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Combining faithfulness to the Latin with sensitivity to Prudentius’ poetic qualities, Nicholas Richardson offers a precise yet creative verse translation of a major work by one of the most important Christian Latin poets of late antiquity. Prudentius’ Hymns for Hours and Seasons also provides readers with a wealth of supporting material which sets the life and output of this poet in its historical, religious and literary context, outlines manuscript and editorial details, discusses metrics and Latinity, and also gives a sense of the individual hymns of the Cathemerinon. Richardson’s fresh translation allows readers unfamiliar with Latin to understand and interpret the poems, as well as offering those who know Latin a translation that keeps very close to the original text. Detailed notes at the end of the book illuminate both the literary and the religious aspects of each hymn. This commentary, along with the introduction and translated text, provides students and scholars alike with a comprehensive volume on one of the key works of later Latin poetry.
Combining faithfulness to the Latin with sensitivity to Prudentius’ poetic qualities, Nicholas Richardson offers a precise yet creative verse translation of a major work by one of the most important Christian Latin poets of late antiquity. Prudentius’ Hymns for Hours and Seasons also provides readers with a wealth of supporting material which sets the life and output of this poet in its historical, religious and literary context, outlines manuscript and editorial details, discusses metrics and Latinity, and also gives a sense of the individual hymns of the Cathemerinon. Richardson’s fresh translation allows readers unfamiliar with Latin to understand and interpret the poems, as well as offering those who know Latin a translation that keeps very close to the original text. Detailed notes at the end of the book illuminate both the literary and the religious aspects of each hymn. This commentary, along with the introduction and translated text, provides students and scholars alike with a comprehensive volume on one of the key works of later Latin poetry.
Combining faithfulness to the Latin with sensitivity to Prudentius' poetic qualities, Nicholas Richardson offers a precise yet creative verse translation of a major work by one of the most important Christian Latin poets of late antiquity. Prudentius' Hymns for Hours and Seasons also provides readers with a wealth of supporting material which sets the life and output of this poet in its historical, religious and literary context, outlines manuscript and editorial details, discusses metrics and Latinity, and also gives a sense of the individual hymns of the Cathemerinon. Richardson's fresh translation allows readers unfamiliar with Latin to understand and interpret the poems, as well as offering those who know Latin a translation that keeps very close to the original text. Detailed notes at the end of the book illuminate both the literary and the religious aspects of each hymn. This commentary, along with the introduction and translated text, provides students and scholars alike with a comprehensive volume on one of the key works of later Latin poetry.
Lament is essential to human thriving. It allows us to cope with significant loss, an inescapable feature of our mortal existence. Lament is the passionate outpouring of deep sorrow and grief over such loss, which helps us avoid being completely overcome by the strong emotions that come with it. Lament is cathartic and constructive. It is a necessary step in coming to terms with great loss and moving forward in life. Not to lament is not to live--or at least not to live very fully, deeply, or well. This book deals with one instance of Christian lament in the late Reformation by exploring the efforts of a talented yet little-known layman to cope with the death of his beloved wife. For the first time, it provides full access to the remarkable work of private devotion that he authored to express his lament. A work of haunting candor, impressive artistry, and searching faith, The Pious Meditations is an extraordinarily rare and valuable source that has received very little scholarly attention. It furnishes both fresh insight into life in the past and important resources for life in the present. Written in a period that knew no radical separation between the academy and the church, it was informed by the author's experience in both, and can continue to speak to both today.
This volume offers a broad introduction to one of the most exciting chapters of Late Antiquity through direct testimony from one of the last representatives of Roman Antiquity, Ausonius of Bordeaux, and his radical Christian protégé, the populist bishop and experimental poet Paulinus of Nola. The first comprehensive volume in English dedicated to these works in over a century, this book also offers representative selections from Paulinus’ vast poetic output, from the publicly performed poems that mark his contribution to the emerging cult of the saints to his experimental Christianization of a wide range of Classical genres. Preceded by a substantial introduction discussing the modern significance of these works and their original contexts, the translation is accompanied by running notes for ease of reference and an interpretive commentary rich with illustrative parallels. Taken together, the correspondence with Ausonius and the selections from Paulinus epitomize the personal, political, and spiritual conflicts of their age, offering a lively and concentrated introduction to the life and thought of these two underappreciated contemporaries of Jerome and Augustine. Accompanied by new and provocative interpretations with detailed but concise historical and biographical guidance, this accessible and stylish translation will appeal to scholars and students of Classics, Late Antiquity, religious studies, social history, and world literature.
