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This book examines the professional activity of public television journalists in Poland operating in the still unstable system of a post-communist state, to demonstrate how the media can work in the public interest to strengthen democracy. Drawing on in-depth interviews with Telewizja Polska (TVP) journalists, the author shows how public television in Poland has become highly politicised and commercialised, and must defend against constant attacks on its autonomy. She draws parallels with the media systems in Hungary and the Czech Republic to analyse potential legal solutions and to highlight how Poland’s journalists are subject to influences from the political class as well as from the market – a situation brought about by flawed legislation, the absence of a political culture, an inefficient internal regulating process, and lack of suitable training for the journalists themselves. Adding an important perspective on recently developed media systems, this book will be an important resource for scholars and students of journalism, media studies, media industries, politics and media history.
"The author's search for the annihilated Polish community captured in his grandfather's 1938 home movie. Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome color film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community--an entire culture--that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four-year journey to identify the people in his grandfather's haunting images. His search takes him across the United States; to Canada, England, Poland, and Israel; to archives, film preservation laboratories, and an abandoned Luftwaffe airfield. Ultimately, Kurtz locates seven living survivors from this lost town, including an eighty-six-year-old man who appears in the film as a thirteen-year-old boy. Painstakingly assembled from interviews, photographs, documents, and artifacts, Three Minutes in Poland tells the rich, funny, harrowing, and surprisingly intertwined stories of these seven survivors and their Polish hometown. Originally a travel souvenir, David Kurtz's home movie became the sole remaining record of a vibrant town on the brink of catastrophe. From this brief film, Glenn Kurtz creates a riveting exploration of memory, loss, and improbable survival--a monument to a lost world"--
This study examines the situation of public broadcasting worldwide, in a number of different contexts, from a variety of thematic perspectives. The result is a global report on the question of public service broadcasting
Much attention has been given to the role of intellectual dissidents, labor, and religion in the historic overthrow of communism in Poland during the 1980s. Books Are Weapons presents the first English-language study of that which connected them—the press. Siobhan Doucette provides a comprehensive examination of the Polish opposition’s independent, often underground, press and its crucial role in the events leading to the historic Round Table and popular elections of 1989. While other studies have emphasized the role that the Solidarity movement played in bringing about civil society in 1980-1981, Doucette instead argues that the independent press was the essential binding element in the establishment of a true civil society during the mid- to late 1980s. Based on a thorough investigation of underground publications and interviews with important activists of the period from 1976 to 1989, Doucette shows how the independent press, rooted in the long Polish tradition of well-organized resistance to foreign occupation, reshaped this tradition to embrace nonviolent civil resistance while creating a network that evolved from a small group of dissidents into a broad opposition movement with cross-national ties and millions of sympathizers. It was the galvanizing force in the resistance to communism and the rebuilding of Poland’s democratic society.
This volume brings together a number of scholars from a variety of disciplines to examine the phenomenon of the transformation of Poland within the context of regional and global power relations, focusing in particular on analyses of the country’s political and social development within the area of transatlantic relations. It provides a distinct view on the current dynamics and future perspectives of the transatlantic alliance. At a time when the story of Poland as the shining example of post-Communist success and European integration has been interrupted, several other leading narratives of the Western world also appear to be in danger: western values cannot be considered to be universal, the message of globalization has lost its power, and the structure of the international order is described in increasingly delusional terms. The study sheds light on features of Poland’s performance on the regional scene and will stimulate discussion about the lessons that may be learned from the Polish experience by other states facing the challenges of transformation. The last 25 years of Polish history represent the unquestioned success of this political concept. Poland has become an independent actor able to take responsibility for its own future, thanks to the favorable configuration of global powers and the support provided by international leaders. Was this merely a historical episode that created an opportunity for one actor? Can this scenario be repeated? Under what conditions?
An extensive and inclusive account of the media environments of 45 countries worldwide In Media Compass: A Companion to International Media Landscapes, an international team of prominent scholars examines both long-term media systems and fluctuating trends in media usage around the world. Integrating country-specific summaries and cross-cutting studies of geopolitical regions, this interdisciplinary reference work describes key elements in the political, social, demographic, cultural, and economic conditions of media infrastructures and public communication. Enabling the mapping of media landscapes internationally, Media Compass contains up-to-date empirical surveys of individual countries and regions, as well as cross-country comparisons of particular areas of public communication. 45 entries, each guiding readers from a general summary to a more in-depth discussion of a country’s specific media landscape, address formative conditions and circumstances, historical background and development, current issues and challenges, and more. Designed to facilitate quick lookup of individual entries, as well as comparative readings of a country’s position in the wider media environment, Media Compass: A Companion to International Media Landscapes is an invaluable addition to libraries and institutions of higher education, and a must-read volume for students, educators, scholars, and practitioners working in communication and media studies, journalism, and media production.
How do minority Christian churches adapt to and negotiate with the changes brought about by deep mediatization? How do they use their media to present themselves to their followers and the general public? This book aims to answer these questions by investigating how minority organizations of two different Christian traditions in the UK and Poland – the Seventh-day Adventist Church and the Orthodox Churches – use their own media to position themselves in their social, religious, and political environments. Based on the analyses of media practices, media content, and interview material, the study develops the new concept of media settlers, which pertains to religious organizations that use their media to fulfill their own aims: expand, assert their authority, and maintain their communities. They do so through five key media practices, which can be defined as strategies: acknowledgment, authorization, omission, replication of content, and mass-mediatization of digital media. This book is of particular interest to scholars of religion and mediatization, mainly sociologists, graduate students, and qualitative researchers working with discourse analysis. It is an insightful read for anyone interested in the Seventh-day Adventist and Orthodox Churches nowadays.
Television and streamed series that viewers watch on their TVs, computers, phones, and tablets are a crucial part of popular culture They have an influence on viewers and on law. People acquire values, behaviors, and stereotypes, both positive and negative, from television shows, which are relevant to people’s acquisition of beliefs and to the development of law.. In this book, readers will find the first transnational, empirical look at ethnicity, gender, and diversity on legally-themed TV shows. Scholars determine the three most watched legally-themed shows in Brazil, Britain, Canada, Germany, Greece, Poland, Switzerland and the United States and then examine gender, age, ability, ethnicity, race, class, sexual orientation and nationality in those shows and countries. As such, this book provides an important link between law, TV, and what is going on in real life.
An examination of political, social and economic development in Poland since the summer of 1989, with the main focus on democratization.
Is there a specifically ‘Taiwanese’ or ‘Polish’ humor? Do people from Taiwan and Poland share the same sense of humor? How is humor related to politics, religion and the LGBT community? These questions represent the starting point of investigation of this book. Some of the central issues explored here include: (1) how Taiwanese and Polish friends use various discourse strategies to construct humor; and (2) how different types of humor are employed on television variety shows to attract laughter. This book also provides an explanation of the prevalence of wúlítóu ‘nonsense’ in the Taiwanese society and how Polish ‘directness’ is reflected in humor. To understand how humor is culturally shaped and how it contributes to a talk-in-interaction, the three methodological approaches of conversation analysis, multimodal discourse analysis and interactional linguistics are adopted and combined here. This book will be of interest to both linguists and non-linguists who are interested in the social and cultural construction of humor.