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`A lucid and fascinating account of how society initially comes to be viewed as ′civilized′ on the basis of how it punishes its offenders, and the various numances and contradictions that form the backdrop to that ′civilization′ prior to 1970 and the unraveling of that process thereafter. ...He [Pratt] has at the very least broadened the boundaries of the debate about the history of imprisonment in new and novel ways that will surely become a basis for future analysis′ - The Howard Journal of Criminal Justice ′In presenting and organizing such a wealth of historical material, John Pratt′s book will be welcomed by those who teach and study the history of the prison in the English-speaking world′ - Criminal Justice Punishment and Civilization examines how a framework of punishment that suited the values and standards of the civilized world came to be set in place from around 1800 to the late 20th century. In this book, John Pratt draws on research about prison architecture, clothing, diet, hygienic arrangements and changes in penal language to establish this. The author demonstrates that this did not mean, however, that such a framework of punishment was ′civilized′. Instead it meant that punishment in the civilized world became anonymous and remote. Prison brutalities and privations could be largely unchecked by a public that did not want to be involved. In the last few decades it has become clear that civilized societies have to tolerate new boundaries of punishment. This is not because of any development of ′civilized punishment′. Instead this is due to a shift in public mood and power: from public indifference to public involvement in penal development. Throughout this text theoretical ideas and concepts are accessibly introduced and illustrated with a wide range of examples from the UK, USA, Canada, Australia and New Zealand. It will be essential reading for students and academics of punishment, prisons and social theory.
Crime and punishment, criminal law and its administration, are areas of ancient history that have been explored less than many other aspects of ancient civilizations. Throughout history women have been affected by crime both as victims and as offenders. Yet, in the ancient world customary laws were created by men, formal laws were written by men, and both were interpreted and enforced by men.
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The practice of mass incarceration has come under increasing criticism by criminologists and corrections experts who, nevertheless, find themselves at a loss when it comes to offering credible, practical, and humane alternatives. In Civilization and Barbarism, Graeme R. Newman argues this impasse has arisen from a refusal to confront the original essence of punishment, namely, that in some sense it must be painful. He begins with an exposition of the traditional philosophical justifications for punishment and then provides a history of criminal punishment. He shows how, over time, the West abandoned short-term corporal punishment in favor of longer-term incarceration, justifying a massive bureaucratic prison complex as scientific and civilized. Newman compels the reader to confront the biases embedded in this model and the impossibility of defending prisons as a civilized form of punishment. A groundbreaking work that challenges the received wisdom of "corrections," Civilization and Barbarism asks readers to reconsider moderate corporal punishment as an alternative to prison and, for the most serious offenders, forms of incapacitation without prison. The book also features two helpful appendixes: a list of debating points, with common criticisms and their rebuttals, and a chronology of civilized punishments.
A brilliant work from the most influential philosopher since Sartre. In this indispensable work, a brilliant thinker suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul.
Michel Foucault examines the archeology of madness in the West from 1500 to 1800 - from the late Middle Ages, when insanity was still considered part of everyday life and fools and lunatics walked the streets freely, to the time when such people began to be considered a threat, asylums were first built, and walls were erected between the "insane" and the rest of humanity.
The U.S. death penalty is a peculiar institution, and a uniquely American one. Despite its comprehensive abolition elsewhere in the Western world, capital punishment continues in dozens of American states– a fact that is frequently discussed but rarely understood. The same puzzlement surrounds the peculiar form that American capital punishment now takes, with its uneven application, its seemingly endless delays, and the uncertainty of its ever being carried out in individual cases, none of which seem conducive to effective crime control or criminal justice. In a brilliantly provocative study, David Garland explains this tenacity and shows how death penalty practice has come to bear the distinctive hallmarks of America’s political institutions and cultural conflicts. America’s radical federalism and local democracy, as well as its legacy of violence and racism, account for our divergence from the rest of the West. Whereas the elites of other nations were able to impose nationwide abolition from above despite public objections, American elites are unable– and unwilling– to end a punishment that has the support of local majorities and a storied place in popular culture. In the course of hundreds of decisions, federal courts sought to rationalize and civilize an institution that too often resembled a lynching, producing layers of legal process but also delays and reversals. Yet the Supreme Court insists that the issue is to be decided by local political actors and public opinion. So the death penalty continues to respond to popular will, enhancing the power of criminal justice professionals, providing drama for the media, and bringing pleasure to a public audience who consumes its chilling tales. Garland brings a new clarity to our understanding of this peculiar institution– and a new challenge to supporters and opponents alike.
The kinds of punishment used in a society have long been considered an important criterion in judging whether a society is civilized or barbaric, advanced or backward, modern or premodern. Focusing on Japan, and the dramatic revolution in punishments that occurred after the Meiji Restoration, Daniel Botsman asks how such distinctions have affected our understanding of the past and contributed, in turn, to the proliferation of new kinds of barbarity in the modern world. While there is no denying the ferocity of many of the penal practices in use during the Tokugawa period (1600-1868), this book begins by showing that these formed part of a sophisticated system of order that did have its limits. Botsman then demonstrates that although significant innovations occurred later in the period, they did not fit smoothly into the "modernization" process. Instead, he argues, the Western powers forced a break with the past by using the specter of Oriental barbarism to justify their own aggressive expansion into East Asia. The ensuing changes were not simply imposed from outside, however. The Meiji regime soon realized that the modern prison could serve not only as a symbol of Japan's international progress but also as a powerful domestic tool. The first English-language study of the history of punishment in Japan, the book concludes by examining how modern ideas about progress and civilization shaped penal practices in Japan's own colonial empire.
The Tale of Squirrel Nutkin is Beatrix Potter’s second book. It tells the story of an impertinent and funny red squirrel and of Mr. Brown, an old owl who lives in an island. Nutkin, his brother and their cousins sail to the island on little rafts. There they offer Mr. Brown a gift and ask him permission to gather nuts in the island. That’s when Nutkin starts being silly and impertinent. Squirrel Nutkin was born in a letter to Norah Moore, daughter of a governess who became Beatrix Potter’s friend. The illustrations represent Derwentwater, in the Lake District, where Beatrix Potter spent her summer holiday for some time. The Tale of Squirrel Nutkin, published after The Tale of Peter Rabbit but quite different from it, has been a tremendous hit to this day.