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From an award-winning writer and producer comes the latest edition in the 365 series. The most provocative photography documents the performances, looks, and attitudes of the punk movement that exploded onto the music scene more than 30 years ago.
Examines the impact of punk on fashion, focusing on its do-it-yourself, rip-it-to-shreds ethos, the antithesis of couture.
This history of the punk movement in the United States shows how punk music, fashion, art, and attitude clashed with and ultimately influenced mainstream culture. Unlike other volumes on the punk era that focus on just the music—and primarily on British punk bands—Punks: A Guide to an American Subculture spans the full expanse of punk as it happened in the United States, from the late-1960s blast from Iggy Pop and the Stooges to the full explosion of punk in the mid 1970s to its next-generation resurgences and continuing aftershocks. Punks covers it all—not just music, but the punk influence on film, fashion, media, and language. Readers will see how punk spread virally, through fan-created magazines, record labels, clubs, and radio stations, as well as how mainstream America reacted, then absorbed aspects of punk culture. The book includes interviews with key members of the punk subculture, including new conversations with people who participated in the punk scene in the 1970s and 1980s.
Richard Hell may best be known as a punk icon, a founding member of seminal bands Television, the Heartbreakers, and The Voidoids, but for decades he’s been a prominent voice in American letters. Through his novels Go Now and Godlike, and his critically acclaimed autobiography, I Dreamed I Was a Very Clean Tramp, Hell has proven himself as a talented and insightful writer across many genres, in many forms. But one might argue that Richard’s true genius lies in shorter form as a writer on culture. "Love comes in spurts," Hell once sang, and that could well describe the intensity of his penetrating and wickedly droll criticism. Massive Pissed Love is a collection of Hell’s ruminations on art, literature, and music, among other things, that’s like a candy box of reading treats, a bag of shiny marbles, a cabinet of mementos and uncanny fetishes. However one thinks of it, it’s a joy to read from start to finish and a deeply necessary addition to the oeuvre of one of the sharpest minds and sensibilities at work today.
A cultural and social study of the origins and evolution of “rocknroll”.
Punk music and community have been a piece of United States culture since the early 1970s. Although varied scholarship on Punk exists in a variety of disciplines, the educative aspect of Punk engagement, specifically the Do?It?Yourself (DIY) ethos, has yet to be fully explored by the Education discipline. This study attempts to elucidate the experiences of adults who describe their engagement with Punk as educative. To better know this experience, is to also better understand the ways in which Punk engagement impacts learner selfconcept and learning development. Phenomenological in?depth interviewing of six adult participants located in Los Angeles, California and Gainesville, Florida informs the creation of narrative data, once interpreted, reveals education journeys that contain mis?educative experiences, educative experiences, and ultimately educative healing experiences. Using Public Pedagogy, Social Learning Theory, and Self?Directed Learning Development as foundational constructs, this work aims to contribute to scholarship that brings learning contexts in from the margins of education rhetoric and into the center of analysis by better understanding and uncovering the essence of the learning experience outside of school. Additionally, it broadens the understanding of Punk engagement in an attempt to have an increased nuanced perspective of the independent learning that may be perceived as more educative that any formal attempt within our school systems.
(Book). In the tradition of Nick Tosches, Tom Wolfe and Lester Bangs comes an epic and riveting history of rock and roll that reads like a novel. Sonic Cool presents the saga of rock and roll as the closest thing we have to genuine "myth" in the modern world, and it is the first book about rock to be written in the spirit of rock. Immense, fierce, opinionated and hilarious, Joe Harrington masterfully presents rock as a movement of near-religious proportions, against a backdrop of social factors and important events such as the invention of the guitar, the jukebox, LSD, the 12-inch phonograph record, the '70s recession, the Reagan Revolution, and the Internet. This is the history of rock as it's never been told, as the legend of a massive cultural movement, one that had meaning, but ultimately failed because it sold its soul. Radically egalitarian in its assessments towering figures such as Lennon, Dylan and Cobain stand along side lesser-known but equally influential artists like the MC5, the Misfits and Joy Division Sonic Cool is gripping reading for anyone who ever believed in the music. Includes a 16-page black-and-white photo insert. Joe S. Harrington began writing at the age of 10, an act that provoked a rejection slip from Mad magazine. He has written about music for the Boston Globe , Boston Phoenix , New York Press , Seattle Stranger , Lowell Sun , Wired , Reflex , Raygun , High Times , Seconds , Rollerderby and numerous fanzines. He is currently employed as an on-line jazz critic at Amazon, and lives in Portland, Maine. Softcover.
The first biography of the artist who “essentially invented indie and alternative rock” (Spin) A brilliant and influential songwriter, vocalist, and guitarist, the charismatic Alex Chilton was more than a rock star—he was a true cult icon. Awardwinning music writer Holly George-Warren’s A Man Called Destruction is the first biography of this enigmatic artist, who died in 2010. Covering Chilton’s life from his early work with the charttopping Box Tops and the seminal power-pop band Big Star to his experiments with punk and roots music and his sprawling solo career, A Man Called Destruction is the story of a musical icon and a richly detailed chronicle of pop music’s evolution, from the mid-1960s through today’s indie rock.