her sculpting tutor Joseph Edgar Boehm and possibly even her sister Princess Beatrice's handsome husband, Liko. True to rebellious form, she refused all royal suitors and became the first member of the royal family, since the sixteenth century, to marry a commoner. She moved with him to Canada when he was appointed Governor-General. Spirited and lively, Queen Victoria's Mysterious Daughter is richly packed with arguments, intrigues, scandals, and secrets, and is a vivid portrait of a princess desperate to escape her inheritance.
The story of five women who shared one of the most extraordinary and privileged sisterhoods of all time. Vicky, Alice, Helena, and Beatrice were historically unique sisters, born to a sovereign who ruled over a quarter of the earth's people and who gave her name to an era: Queen Victoria. Two of these princesses would themselves produce children of immense consequence. All five would curiously come to share many of the social restrictions and familial machinations borne by nineteenth-century women of less-exulted class. Victoria and Albert's precocious firstborn child, Vicky, wed a Prussian prince in a political match her high-minded father hoped would bring about a more liberal Anglo-German order. That vision met with disaster when Vicky's son Wilhelm-- to be known as Kaiser Wilhelm-- turned against both England and his mother, keeping her out of the public eye for the rest of her life. Gentle, quiet Alice had a happier marriage, one that produced Alexandra, later to become Tsarina of Russia, and yet another Victoria, whose union with a Battenberg prince was to found the present Mountbatten clan. However, she suffered from melancholia and died at age thirty-five of what appears to have been a deliberate, grief-fueled exposure to the diphtheria germs that had carried away her youngest daughter. Middle child Helena struggled against obesity and drug addition but was to have lasting effect as Albert's literary executor. By contrast, her glittering and at times scandalous sister Louise, the most beautiful of the five siblings, escaped the claustrophobic stodginess of the European royal courts by marrying a handsome Scottish commoner, who became governor general of Canada, and eventually settled into artistic salon life as a respected sculptor. And as the baby of the royal brood of nine, rebelling only briefly to forge a short-lived marriage, Beatrice lived under the thumb of her mother as a kind of personal secretary until the queen's death. Principally researched at the houses and palaces of its five subjects in London, Scotland, Berlin, Darmstadt, and Ottawa-- and entertainingly written by an experienced biographer whose last book concerned Victoria's final days-- Victoria's Daughters closely examines a generation of royal women who were dominated by their mother, married off as much for political advantage as for love, and finally passed over entirely with the accession of their n0 brother Bertie to the throne. Packard provides valuable insights into their complex, oft-tragic lives as daughters of their time.
Queen Victoria fell in love with the Riviera when she discovered it on her first visit to Menton in 1882 and her enchantment with this 'paradise of nature' endured for almost twenty years. Victoria's visits helped to transform the French Riviera by paving the way for other European royalty, the aristocracy and the very rich, who were to turn it into their pleasure garden. Michael Nelson paints a fascinating portrait of Victoria and her dealings with local people of all classes, statesmen and the constant stream of visiting crown heads. In the process we see an unexpected side to Victoria: not the imperious, petulant, mourning widow but rather an exuberant girlish old lady thrilled by her surroundings. Queen Victoria and the Discovery of the Riviera is an absorbing and revealing account that makes an important contribution to both our understanding of Victoria's character and personality and our view of the late Victorian period.
The race to the crown -- The birth of "pocket Hercules"--The lonely, naughty princess -- An impossible, strange madness -- "Awful scenes in the house"--Becoming queen: "I shall not fail" -- The coronation: "a dream out of the Arabian nights" -- Learning to rule -- A scandal in the palace -- Virago in love -- The bride: "I never, never spent such an evening" -- Only the husband, not the master -- The palace intruders -- King to all intents: "like a vulture into his prey" -- Perfect, awful, spotless prosperity -- Annus Mirabilis: the revolutionary year -- What Albert did: the Great Exhibition of 1851 -- The Crimea: 'This unsatisfactory war' -- London boils over -- Royal parents: "everything passes so quickly!" -- "Who will call me Victoria now?" -- "The whole house seems like Pompeii." -- Resuscitating the widow at Windsor -- The queen's stallion -- The faery queen awakes -- Enough to kill any man -- Two ironclads colliding: the queen and Mr. Gladstone -- The monarch in a bonnet -- The "poor munshi" -- The diamond empire -- The end of the Victorian Age - "The streets were indeed a strange sight
The story of the queen who defied convention and defined an era A passionate princess, an astute and clever queen, and a cunning widow, Victoria played many roles throughout her life. In Queen Victoria: Twenty-Four Days That Changed Her Life, Lucy Worsley introduces her as a woman leading a truly extraordinary life in a unique time period. Queen Victoria simultaneously managed to define a socially conservative vision of Victorian womanhood, while also defying its conventions. Beneath her exterior image of traditional daughter, wife, and widow, she was a strong-willed and masterful politician. Drawing from the vast collection of Victoria’s correspondence and the rich documentation of her life, Worsley recreates twenty-four of the most important days in Victoria's life. Each day gives a glimpse into the identity of this powerful, difficult queen and the contradictions that defined her. Queen Victoria is an intimate introduction to one of Britain’s most iconic rulers as a wife and widow, mother and matriarch, and above all, a woman of her time.
"In this sweeping, immersive novel, Clare McHugh draws readers into the mesmerizing world of the eldest daughter of Queen Victoria – Princess Vicky – as she emerges into a powerful force in her own right and ascends to become the first German Empress.” —Marie Benedict, New York Times bestselling author of The Only Woman in the Room Perfect for fans of the BBC's Victoria, Alison Pataki's The Accidental Empress, and Daisy Goodwin's Victoria, this debut novel tells the gripping and tragic story of Queen Victoria’s eldest daughter, Victoria, Princess Royal. To the world, she was Princess Victoria, daughter of a queen, wife of an emperor, and mother of Kaiser Wilhelm. Her family just called her Vicky…smart, pretty, and self-assured, she changed the course of the world. January 1858: Princess Victoria glides down the aisle of St James Chapel to the waiting arms of her beloved, Fritz, Prince Frederick, heir to the powerful kingdom of Prussia. Although theirs is no mere political match, Vicky is determined that she and Fritz will lead by example, just as her parents Victoria and Albert had done, and also bring about a liberal and united Germany. Brought up to believe in the rightness of her cause, Vicky nonetheless struggles to thrive in the constrained Prussian court, where each day she seems to take a wrong step. And her status as the eldest daughter of Queen Victoria does little to smooth over the conflicts she faces. But handsome, gallant Fritz is always by her side, as they navigate court intrigue, and challenge the cunning Chancellor Otto von Bismarck, while fighting for the throne—and the soul of a nation. At home they endure tragedy, including their son, Wilhelm, rejecting all they stand for. Clare McHugh tells the enthralling and riveting story of Victoria, the Princess Royal—from her younger years as the apple of her father Albert's eyes through her rise to power atop the mighty German empire to her final months of life.