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It's 2015, and four youths travel to the remains of New York City looking for freedom and acceptance. Once there, they sacrifice their mortality to forge a superhuman brotherhood, and successfully free the city of murderous vigilantes. But now a new enemy arises. A cult leader begins his crusade to execute them one by one. When, by sheer accident, they find themselves in possession of his daughter, one of them falls madly in love with her. Will this forbidden association tear them apart, or will they succeed in building the Utopia they can barely begin to comprehend?
A hilarious and gory tongue-in-cheek story, Toe Tag Riot is a punk rock band cursed to become zombies who make the best of their situation by adhering to a strict diet of racists' and misogynists' brains! Starring Andy Hurley of Fall Out Boy and The Westboro Baptist Church (as dinner!), this horror-comedy in the vein of Return of the Living Dead and Deathgasm was released to rave reviews from both the comics media and LGBTQ new outlets who couldn't get enough of the ultra-violent, politically-minded fun and gore. Coming to book form for the first time, this collection includes the four-issue mini-series plus the super-limited #0 prequel issue and the short comic originally published in Alternative Press Magazine! "Super fun read!" -Gerard Way
Celebrates zombie pop culture that has evolved since "Night of the Living Dead," tracing early mythological origins in African folklore and Haitian voodoo as well as modern incarnations in film, literature, and video gaming.
These 144 reviews of zombie movies will educate the reader as to which films are worthy of the time of the movie watcher. Some zombie movies are just as good as any other kind of movie, some watchable but not great, and some are absolute rubbish. Be warned, author Andy McKinney names names and tells it like it is. As he says about some zombie movies, "I watched this one so you won't have to." Enjoy these reviews from a man who is himself a fan as well as a reviewer.
A fascinating read for anyone from general readers to hardcore fans and scholars, this encyclopedia covers virtually every aspect of the zombie as cultural phenomenon, including film, literature, folklore, music, video games, and events. The proliferation of zombie-related fiction, film, games, events, and other media in the last decade would seem to indicate that zombies are "the new vampires" in popular culture. The editors and contributors of Encyclopedia of the Zombie: The Walking Dead in Popular Culture and Myth took on the prodigious task of covering all aspects of the phenomenon, from the less-known historical and cultural origins of the zombie myth to the significant works of film and literature as well as video games in the modern day that feature the insatiable, relentless zombie character. The encyclopedia examines a wide range of significant topics pertaining to zombies, such as zombies in the pulp magazines; the creation of the figure of the zuvembie to subvert decades of censorship by the Comics Code of Authority; Humans vs. Zombies, a popular zombie-themed game played on college campuses across the country; and annual Halloween zombie walks. Organized alphabetically to facilitate use of the encyclopedia as a research tool, it also includes entries on important scholarly works in the expanding field of zombie studies.
