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This book is about acting. It's about money. It's about people who love the arts. It's about performing arts and how to make them happen in high school--how to make them affordable by selecting great scripts to attract paying audiences. The sale of tickets provides the revenue to pay all costs of play production, with a profit margin to boot. The book provides practical suggestions for budgeting, cost control, play selection, auditions, casting, rehearsing, planning, discipline, and performance. The book exudes the joy that accompanies working with artistic young people who are intent on excellence. It communicates the director's personal philosophy of allowing actors to begin a play by creating their own character development which can be shaped by the director over time. It promotes the concept that the students, not the directors, do the work. The students study the play, rehearse the play, and perform the play with guidance from the director, but without excessive direction. The director, for example, allows students to do the stage management, the lighting design and operation, and the sound effects. The director does not go back stage at all during rehearsals or performances, leaving students to solve their own problems and to make the production happen without adult assistance. The result is serious student responsibility and determination. The result is team work and cooperation. Ideas for publicity are provided in the text, as well as suggestions for play selections, planning arrangements, budgets for various plays, and ideas for acting and directing. The director's philosophy is revealed, including persuasive arguments for the great value derived from participation in performance activities. The book is a manual for creating and maintaining a drama program which brings out the best in the actors, stage hands, and technical workers. It makes an argument that there is no need to curtail or eliminate drama, dance, music, and other performing arts when finances grow tight, because these programs can pay for themselves if quality shows are performed for a public that is willing to pay for good perfomances. For Love of Drama makes a passionate plea for the establishment of artistic programs in the schools which allow students to inspire their minds, develop their skills, and enjoy working with other talented young people in creating excellent performances. Go ahead, treat yourself to a little love for the arts by reading this lively book. It is accompanied by 94 dramatic stage photos taken during rehearsals, revealing quality acting, costuming, and set design. It's a wonderful manual filled with practical ideas on how to keep a performing arts program thriving for the sake of gifted young people.
A Dictionary of Anglo-American Proverbs & Proverbial Phrases Found in Literary Sources of the Nineteenth and Twentieth Centuries is a unique collection of proverbial language found in literary contexts. It includes proverbial materials from a multitude of plays, (auto)biographies of well-known actors like Britain's Laurence Olivier, songs by William S. Gilbert or Lorenz Hart, and American crime stories by Leslie Charteris. Other authors represented in the dictionary are Horatio Alger, Margery Allingham, Samuel Beckett, Lewis Carroll, Raymond Chandler, Benjamin Disraeli, Edward Eggleston, Hamlin Garland, Graham Greene, Thomas C. Haliburton, Bret Harte, Aldous Huxley, Sinclair Lewis, Jack London, George Orwell, Eden Phillpotts, John B. Priestley, Carl Sandburg, Harriet Beecher Stowe, Jesse Stuart, Oscar Wilde, and more. Many lesser-known dramatists, songwriters, and novelists are included as well, making the contextualized texts to a considerable degree representative of the proverbial language of the past two centuries. While the collection contains a proverbial treasure trove for paremiographers and paremiologists alike, it also presents general readers interested in folkloric, linguistic, cultural, and historical phenomena with an accessible and enjoyable selection of proverbs and proverbial phrases.
FACs (forward air controllers) in Vietnam flew low and slow, searching for signs of an elusive enemy. Often they trolled themselves as bait for the NVA troops to try to shoot down. When a friendly unit made contact, having a FAC overhead made their day because the FACs controlled the bomb-, rocket-, and napalm-laden fast movers, fighter jets and attack aircraft whose ordnance often made the difference between life and death. They were regarded by many of their airforce and naval aviator brethren as insane, suicidal, or both. In addition to the perils of enemy fire which ranged from lucky AK-47 shots to .51 caliber machine guns and SA-7 shoulder-fired surface-to-air missiles, you had to watch out to keep from being blown up in a B-52 Arc-Light strike or knocked down by friendly artillery. As the title suggests, however, Naked in Da Nang is not an angst ridden account of mortal combat. Following in the footsteps of Richard Hooker's classic M*A*S*H: A Novel About Three Army Doctors, author Jackson has a keen eye for the absurdities that abound in a combat zone. That the humor is often dark only serves to sharpen its comic edge.- These pilots were considered the "Guardian Angels" of the Vietnam ground soldier- Refers to the "unarmed" nature of FAC (Forward Air Controllers) aircraft- Low-tech aircraft that survived combat on pilot skills only
Orange Coast Magazine is the oldest continuously published lifestyle magazine in the region, bringing together Orange County¹s most affluent coastal communities through smart, fun, and timely editorial content, as well as compelling photographs and design. Each issue features an award-winning blend of celebrity and newsmaker profiles, service journalism, and authoritative articles on dining, fashion, home design, and travel. As Orange County¹s only paid subscription lifestyle magazine with circulation figures guaranteed by the Audit Bureau of Circulation, Orange Coast is the definitive guidebook into the county¹s luxe lifestyle.
The finale to the best-selling Pure/ Dark Ones series... An unlikely hero… He was once known as the Creature. An indefinable “it.” His life had never been his own, used and abused by despicable beings. Worst of all, he never knew himself. Despite his tortured past, despite the darkness inside him, he has chosen a brighter path. He has a name—Erebu. His first stand was to defy the Master who created him to save his son. But instead of destroying the greatest enemy of all, he himself was destroyed… An unlikely love… From distant lands, across fathomless seas, someone heard the Creature’s cries. He gave Ere a second chance, a miraculous rebirth that came at a steep cost, remaking Ere with his own breath, body, blood and soul. This mysterious savior has a past of his own to face, and a future to define and embrace. Will Ere be able to find him in time? Will they forge their path together or pursue separate destinies? An end and a beginning… No matter their decision, one thing is certain: they must work together to unite all Kinds if they have a hope of defeating their ultimate nemesis. The end is near… And so is a brand new beginning. * M-M PNR-fantasy romance novel with explicit content. *
A collection of British and American proverbs that are currently in use.
Idioms are the nuts and bolts of English. They add color and zing to make the language more expressive. This book with its humorous illustrations and witty definitions is almost guaranteed to make learning English idioms fun! And as easy as ABC!