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The "Liber secretorum alchimie" is an attempt to introduce alchemy into Aristotle's science: manipulating metals, astronomy, astrology, geography and even theology are combined in these lecture notes taken by a 13th century medical student to make a fascinating review of themes which were hotly debated in medieval Italian university circles.
The Liber secretorum alchimie is an attempt to introduce alchemy into Aristotle's science: manipulating metals, astronomy, astrology, geography and even theology are combined in these lecture notes taken by a 13th century medical student to make a fascinating review of themes which were hotly debated in medieval Italian university circles.
This book offers a unique opportunity to understand the essence of one of the great thinkers of western civilization. A guided reading of Euclid's Elements leads to a critical discussion and rigorous modern treatment of Euclid's geometry and its more recent descendants, with complete proofs. Topics include the introduction of coordinates, the theory of area, history of the parallel postulate, the various non-Euclidean geometries, and the regular and semi-regular polyhedra.
The idea of Utopia springs from a natural desire of transformation, of evolution pertaining to humankind and, therefore, one can find expressions of “utopian” desire in every civilization. Having to do explicitly with human condition, Utopia accompanies closely cultural evolution, almost as a symbiotic organism. Maintaining its roots deeply attached to ancient myths, utopian expression followed, and sometimes preceded cultural transformation. Through the next almost five hundred pages (virtually one for each year since Utopia was published) researchers in the fields of Architecture and Urbanism, Arts and Humanities present the results of their studies within the different areas of expertise under the umbrella of Utopia. Past, present, and future come together in one book. They do not offer their readers any golden key. Many questions will remain unanswered, as they should. The texts presented in Proportion Harmonies and Identities - UTOPIA(S) WORLDS AND FRONTIERS OF THE IMAGINARY were compiled with the intent to establish a platform for the presentation, interaction and dissemination of researches. It aims also to foster the awareness and discussion on the topics of Harmony and Proportion with a focus on different utopian visions and readings relevant to the arts, sciences and humanities and their importance and benefits for the community at large.
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The development of science in the modern world is often held to depend on such institutions as universities, peer-reviewed journals, and democracy. How, then, did new science emerge in the pre-modern culture of the Hellenistic Egyptian monarchy? Berrey argues that the court society formed around the Ptolemaic pharaohs Ptolemy III and IV (reigned successively 246-205/4 BCE) provided an audience for cross-disciplinary, learned knowledge, as physicians, mathematicians, and mechanicians clothed themselves in the virtues of courtiers attendant on the kings. The multicultural Greco-Egyptian court society prized entertainment that drew on earlier literature, mixed genres and cultures, and highlighted motion and sound. New cross-disciplinary science in the Hellenistic period gained its social currency and subsequent scientific success through its entertainment value as court science. Ancient court science sheds light on the long history of scientific interdisciplinarity.
Using detailed analyses of individual buildings as a point of departure, Professor Buchwald here examines various approaches to Byzantine architectural forms, and raises questions concerning the use of stylistic and other forms of analysis. One group of articles focuses on stylistic currents in Asia Minor, including that of the 13th-century Lascarid dynasty, previously unknown. Others explore methods which appear to have been used in the design of Byzantine churches, such as dimensional ’rules of thumb’, modular and geometric systems of proportion, and the quadratura, hitherto recognised only in Western architecture. The final essays pose further questions: what were the goals and achievements of Byzantine architects, when they transformed older existing buildings? How, and why, did they use stereometric Euclidean geometry? And was there any ultimately Platonic connection?
The Origins of Infinitesimal Calculus focuses on the evolution, development, and applications of infinitesimal calculus. The publication first ponders on Greek mathematics, transition to Western Europe, and some center of gravity determinations in the later 16th century. Discussions focus on the growth of kinematics in the West, latitude of forms, influence of Aristotle, axiomatization of Greek mathematics, theory of proportion and means, method of exhaustion, discovery method of Archimedes, and curves, normals, tangents, and curvature. The manuscript then examines infinitesimals and indivisibles in the early 17th century and further advances in France and Italy. Topics include the link between differential and integral processes, concept of tangent, first investigations of the cycloid, and arithmetization of integration methods. The book reviews the infinitesimal methods in England and Low Countries and rectification of arcs. The publication is a vital source of information for historians, mathematicians, and researchers interested in infinitesimal calculus.
This book reports on several advances in architectural graphics, with a special emphasis on education, training and research. It gathers a selection of contributions to the 19th International Conference on Graphic Design in Architecture, EGA 2022, held on June 2–4, 2022, in Cartagena, Spain, with the motto: "Beyond drawings. The use of architectural graphics".