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Step-by-step instructions explain how to create simple puppets that can be made with everyday materials in ten minutes or less.
The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. There are new technological objects that seem to have lives of their own—from Facebook algorithms that suggest products for us to buy to robots that respond to human facial expressions. The ubiquity of animation is not a trivial side-effect of the development of digital technologies and the globalization of media markets. Rather, it points to a paradigm shift. In the last century, performance became a key term in academic and popular discourse: The idea that we construct identities through our gestures and speech proved extremely useful for thinking about many aspects of social life. The present volume proposes an anthropological concept of animation as a contrast and complement to performance: The idea that we construct social others by projecting parts of ourselves out into the world might prove useful for thinking about such topics as climate crisis, corporate branding, and social media. Like performance, animation can serve as a platform for comparisons of different cultures and historical eras. Teri Silvio presents an anthropology of animation through a detailed ethnographic account of how characters, objects, and abstract concepts are invested with lives, personalities, and powers—and how people interact with them—in contemporary Taiwan. The practices analyzed include the worship of wooden statues of Buddhist and Daoist deities and the recent craze for cute vinyl versions of these deities, as well as a wildly popular video fantasy series performed by puppets. She reveals that animation is, like performance, a concept that works differently in different contexts, and that animation practices are deeply informed by local traditions of thinking about the relationships between body and soul, spiritual power and the material world. The case of Taiwan, where Chinese traditions merge with Japanese and American popular culture, uncovers alternatives to seeing animation as either an expression of animism or as “playing God.” Looking at the contemporary world through the lens of animation will help us rethink relationships between global and local, identity and otherness, human and non-human.
From the bestselling author of The Boy Who Drew Monsters and The Stolen Child comes a modern take on the Orpheus and Eurydice Myth—A Suspenseful tale of romance and enchantment In the Old City of Québec, Kay Harper falls in love with a puppet in the window of the Quatre Mains, a toy shop that is never open. She is spending her summer working as an acrobat with the cirque while her husband, Theo, is translating a biography of the pioneering photographer Eadweard Muybridge. Late one night, Kay fears someone is following her home. Surprised to see that the lights of the toy shop are on and the door is open, she takes shelter inside. The next morning Theo wakes up to discover his wife is missing. Under police suspicion and frantic at her disappearance, he obsessively searches the streets of the Old City. Meanwhile, Kay has been transformed into a puppet, and is now a prisoner of the back room of the Quatre Mains, trapped with an odd assemblage of puppets from all over the world who can only come alive between the hours of midnight and dawn. The only way she can return to the human world is if Theo can find her and recognize her in her new form. So begins the dual odyssey of Keith Donohue’s The Motion of Puppets: of a husband determined to find his wife, and of a woman trapped in a magical world where her life is not her own.
Dressing the Naked Hand is for anyone interested in the art of puppetry. Teachers, amateurs, and even professionals will find new ideas and inspiration in the designs created by this trio of puppet enthusiasts. Includes trade secrets, tips, and how-to’s on puppetry unlike anything that has been published before. Puppets aren't just for looking at; they are for doing, and as we found out, they have a mind of their own. This one-of-a-kind how-to is not only an invaluable resource for the puppet artist, but a joy to read. From tongue-in-cheek humor to outright laugh-out-loud hijinks, this book teaches and tells the real story—from a puppet’s point of view. And, while the full-color and detailed how-to and finished puppet illustrations give you most of what you need, if you choose to read the text, well . . . it’s worth your time.
"The best book on hand puppetry we've seen." — The Whole Kids Catalog. Lucid, easy-to-follow book teaches beginners how to create a full working range of puppet motions and emotions. Also covers elements of good puppet theatrical technique: voice use and synchronization, stage deportment and interactions, improvisation, simple staging, lighting effects, and more. All clearly explained and beautifully illustrated.
It is no secret that some people are feeling alienated from the church, for various reasons; social status, sexual orientation, or how they dress, among others. For these reasons, as well as others, some have felt compelled to leave the church. The purpose of this book is to minister to those very people; to show them that although the church is not perfect, Jesus Christ is real and alive and will never mistreat them or abuse them; that in His heart there is a place for them too. Perhaps the most important part of ministering to those feeling like there is no spiritual home for them in the church, is to demonstrate that, while the church struggles to exemplify the love of Christ, Christ Himself is still real and is still alive and loves each and every one with a deep and abiding love. It is my hope that those who either read these scripts or see them performed will come to realize that Christ is calling us all and we have only to say Yes!
For what must be one of the most creative and satisfying of crafts, Puppets and Puppet-Making provides the perfect introduction to the art as well as the means for mastering the more complicated skills and subtle effects.
During the course of a walk, a young boy identifies animals of different colors.
Chronicles the life of Jim Henson, describing how he pushed the boundaries of entertainment and brought the art of puppets to a new level with the creation of his Muppets.