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On September 24, 2009, Theatre VCU opened its production of Psycho Beach Party, written by Charles Busch and directed by Steve Perigard. In our production, two male actors, Tommy Callan and Kyle Cornell, were cross-sex cast to play female characters, Chicklet and Marvel Ann respectively. In addition to serving as vocal coach for the production, I was to help Callan and Cornell vocally transform into female characters. I have documented our exploration of gender, specifically the vocal transformation from male to female, in Theatre VCU's production of Psycho Beach Party. Neither actor had played a female character onstage before, and Kyle Cornell had only just begun his vocal training at VCU. Both actors successfully embraced feminine vocal and physical characteristics to the point where many audience members believed them to be female actors.
Four riotous plays in one volume from a winner of an Outer Critics Circle Award: “A comic playwright of the first rank.”—New York Daily News Renowned for his wicked camp humor and biting social satire, playwright and drag legend Charles Busch has delighted audiences both on and off Broadway. This book contains four of his works, among them Vampire Lesbians of Sodom, one of the longest-running plays in Off-Broadway history, of which the New York Times said “the female roles [Busch] creates are hilarious vamps, but also high comic characters...the audience laughs at the first line and goes right on laughing at every line to the end.” Also included is the Tony-nominated Broadway hit The Tale of the Allergist’s Wife—a comedy about a self-absorbed Upper West Side woman whose life is devoted to mornings at the Whitney, afternoons at the Museum of Modern Art, and evenings at the Brooklyn Academy of Music, until her world is transformed by a visit from a childhood friend; The Lady in Question, a tribute to 1940s Hollywood that is both funny and suspenseful; and Psycho Beach Party, a cross between Gidget and Spellbound.
They were almost The Pendletones--after the Pendleton wool shirts favored on chilly nights at the beach--then The Surfers, before being named The Beach Boys. But what separated them from every other teenage garage band with no musical training? They had raw talent, persistence and a wellspring of creativity that launched them on a legendary career now in its sixth decade. Following the musical vision of Brian Wilson, the Beach Boys blended ethereal vocal harmonies, searing electric guitars and lush arrangements into one of the most distinctive sounds in the history of popular music. Drawing on original interviews and newly uncovered documents, this book untangles the band's convoluted early history and tells the story of how five boys from California formed America's greatest rock 'n' roll band.
The complete screenplays of the cult favourite films from the legendary Charles Busch. Originally written as plays for the stage, Psycho Beach Party and Die Mommie Die successfully translated to the big screen, providing people everywhere with the opportunity to appreciate the brilliance of Charles Busch.
Surprising and funny debut collection from a multi-talented Midwest author.
From the beginning, horror has been part of the cinema landscape. Despite some of the earliest genre films with gay directors such as F.W. Murnau (Nosferatu) and James Whale (Frankenstein, The Invisible Man, Bride of Frankenstein), LGBTQIA characters have rarely been portrayed in full view. For decades, filmmakers have included "coded" content in their films with the homosexual experience translated into censor-friendly subtext for consumption by general audiences. Gradually, LGBTQIA characters and themes have moved from the background to the foreground as the horror genre has grown along with its audience's tastes and attitudes. Likewise, more and more LGBTQIA writers and directors have begun to offer their queer-centric takes on scary movies and today, "queer horror" is a thriving film genre. With more than 900 entries, this critical filmography is a comprehensive, critical, yet playful examination of the history of LGBTQIA content in horror films. Eight journalistic contributors dig into every era of scary movies, including the early silents, pre- and post-Hays Code content, grindhouse sleaze, LGBTQIA indies, and megaplex studio releases. From Whale's The Old Dark House (1932) to Don Mancini's Chucky films and everything in between, this collection explores what can be found at the intersection of "LGBTQIA" and "horror" in the film industry.
A poignant, deliciously anecdotal account of a talented artist's Oz-like journey in the worlds of Off-Broadway, Broadway, and Hollywood The Tony Award-nominated writer of The Tale of the Allergist’s Wife and the long-running hit Off-Broadway play Vampire Lesbians of Sodom, and a Sundance Festival award winner, Charles Busch has created a unique place in the entertainment world as a playwright, LGBT icon, drag actor, director, and cabaret performer, with his extraordinary gift for both connecting with and channeling the leading ladies of show business. In wonderfully readable chapters, by turns comic and moving, Charles writes how ever since his mother's death when he was seven, he has sought out surrogate mothers in his life. In his teens, Charles moved to Park Avenue in Manhattan to live with his Auntie Mame-like Aunt Lil, who encouraged and nourished Charles’ talents and dreams, and eventually he discovered his gifts for writing plays and performing as a male actress. Busch also shares his colorful and sometimes outlandish interactions with film and theatrical luminaries including the hilarious comedian Joan Rivers (who became a mother figure to Charles after Aunt Lil’s death), Angela Lansbury (who attended her first Passover seder with Charles), Rosie O’Donnell, Claudette Colbert, Valerie Harper, Kim Novak, and many others. Full of both humor and heart and featuring rare photos, Leading Lady is for readers of entertainment books as well as anyone who enjoys real-life stories of artists who break the mold, ditch the boundaries, and find their own unique way to sparkle.
This book includes 432 reviews of horror movies. Half are plausible, half are supernatural. •Decide if you want to watch a horror movie that’s plausible or supernatural. •Roll a six-sided die three times. •Find the sequence within the table of contents. •You will be redirected to a random movie and its review.