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Adrian Stokes (1902-1972) was a British painter and author whose writings on art have been allowed to go out of print despite their impact on Modernism and ongoing acclaim for their beauty and intellectual acuity. Two of his most influential books, The Quattro Cento of 1932 and Stones of Rimini of 1934, are brought together for the first time in this new volume, which includes all their original illustrations. This new edition also provides a foreword by Stephen Bann and introductions by David Carrier and Stephen Kite that place Stokes's masterworks in the context of early twentieth-century culture and discuss their structure and relevance to today's experience of art and architecture.Written as parts of an incomplete trilogy, The Quattro Cento and Stones of Rimini mark a crossroads in the transition from late Victorian to Modernist conceptions of art, especially sculpture and architecture. Stokes continued, even extended, John Ruskin's and Walter Pater's belief that art is essential to the individual's proper psychological development but wove their teaching into a new aesthetic shaped by his analysis with Melanie Klein and recent innovations in literature, dance, and the visual arts.Few writers have been able to invoke the material presence of works of art in the way Stokes does in The Quattro Cento and Stones of Rimini. They combine travel writing with acts of looking spun out so as to reinterpret the imposing legacy of the Italian Renaissance through an aesthetic of the direct carving of stone, which has parallels in the sculpture of Henry Moore and Barbara Hepworth but was for Stokes the discovery of artists in fifteenth-century Italy. To his way of thinking, there then arosea realization that the materials of art "were the actual objects of inspiration, the stocks for the deepest fantasies." During the Renaissance, Stokes maintained, stone accordingly "blossomed" into sculpture and buildings,
The Audi Quattro was the world’s first successful four-wheel-drive rally car. It brought new standards to the sport, and inspired many others to copy it. This is the complete story.
First Published in 1994. This book contains, previously unpublished, full scores of major works from the Renaissance and Early Baroque; analysing Sixteenth-century Italy, where one of the greatest flowerings of instrumental music in Western culture occurred. The print on which this volume is based, the Sonate a quattro, sei, et otto of 1608, comprises the entirety of Gussago's extant instrumental opus.
This title was first published in 2002. Adrian Stokes was a British painter and writer whose books on art have been allowed to go out of print despite their impact on Modernist culture. This new edition of The Quattro Cento and The Stones of Rimini presents the original texts of 1932 and 1934 and furnishes them with introductions by David Carrier and Stephen Kite that will help readers grasp the structure and significance of what have become Stokes' most widely cited and influential books. Written as parts of an incomplete trilogy, The Quattro Cento and The Stones of Rimini mark a crossroad in the transition from late Victorian to Modernist conceptions of art, especially sculpture and architecture. Stokes continued, even expanded, John Ruskin's and Walter Pater's belief that art is essential to the individual's proper psychological development but wove their teaching into a new aesthetic shaped by his experience of psychoanalysis and recent innovations in literature, dance, and the visual arts. This volume will be of interest to those concerned with art criticism, aesthetics and psychoanalysis, as well as the art and architecture of the Renaissance and Modern periods. Supported by the Henry Moore Foundation in memory of David Sylvester.
On a small assembly line in Neckarsulm, Germany, no more than twenty exotic Audi R8 sports cars are built daily. The entire process is overseen by small teams of specialists that oversee every step of production. Every single part is inspected carefully, and nothing goes unchecked. It is a level of hand-built quality one might expect to find in a Ferrari Enzo or the Vector W8A of the 1980s, but almost unheard of from a manufacturer the size of Audi AG. The Turbo Quattro Coupe (or Urquattro) of the early 1980s was largely assembled by hand much in the same way, but Audi has refined the process for the R8 and has introduced one of the most spectacular sports cars ever. I hope this book will provide a better insight into the design, development, and production of this magnificent automobile.
Engineers and scientists can use spreadsheets to help them quickly solve technical problems. Ideal for analyzing and manipulating data, Quattro Pro spreadsheet software from Borland International, also turns out to be an excellent tool for technologists requiring database management, mathematical functions, graphing data, statistics, regressive analysis, matrix arithmetic, and more. In this book, professional engineer Robert G. Parks describes the specific functions of Quattro Pro 3.0 that benefit scientists and engineers in a range of disciplines. The book contains numerous examples with clearly defined steps to help technologists integrate Borland's powerful software into their daily work lives.
Una volta terminato quello che lui definiva il suo «ranch delle meraviglie», con l’aiuto di Eliza Shepard, Jack London si sentiva finalmente pronto per un viaggio lungo tre mesi e millecinquecento miglia verso nord. Qualcuno con meno spirito d’avventura avrebbe preferito un comodo viaggio in treno, ma Jack optò per una sfida molto più eccitante: avrebbe attrezzato una carrozza e guidato una squadra di cavalli lungo la costa. Quattro cavalli e un marinaio è la storia di questo fantastico viaggio.