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The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.
Can national minorities participation in decision-making processes be achieved in any constitutional context ? Can developing international standards assist governments in devising national policies? What are the challenges if states are to use cultural autonomy to improve minority participation? This publication presents The UniDem Seminar on The participation of minorities in public life, which took place in Zagreb on 18 and 19 May 2007, discussed ways of answering these topical questions. This publication contains the reports presented and discussed at the UniDem Seminar organized by the European Commission for Democracy through law (the Venice Commission), under the patronage of the President of the Republic of Croatia and in cooperation with the Ministry of Foreign Affairs and European Integration of the Republic of Croatia, the University of Zagreb and the University of Glasgow.
This study presents a survey of the experience of 21 projects in 11 countries throughout Africa. It is based primarily on visits to each of these projects, and directed to the people most directly involved in the design and implementation of agroforestry projects
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In this collection of critical essays the well-known critic Barry Schwabsky reexamines the art produced since the 1960s, demonstrating how the achievements of "high modernism" remain consequential to it, through tensions among representation, abstraction, and pictorial language. With the core of the book focused on Michelangelo Pistoletto and Mel Bochner, Schwabsky also studies the work of emerging artists who also continue to examine modernism's legacies.