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This fun and easy book and CD takes you from the very beginning. Learning right and left-hand techniques, learning your first chords, 18 great songs AND you painlessly learn them by reading notes. Anyone can do it. Steve's method and approach to learning to read notes is so simple that 4 year olds have done it. You will start with 4 simple notes. Steve then teaches songs using just those four notes. He systematically adds a few more notes at a time bundled with easy to understand instructions and songs so that in a short time you will know all the notes, chords, strumming patterns to play hundreds of songs. This is a perfect primer for many of Steve's best sellers and other author's books. Audio CD included.
Covers all the basics and will have you playing all the classic bluegrass favorites in no time. You'll learn classic bluegrass guitar techniques in the context of classic bluegrass standards. Beginning with basic left- and right-hand techniques, Dennis guides you through developing great backup parts, playing solos, and working with a bluegrass band. All books and videos in the Ultimate Beginner Bluegrass Basics Series are fully correlated to work together, allowing you to use these for putting together your own bluegrass band.
In music, the term bluegrass describes the hot string-band style pioneered by Kentuckian Bill Monroe, which blends old-time country music with blues rhythms and jazz-influenced improvisation. This book contains 101 authentic bluegrass guitar licks in the favorite bluegrass keys of C, G, D, and A minor. the licks are broken down into phrases of two, four, and eight bars. In addition, several endings and crosspicking licks are included. Each lick is played to a chord progression that is standard in bluegrass, country, and folk music. All 101 examples are recorded on the companion CD with guitar accompaniment at a moderate tempo. Whether you are a fan of old-time country music, traditional bluegrass, or newgrass, you are sure to find lots of great ideas in this new collection of bluegrass licks. So, grab your instrument, put on the CD, pull up a chair, and let's start pickin'.
This book and accompanying audio are the perfect primer for anyone interested inlearning blues guitar played with a pick. An addition to Steve Kaufman's My First series, the book starts the student from the very beginning. Basic chords and notation are presented, progressing to blues strumming patterns and lines. Lessons also cover blues scales, tablature, I-IV-V chords and more. The book is perfect for anyone interested in learning blues guitar, and experienced tab readers who wish to learn standard notation
A pivotal member of the hugely successful bluegrass band Flatt and Scruggs and the Foggy Mountain Boys, Dobro pioneer Josh Graves (1927-2006) was a living link between bluegrass music and the blues. In Bluegrass Bluesman, this influential performer shares the story of his lifelong career in music. In lively anecdotes, Graves describes his upbringing in East Tennessee and the climate in which bluegrass music emerged during the 1940s. Deeply influenced by the blues, he adapted Earl Scruggs's revolutionary banjo style to the Dobro resonator slide guitar and gave the Foggy Mountain Boys their distinctive sound. Graves' accounts of daily life on the road through the 1950s and 1960s reveal the band's dedication to musical excellence, Scruggs' leadership, and an often grueling life on the road. He also comments on his later career when he played in Lester Flatt's Nashville Grass and the Earl Scruggs Revue and collaborated with the likes of Boz Scaggs, Charlie McCoy, Kenny Baker, Eddie Adcock, Jesse McReynolds, Marty Stuart, Jerry Douglas, Alison Krauss, and his three musical sons. A colorful storyteller, Graves brings to life the world of an American troubadour and the mountain culture that he never left behind. Born in Tellico Plains, Tennessee, Josh Graves (1927-2006) is universally acknowledged as the father of the bluegrass Dobro. In 1997 he was inducted into the Bluegrass Hall of Fame.
The idea here is to help coordinate the pickers so you all have solos to play and they can be played in the same key. What a concept - a Band in the Book. Within these pages you will find solos for the entire band: lead guitar, rhythm guitar, banjo, mandolin, fiddle and bass. the mandolin and fiddle share the same tunings so their solos are just written once for both. If you are just starting out and you are having difficulty-finding solos for your level - look no more. These solos are written for the beginner level student assuming you can already play a few simple solos or lead breaks. This series will help you to learn solos on multiple instruments, help organize ensemble play, help develop a steady sense of timing and give you hours of enjoyment as well.View the lyrics for this book.
A chronological guide to bluegrass music that describes and traces the development of the musical genre.
With retail sales of the O Brother, Where Art Thou? soundtrack exceeding 6.5 million copies since its 2000 release, bluegrass music has re-entered the spotlight as a major American style, spawning huge successes with subsequent albums. Author Stephanie P. Ledgin has captured the rich history of this music in Homegrown Music, a lively, informative book that is perfect for newcomers and devoted fans, musicians, and non-musicians. Though recognized and embraced internationally, bluegrass is one of only two musical genres native to America and, like jazz, it boasts a colorful and lively history, one that is captured here in all its detail complete with candid interviews with such legends as Earl Scruggs, Ralph Stanley, and the Nitty Gritty Dirt Band. Covering such aspects of bluegrass as instrumentation, songs, the festival experience, and parking lot picking, Homegrown Music also offers candid interviews with many celebrated bluegrass figures. An extensive up-to-the-minute resource guide of print, audio-visual, and Internet materials rounds out the volume. Enthusiasts of all ages will find much to discover and much to enjoy.
John Fahey is feared and revered around the world as a guitar player and composer. His inventions for acoustic and electric strings are the stuff of legend. Known for his finger-picking finesse, Fahey's pen has the same world-gobbling ferocity as his guitar. Fahey's collection of short stories defy classification - part memoir, part personal essay, part fiction, part manifesto. It is a collection that makes an explosive selection of his work available for public consumption. What else is there to say, except 'Grab your ankles, dear readers. It's kingdom time!'