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The New York Times bestselling author of Tell Me Three Things and What to Say Next delivers a poignant and hopeful novel about resilience and reinvention, first love and lifelong friendship, the legacies of loss, and the stories we tell ourselves in order to survive. "A luminous, lovely story about a girl who builds a future from the ashes of her past." --KATHLEEN GLASGOW, New York Times bestselling author of Girl in Pieces Sometimes looking to the past helps you find your future. Abbi Hope Goldstein is like every other teenager, with a few smallish exceptions: her famous alter ego, Baby Hope, is the subject of internet memes, she has asthma, and sometimes people spontaneously burst into tears when they recognize her. Abbi has lived almost her entire life in the shadow of the terrorist attacks of September 11. On that fateful day, she was captured in what became an iconic photograph: in the picture, Abbi (aka "Baby Hope") wears a birthday crown and grasps a red balloon; just behind her, the South Tower of the World Trade Center is collapsing. Now, fifteen years later, Abbi is desperate for anonymity and decides to spend the summer before her seventeenth birthday incognito as a counselor at Knights Day Camp two towns away. She's psyched for eight weeks in the company of four-year-olds, none of whom have ever heard of Baby Hope. Too bad Noah Stern, whose own world was irrevocably shattered on that terrible day, has a similar summer plan. Noah believes his meeting Baby Hope is fate. Abbi is sure it's a disaster. Soon, though, the two team up to ask difficult questions about the history behind the Baby Hope photo. But is either of them ready to hear the answers?
The art of brevity has been lost to the information age. Jesus Christ knew this art. He communicated powerful ideas with few words and lasting results. Many of His one sentence answers have kept people talking for 2000 years. This volume is a compilation of ideas, principles and biblical truths stated in memorable ways that will let you communicate big ideas with a simple punch line. --
Just how can seriously weird teenager, Johnny Khamka, survive high school and, more importantly, get his childhood friend Josie, now a seriously hot teenager, to take him seriously? The answer is to keep people laughing, especially Josie. But when Johnny decides to take comedy seriously, he's seriously at risk of not being funny at all.
The concept of ethnic, racial, and gender humor is as sensitive a subject today as it has ever been; yet at no time in the past have we had such a quantity of this humor circulating throughout society. We can see the power of such content manifested continually in our culture's films and stand-up comedy routines, as well as on popular TV sitcoms, where Jewish, black, Asian, Hispanic, and gay characters and topics have seemingly become essential to comic scenarios. Though such humor is often cruel, it can be a source of pride and play among minorities, women, and gays. Leon Rappoport's incisive account takes an in-depth look at ethnic, racial and gender humor. Despite the polarization that is often apparent in the debates such humor evokes, the most important melting pot in this country may be the one that we enter when we share a laugh at ourselves.
Comedian and TV host Lee Camp critiques United States foreign and domestic policy.
It’s the perfect marriage of wisdom and wit—here are 100 valuable lessons on how to live, drawn from 100 hilarious and unforgettable jokes. A really good joke, like a great poem, memorable song lyric, razor-sharp anecdote, or Zen koan, is a portal of discovery—it can get a meaningful message across in a way that’s clear, humorous, and practical. It’s the secret weapon of every great comedian—there’s the joke, and then there’s the subtext of the joke, and that can mean serious business. A funny, funny joke about a therapist and his patient conveys, for example, an important lesson on the power of communication. A surprising joke about a tribal shaman and the weather service turns into a necessary critique on how we should view experts.
Offers profiles of Riddick Bowe, Mike Tyson, Sugar Ray Leonard, George Foreman, Marvin Hagler, Don King, and Angelo Dundee, and tells the stories of stuggling boxers, famous fights, and attempted comebacks
New York Times and USA Today bestseller * Boston Globe-Horn Book Honor * Walter Award Winner * Goodreads Finalist for Best Teen Book of the Year * Time Magazine Best Book of the Year * Publishers Weekly Best Book of the Year * Shelf Awareness Best Book of the Year * School Library Journal Best Book of the Year * Kirkus Best Book of the Year * New York Public Library Best Book of the Year From award-winning, bestselling author Ibi Zoboi and prison reform activist Yusef Salaam of the Exonerated Five comes a powerful YA novel in verse about a boy who is wrongfully incarcerated. A must-read for fans of Jason Reynolds, Walter Dean Myers, and Elizabeth Acevedo. The story that I thought was my life didn’t start on the day I was born Amal Shahid has always been an artist and a poet. But even in a diverse art school, because of a biased system he’s seen as disruptive and unmotivated. Then, one fateful night, an altercation in a gentrifying neighborhood escalates into tragedy. “Boys just being boys” turns out to be true only when those boys are white. The story that I think will be my life starts today Suddenly, at just sixteen years old, Amal is convicted of a crime he didn’t commit and sent to prison. Despair and rage almost sink him until he turns to the refuge of his words, his art. This never should have been his story. But can he change it? With spellbinding lyricism, award-winning author Ibi Zoboi and prison reform activist Yusef Salaam tell a moving and deeply profound story about how one boy is able to maintain his humanity and fight for the truth in a system designed to strip him of both.
THE INSTANT NEW YORK TIMES BESTSELLER FROM THE #1 NEW YORK TIMES BESTSELLING AUTHOR OF PEOPLE WE MEET ON VACATION! "Original, sparkling bright, and layered with feeling."--Sally Thorne, author of The Hating Game A romance writer who no longer believes in love and a literary writer stuck in a rut engage in a summer-long challenge that may just upend everything they believe about happily ever afters. Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast. They're polar opposites. In fact, the only thing they have in common is that for the next three months, they're living in neighboring beach houses, broke, and bogged down with writer's block. Until, one hazy evening, one thing leads to another and they strike a deal designed to force them out of their creative ruts: Augustus will spend the summer writing something happy, and January will pen the next Great American Novel. She'll take him on field trips worthy of any rom-com montage, and he'll take her to interview surviving members of a backwoods death cult (obviously). Everyone will finish a book and no one will fall in love. Really.