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In this “fun” mystery from an Edgar Award–winning author, amateur sleuth Peter Duluth learns that divorce can be murder (Kirkus Reviews). Patrick Quentin, best known for the Peter Duluth puzzle mysteries, also penned outstanding detective novels from the 1930s through the 1960s under other pseudonyms, including Q. Patrick and Jonathan Stagge. Anthony Boucher wrote: “Quentin is particularly noted for the enviable polish and grace which make him one of the leading American fabricants of the murderous comedy of manners; but this surface smoothness conceals intricate and meticulous plot construction as faultless as that of Agatha Christie.” On extended shore leave from the war in the Pacific, navy lieutenant Peter Duluth and his movie star wife, Iris, have escaped from the prying eyes of the press, landing at the Nevada desert mansion of their friend Lorraine Playgel. Unfortunately, they aren’t alone. Staying with Lorraine are three old school friends who are all waiting to get a Reno divorce from their respective husbands for very different reasons. But the brassy Lorraine can’t help but stir up some drama by inviting all three soon-to-be exes out to the oasis. Naturally, things are a bit uncomfortable at first. Then the tension snaps with lethal results. One of the hopeful divorcées turns up dead, followed quickly by another. Knowing there must be a lot more than just alimony at stake, Peter and Iris start hunting for a killer who’s taking “till death do we part” quite literally . . .
This first act of a mystery series by an Edgar Award winner, Broadway producer/amateur sleuth Peter Duluth delivers “your money’s worth of theatrics” (Kirkus Reviews). Patrick Quentin, best known for the Peter Duluth puzzle mysteries, also penned outstanding detective novels from the 1930s through the 1960s under other pseudonyms, including Q. Patrick and Jonathan Stagge. Anthony Boucher wrote: “Quentin is particularly noted for the enviable polish and grace which make him one of the leading American fabricants of the murderous comedy of manners; but this surface smoothness conceals intricate and meticulous plot construction as faultless as that of Agatha Christie.” Peter Duluth was once an up-and-comer on the Great White Way. But after his wife died, he dove into a bottle and stayed there. It’s only when he’s about to hit rock bottom that he decides to dry out, admitting himself into rehab to save his life. Unfortunately, Peter’s new home turns out to be even more dangerous than the outside world when a staff member is murdered, and a patient soon checks out in a similar manner. Peter thinks he may have an idea of what’s going on, but isn’t sure what he’s hearing and seeing is real, or if the DTs are still playing with his head. When a beautiful fellow patient falls under suspicion, Peter realizes that the deadly mystery is offering him not only a new life, but also a new love. All he has to do now is find a crazed killer in a place where crazy is the norm . . .
In this mystery from an Edgar Award–winning author, Peter Duluth deals with a case of mistaken identities and murder in World War II San Francisco. Patrick Quentin, best known for the Peter Duluth puzzle mysteries, also penned outstanding detective novels from the 1930s through the 1960s under other pseudonyms, including Q. Patrick and Jonathan Stagge. Anthony Boucher wrote: “Quentin is particularly noted for the enviable polish and grace which make him one of the leading American fabricants of the murderous comedy of manners; but this surface smoothness conceals intricate and meticulous plot construction as faultless as that of Agatha Christie.” As the war rages in the Pacific, naval lieutenant Peter Duluth is ecstatic to make port and spend time with his ladylove, Iris. They have little luck finding a room until a brassy blond offers them her hotel suite out of what seems like pure charity. And that’s when Peter’s shore leave starts going sideways. While unwinding in a steam room, Peter’s uniform is stolen. Then, Iris is mistaken several times for her cousin, a local vamp with a very unusual coterie of friends. And things hit a bloody head when Peter’s missing uniform ends up implicating him in murder. Now, with both of their identities in flux, Peter and Iris must navigate their way through the fog-shrouded alleys of the City by the Bay if they’re going to learn just what kind of mess they’re caught up in . . . and if they can get out of it alive.
In honor of the 70th birthday of Professor Douglas G. Greene, mystery genre scholar and publisher, this book offers 24 new essays and two reprinted classics on detective fiction by contributors around the world, including ten Edgar (Mystery Writers of America) winners and nominees. The essays cover a myriad of authors and books from more than a century, from J.S. Fletcher's The Investigators, originally serialized in 1901, to P.D. James' Death Comes to Pemberley, published at the end of 2011. Subjects covered include detective fiction in the Edwardian era and the "Golden Age" between the two world wars; hard-boiled detective fiction; mysteries and intellectuals; and pastiches, short stories and radio plays.
Many bibliographers focus on women who write. Lawyer Barnett looks at women who detect, at women as sleuths and at the evolving roles of women in professions and in society. Excellent for all women's studies programs as well as for the mystery hound.
The Mystery Fancier, Volume 1 Number 6, November 1977, contains: "Raymond Chandler on Film: An Annotated Checklist, Part I," by Peter Pross, "The Degeneration of Donald Hamilton," by George Kelley, "The Mysterious John Dickson Carr," by Larry L. French, and "The Nero Wolfe Saga, Part IV," by Guy M. Townsend.
Edgar- and Agatha-nominated author Colleen Barnett here updates her essential reference for readers and writers of mystery, examining women who detect, women as sleuths, and the evolving roles of women in professions and in society.
From an Edgar Award–winning author, sleuth Peter Duluth must drop the curtain on a killer in this “medley of off-stage theatrics with a teaser of a solution” (Kirkus Reviews). Patrick Quentin, best known for the Peter Duluth puzzle mysteries, also penned outstanding detective novels from the 1930s through the 1960s under other pseudonyms, including Q. Patrick and Jonathan Stagge. Anthony Boucher wrote: “Quentin is particularly noted for the enviable polish and grace which make him one of the leading American fabricants of the murderous comedy of manners; but this surface smoothness conceals intricate and meticulous plot construction as faultless as that of Agatha Christie.” Theater producer Peter Duluth is fresh out the sanitarium where he got sober; found his new love, Iris; and also happened to help catch a murderer. Now he’s dead set on staging his big comeback with a new play featuring his lady as the star. Unfortunately, they end up in a broken-down theater where the rats keep company with ghosts, and where there hasn’t been a hit in years. Combined with the usual egos, divas, and personal demons, it will be a miracle if Peter can get the play off the ground. But his seemingly cursed production turns deadly when an actor literally dies onstage, with another murder soon to follow—this is not a dress rehearsal. Now it’s up to Peter to shine a spotlight on a killer.