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Only one person can give her the freedom she seeks--but is it worth the risk? Maisie Kentworth is being forced to stay on her parents' ranch. After a short-lived relationship with the wrong man, she's worried about inflaming things further between her former beau and her protective family. Left to rue her mistakes, she keeps busy exploring the idle mine at the edge of their property, where she discovers a great treasure. Boone Bragg is also stuck. With his parents on vacation, the management of Bragg Mining falls on him, and one of his advisors wants him as a son-in-law. One wrong move, and Boone will end up either offending an associate or marrying a woman he can't endure. While closing up a spent mine, Boone gets two surprises. One is a spitfire farm girl who's trespassing with a pickax, and the other is the amazing crystal cavern that she's discovered. Suddenly Boone sees a way to overhaul the family business. With part of the cavern on Kentworth land, Boone makes Maisie a proposal that he hopes will solve all of their problems. Instead it throws Joplin into chaos, and it will take all of Maisie's gumption to set things right.
A lively competition draws her into her rival's blueprints--and maybe even his heart. Olive Kentworth has spent her life hiding her interest in architecture, even though she pores over architectural books and sketches buildings. When she accepts a job on a home expansion, it's only because her cousin Amos agrees to pose as the builder. To further hide her involvement, Olive takes a position as a nanny--not knowing that she'll be working for her idol, Joplin's leading architect, widower Maxfield Scott. Maxfield is intrigued by his new nanny--she makes his home and his life bearable again. His work, on the other hand, is a disaster. An untrained builder is remodeling a completed project of his. What's worse, Maxfield's current client wants changes to his plans because of that builder's work. As the architectural one-upmanship heats up, Olive's involvement becomes harder to hide. Will the relationship between her and Maxfield survive, or will they both miss out on building something for their future?
Calista York needs one more successful case as a Pinkerton operative to secure her job. When she's assigned to find the kidnapped daughter of a mob boss, she's sent to the rowdy mining town of Joplin, Missouri, despite having extended family in the area. Will their meddling expose her mission and keep Lila Seaton from being recovered? When Matthew Cook decided to be a missionary, he never expected to be sent only a short train ride away. While fighting against corruption of all sorts, Matthew hears of a baby raffle being held to raise funds for a children's home. He'll do what he can to stop it, but he also wants to stop the reckless Miss York, whose bad judgment consistently seems to be putting her in harm's way. Calista doesn't need the handsome pastor interfering with her investigation, and she can't let her disguise slip. Her job and the life of a young lady depend on keeping Matthew in the dark.
Jennings Winningly Combines Humor, History, and Romance Louisa Bell never wanted to be a dance-hall singer, but dire circumstances force her hand. With a little help from her brother in the cavalry, she's able to make ends meet, but lately he's run afoul of his commanding officer, so she undertakes a visit to straighten him out. Major Daniel Adams has his hands full at Fort Reno. He can barely control his rowdy troops, much less his two adolescent daughters. If Daniel doesn't find someone respectable to guide his children, his mother-in-law insists she'll take them. When Louisa arrives with some reading materials, she's mistaken for the governess who never appeared. Major Adams is skeptical. She bears little resemblance to his idea of a governess--they're not supposed to be so blamed pretty--but he's left without recourse. His mother-in-law must be satisfied, which leaves him turning a blind eye to his unconventional governess's methods. Louisa's never faced so important a performance. Can she keep her act together long enough?
What is the purpose of studying history? How do we reflect on contemporary life from a historical perspective, and can such reflection help us better understand ourselves, the world around us, and the God we worship and serve? Written by an accomplished historian, award-winning author, public evangelical spokesman, and respected teacher, this introductory textbook shows why Christians should study history, how faith is brought to bear on our understanding of the past, and how studying the past can help us more effectively love God and others. John Fea shows that deep historical thinking can relieve us of our narcissism; cultivate humility, hospitality, and love; and transform our lives more fully into the image of Jesus Christ. The first edition of this book has been used widely in Christian colleges across the country. The second edition provides an updated introduction to the study of history and the historian's vocation. The book has also been revised throughout and incorporates Fea's reflections on this topic from throughout the past 10 years.
Bestselling novelist Tracie Peterson joins Karen Witemeyer, Regina Jennings, and Jen Turano in this collection of four novellas, each featuring a Harvey Girl heroine. From Kansas to Texas, the Grand Canyon to New Mexico, the stories cross the country with tales of sweet romance and entertaining history. In Karen Witemeyer's "More Than a Pretty Face," a young woman works her hardest to escape poor choices from her youth. Tracie Peterson offers "A Flood of Love," where reuniting with an old flame after more than a decade offers unexpected results. Regina Jennings's "Intrigue a la Mode" delights with a tale of a young woman determined to help support her family, despite warnings of danger nearby. And Jen Turano's "Grand Encounters" heads to the Grand Canyon with a tale of a society belle intent on finding a new life for herself.
She Wants the Freedom of the Open Plains. He Wants the Prestige of a Successful Career. Neither is Ready for What Comes Instead. The train to Garber, Texas, is supposed to bring life's next victory to Nicholas Lovelace. Instead, it gets held up by robbers who are thwarted by the last person Nick ever expected--Anne Tillerton from back home in Prairie Lea. Anne's been hiding away as a buffalo hunter. She's only in town to find their runaway cook, but the woman flees--leaving Anne with her infant son. With Nick the only person Anne knows in town, the two form an unlikely team as they try to figure out what to do with the child. But being in town means acting and dressing for polite society--and it's not going well for Anne. Meanwhile, Nick's work is bringing new pressures, and being seen with a rough-around-the-edges woman isn't helping his reputation. Caught between their own dreams, a deepening relationship, and others' expectations, can the pair find their way to love? "[Jennings is] a fresh voice in Christian historical romance..." Library Journal
A supplemental textbook for middle and high school students, Hoosiers and the American Story provides intimate views of individuals and places in Indiana set within themes from American history. During the frontier days when Americans battled with and exiled native peoples from the East, Indiana was on the leading edge of America’s westward expansion. As waves of immigrants swept across the Appalachians and eastern waterways, Indiana became established as both a crossroads and as a vital part of Middle America. Indiana’s stories illuminate the history of American agriculture, wars, industrialization, ethnic conflicts, technological improvements, political battles, transportation networks, economic shifts, social welfare initiatives, and more. In so doing, they elucidate large national issues so that students can relate personally to the ideas and events that comprise American history. At the same time, the stories shed light on what it means to be a Hoosier, today and in the past.
Willow finds herself drawn to the hotel's new busboy, Graham, but little does she know he's a railroad heir working undercover to track down criminals using his trains. As he sets out to find the truth, another truth soon becomes equally urgent--will the Harvey Girl he has come to love care for the railroad heir as much as she cared for the lowly busboy?
In Wealth, Poverty, and Politics, Thomas Sowell, one of the foremost conservative public intellectuals in this country, argues that political and ideological struggles have led to dangerous confusion about income inequality in America. Pundits and politically motivated economists trumpet ambiguous statistics and sensational theories while ignoring the true determinant of income inequality: the production of wealth. We cannot properly understand inequality if we focus exclusively on the distribution of wealth and ignore wealth production factors such as geography, demography, and culture. Sowell contends that liberals have a particular interest in misreading the data and chastises them for using income inequality as an argument for the welfare state. Refuting Thomas Piketty, Paul Krugman, and others on the left, Sowell draws on accurate empirical data to show that the inequality is not nearly as extreme or sensational as we have been led to believe. Transcending partisanship through a careful examination of data, Wealth, Poverty, and Politics reveals the truth about the most explosive political issue of our time.