“Playful and (un)deadly serious . . . chew[s] through a near-exhaustive array of films, television, literature, culture, music and even cocktails.”—Times Literary Supplement They have stalked the horizons of our culture, wreaked havoc on moribund concepts of dead and not dead, threatened our sense of identity, and endangered our personal safety. Now zombies have emerged from the lurking shadows of society’s fringes to wander the sacred halls of the academy, feasting on tender minds and hurling rot across our intellectual landscape. It is time to unite in common cause, to shore up defenses, firm up critical and analytical resources, and fortify crumbling lines of inquiry. Responding to this call, Brain Workers from the Zombie Research Center poke and prod the rotting corpus of zombie culture trying to make sense of cult classics and the unstoppable growth of new and even more disturbing work. They exhume “zombie theory” and decaying historical documents from America, Europe, and the Caribbean in order to unearth the zombie world and arm readers with the brain tools necessary for everyday survival. Readers will see that zombie culture today “lives” in shapes as mutable as a zombie horde—and is often just as violent. “An intelligent and highly engaging collection that will appeal to legions of zombie fans, to students in the humanities, and to scholars working in fields that have already been affected by or are now preparing for the zombie apocalypse. It blends entertaining, illuminating, and accessible readings of zombies and zombie culture with unique interventions made from authoritative positions of expertise.”—Julian Murphet, author of Faulkner’s Media Romance
Based on very real and practical commentary, life experience, and occasionally, tongue-in-cheek-misfortunes of horror legends, Necessary Death explores how the horror genre, its motifs and characters, offer individuals a unique opportunity for insight and understanding of their own lives. Necessary Death looks back on several iconic horror films and finds that maybe the genre wasn’t ever really just about men in hockey masks chasing good looking coeds through old dark houses. Even a cursory examination of the horror convention will reveal a plethora of stories from recovering addicts, survivors of trauma and sexual abuse, LGBTQIA+ individuals, and minorities. So what, then, can this genre so concerned with death teach us about being alive—and how can we apply those lessons in our day-to-day existence? Using some of the most quintessential movies in the genre, Chris Grosso and Preston Fassel invite readers to an in-depth examination of the human condition—its fears, anxieties, hopes, joys, sorrows, and everything in-between—and how it’s all grist for our personal and collective evolutionary mill. A hallmark of the genre is how horror films force their characters to find some semblance of inner strength and wherewithal in order to stand up to the monster, ghost, or villain that is trying to take their lives. Through fascinating discussion of this and other elements, Fassel and Grosso relate these films’ dark subject matter and characters to real world issues people face every day, showing that there’s something deep within us that, if even just metaphorically, can relate to the pain in these stories. This sharp analysis is complimented by exercises that prompt readers to consider gratitude, forgiveness, determination, and bravery in the face of adversity. An unusual mix of film study and self-help, Necessary Death might surprise or even shock readers, but it will also enlighten, educate, and most importantly hearten those looking for an unexpected source of inspiration.
Zombies are cautionary forms of humankind’s most universally cherished ideal—life after death. Ragged, ill-spoken, rotting zombies (or the post-dead) seem socially awkward beside the more popular and aristocratic undead, like Count Dracula. The humble zombie remains, for the most part, unappreciated and unacknowledged—until now. The first exhaustive historical overview of zombie films, this book’s lengthy entries evaluate more than 200 movies from 16 countries over a 65-year period from the early 1930s to the late 1990s. It covers everything from large studio films to backyard videography, and touches on memorable television episodes and miscellaneous shorts. An introduction traces the evolution of the genre and interprets the broader significance of the zombie in contemporary Western mythology.
They thrive in the shadows, hungry for blood, hungry for human flesh. BITERS, from 5-time Bram Stoker Finalist Michael McCarty, is a thrilling collection of 4 zombie stories and 4 vampire tales by a veteran author of over fifty books and numerous stories and works of nonfiction since the 1980s. Within these pages you will find excitingly original and macabre tales of biters of all sorts to make you shiver and even question your own sanity, featuring incredible special guest co-authors! Dare, if you will to enter the world of....BITERS!
This contributed two-volume work tackles a fascinating topic: how and why God plays a central role in the modern world and profoundly influences politics, art, culture, and our moral reflection—even for nonbelievers. God—in the many ways that people around the globe conceptualize Him, Her, or It—is one of the most powerful, divisive, unifying, and creative elements of human culture. The two volumes of God and Popular Culture: A Behind-the-Scenes Look at the Entertainment Industry's Most Influential Figure provide readers with a balanced and accessible analysis of this fascinating topic that allows anyone who appreciates any art, music, television, film, and other forms of entertainment to have a new perspective on a favorite song or movie. Written by a collective of both believers and nonbelievers, the essays enable both nonreligious individuals and those who are spiritually guided to consider how culture approaches and has appropriated God to reveal truths about humanity and society. The book discusses the intersections of God with film, television, sports, politics, commerce, and popular culture, thereby documenting how the ongoing messages and conversations about God that occur among the general population also occur within the context of the entertainment that we as members of society consume—often without our recognition of the discussion.