Juvencus’ Evangeliorum libri IV, or "The Four Books of the Gospels," is a verse rendering of the gospel narrative written ca. 330 CE. Consisting of around 3200 hexameter lines, it is the first of the Latin "Biblical epics" to appear in antiquity, and the first classicizing, hexameter poem on a Christian topic to appear in the western tradition. As such, it is an important text in literary and cultural history. This is the first English translation of the entire poem. The lack of a full English translation has kept many scholars and students, particularly those outside of Classics, and many educated general readers from discovering it. With a thorough introduction to aid in the interpretation and appreciation of the text this clear and accessible English translation will enable a clearer understanding of the importance of Juvencus’ work to later Latin poetry and to the early Church.
Noted scholars in the field explore the rich variety of late antique literature With contributions from leading scholars in the field, A Companion to Late Antique Literature presents a broad review of late antique literature. The late antique period encompasses a significant transitional era in literary history from the mid-third century to the early seventh century. The Companion covers notable Greek and Latin texts of the period and provides a varied overview of literature written in six other late antique languages. Comprehensive in scope, this important volume presents new research, methodologies, and significant debates in the field. The Companion explores the histories, forms, features, audiences, and uses of the literature of the period. This authoritative text: Provides an inclusive overview of late antique literature Offers the widest survey to date of the literary traditions and forms of the period, including those in several languages other than Greek and Latin Presents the most current research and new methodologies in the field Contains contributions from an international group of contributors Written for students and scholars of late antiquity, this comprehensive volume provides an authoritative review of the literature from the era.
Ausonius provides translations of the key works of Ausonius, an important later Latin poet whose poems detail the social and cultural life of Gaul and its environment. His often difficult and playful Latin is presented in English by the award winning poet Deborah Warren, enabling a new generation of students to use and understand the poems. With notes and commentary throughout, this volume will be important not only as an example of later Latin poetry but also as a window onto the Later Roman Empire and the beginnings of early Christian writing.
Martha Malamud provides the only scholarly English translation of De Reditu Suo with significant notes and commentary that explore historical, literary, cultural, and mythical references, as well as commenting on literary allusions, the structure, diction, and style of the poem, and textual issues. De Reditu Suo provides fascinating insights into travel and communications networks in the rapidly changing, fragmented world of the fifth century. A substantial introductory essay explores Rutilius’ place in several intellectual and literary traditions, as the poem is a sophisticated piece of literature that both draws on the rich tradition of classical Latin poetry and reflects the distinctive formal features of late antique poetry. The poem also conveys the thoughts of a man passionately devoted to Rome and its cultural heritage, enmeshed in the tumultuous political and social upheaval of his day, caught between his hopes for Rome’s restoration and his fear of its disintegration. With line-for-line translation from the Latin and a scholarly introduction, extensive notes, and comprehensive bibliography, Martha Malamud makes this important text accessible and relevant for students and scholars in Classics, Comparative Literature, Religious Studies, Medieval Studies, and Ancient History, as well as independent readers with an interest in the literature of the period.
After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE evidenced in the works of key figures such as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence marked a milestone in the reception of the classics of late Republican and early imperial poetry. In Classicism and Christianity in Late Antique Latin Poetry, Philip Hardie explores the ways in which poets writing on non-Christian and Christian subjects used the classical traditions of Latin poetry to construct their relationship with Rome’s imperial past and present, and with the by now not-so-new belief system of the state religion, Christianity. The book pays particular attention to the themes of concord and discord, the "cosmic sense" of late antiquity, novelty and renouatio, paradox and miracle, and allegory. It is also a contribution to the ongoing discussion of whether there is an identifiably late antique poetics and a late antique practice of intertextuality. Not since Michael Robert's classic The Jeweled Style has a single book had so much to teach about the enduring power of Latin poetry in late antiquity.