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A series of translations faithful to the original Greek plays in content and tone.
An accessible examination of the evolution of key Sophoclean characters
On the Art of Reading is a collection of lectures delivered by Arthur Quiller-Couch, a literary critic and professor at Cambridge, between 1916 and 1918. In these lectures, Quiller-Couch argues for the study of the masterpieces of English literature—Shakespeare, Milton, and so on. He opines that the most effective way of appreciating literature is to experience it as “What Is,” which is to say feeling as if one has become part of the story. Much of the lectures is devoted to studying ways in which teachers can engender that feeling in pupils—with Quiller-Couch going so far as to say that even small children can be taught to appreciate seemingly-complex literature like The Tempest or classical poetry like Homer. Quiller-Couch also spends time discussing his then-controversial opinion that the English translation of the Bible, as well as many Greek classics, are masterpieces of English literature that deserve careful study not just for their religions or philosophical importance, but for their beautiful prose style. These lectures form a companion to his earlier collection of lectures, On the Art of Writing, which explore similar themes of the place of writing and literature in the intellectual firmament. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
"Sophocles' Electra deals with the famous story of Orestes' vengeance on his mother Clytemnestra for her murder of his father Agamemnon. This book discusses whether the matricide is a just and final act of violence, or whether Sophocles ironically implies that it is more problematic than it seems. Electra is notable among Sophocles' plays for the prominent part played in it by female characters, and especially the heroic resistance and suffering of Orestes' sister Electra. The book pays particular attention to the portrayal of Electra herself, but also discusses wider issues of dramatic characterisation and Greek ethics. Sophocles is one of the greatest masters of the medium in the history of theatre, and the book explains the formal conventions of Greek tragedy and examines various aspects of his skill as a dramatist. The book concludes with an examination of later adaptations of the play, of which the most important is that by Hugo von Hofmannsthal (1903), a study in extreme psychology which he adapted to form the libretto for Richard Strauss's opera Elektra."--Bloomsbury Publishing.
Examines the treatment of Electra by all three ancient tragedians, Aeschylus, Sophocles and Euripides, and their dialog with the mythical tradition that preceded them. The focus then shifts forward in time to case studies of her reception in the 18th, 19th and 20th centuries.