Download Free Prophecy And Dissent 1914 16 Book in PDF and EPUB Free Download. You can read online Prophecy And Dissent 1914 16 and write the review.

First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.
Bertrand Russell's shorter writings against British participation in the First World War from its outbreak until the formation of Lloyd George's coalition. It includes the fullest documentation yet of the continuing government attempts to stifle Russell, then regarded as Britain's most dangerous pacifist.
Academic philosopher, logician, public intellectual, educator, political activist, and freethinker, Bertrand Russell was and remains a colossus. No other single philosopher in the last 200 years can be said to have created so much and influenced so many. His Principia Mathematica, written with A. N. Whitehead, ranks as one of the greatest books on logic since Aristotle. His philosophical work on language, meaning, logic, mind, and metaphysics formed the basis of 20th-century philosophy. Russell was active in numerous political movements of liberation and peace, and his popular writings, including the best-selling History of Western Philosophy, won the Nobel prize in literature in 1950. Historical Dictionary of Bertrand Russell's Philosophy offers a comprehensive, current guide to the many facets of Russell's work. Through its chronology, introductory essay, bibliography, and hundreds of cross-referenced dictionary entries on concepts, people, works, and technical terms, Russell's impact on philosophy and related fields is made accessible to the reader in this must-have reference.
The Collected Papers of Bertrand Russell, Volume 26 covers a period of transition in Russell's political life between his orthodox and sometimes pugnacious defence of the West in the early post-war, and the dissenting advocacy of nuclear disarmament and détente that started in earnest in the mid-1950s. While some of the assembled writings echo harsh prior criticism of Soviet expansionism and dictatorship, others register growing qualms about the recklessness of American foreign policy and the baneful effects on civil liberties of anti-communist hysteria inside the United States. Whether continuing to push for western rearmament, or highlighting in a more placatory vein the folly of the Cold War's divisions and rival fanaticisms, Russell's paramount objective was avoiding a war that threatened global catastrophe. Suspended between fear and hope, he expounded his evolving political concerns–and much else besides, including autobiographical reflections and typically common-sense guidance for living well–in a constant flow of newspaper and magazine articles, letters to editors, radio broadcasts and discussions and, of special note, a Nobel Prize acceptance speech. Russell also completed two lecture tours of the United States (the last of many), as well as a landmark such visit to Australia. All three of these journeys, and the textual record they left, are examined in depth using manuscript material and unpublished correspondence from the Bertrand Russell Archives at McMaster University, which is mined extensively throughout the volume.
The first biography of one of the twentieth century's leading internationalists, Sir Norman Angell, author of The Great Illusion, Labour MP, and winner of the Nobel Peace Prize, which reveals that his life has hitherto been much misrepresented and misunderstood.
Peter H. Denton explores Bertrand Russell's attempt to articulate the kind of world he thought possible and the world he feared in the aftermath of World War I. Two concerns were fundamental to Russell's work between 1919 and 1938: the philosophical implications of discoveries in the physical sciences, particularly for the relationship between science and religion, and the grim prospects of an industrial civilization whose science and technology were held responsible for the devastation of the Great War. Placing Russell's work in the context of Anglo-American contemporaries who also perceived this dual aspect of science and technology, Denton explores how, for Russell, the "scientific outlook" was of crucial importance if humanity was to survive in an age of potential technological destruction—themes that are still important today.
During the First World War, Bertrand Russell was political commentator for The Tribunal, the official weekly publication of the No-Conscription Fellowship, of which Russell was Action Chairman.This volume contains many short papers from that period, which reflect Russell's immediate reponses to developments in the conflict. These documents bear witness to Russell's growing commitment to pacifism, and reveal the development of the patterns of political argument, rhetoric and activism which were to characterise his work throughout his life.
In Collected Papers 21 Bertrand Russell grapples with the dilemma that confronted all opponents of militarism and war in the 1930s—namely, what was the most politically and morally appropriate response to international aggression. How to Keep the Peace contains some of Russell’s best-known essays, such as the famous Auto-obituary and his treatment of The Superior Virtue of the Oppressed. Like the sixteen previous volumes in Routledge’s critical edition of Russell’s shorter writings, however, Collected Papers 21 also includes a number of unpublished manuscripts from the Bertrand Russell Archives at McMaster University. Moreover, it recovers for Russell scholars and general readers alike a rich vein of material that has previously appeared in print only in obscure or long-defunct newspaper and periodical publications.
In the Preface to his ground-breaking The Great War and Modern Memory (1975), Paul Fussell claimed that “the dynamics and iconography of the Great War have proved crucial political, rhetorical, and artistic determinants on subsequent life.” Forty years after the publication of Fussell’s study, the contributors to this volume reconsider whether the myth generated by World War I is still “part of the fiber of [people’s] lives” in English-speaking countries. What is the place of the First World War in cultural memory today? How have the literary means for remembering the war changed since the war? Can anything new be learned from the effort to re-imagine the First World War after other bloody conflicts of the 20th century? A variety of answers to these questions are provided in Re-Imagining the First World War: New Perspectives in Anglophone Literature and Culture, which explores the Great War in British, Irish, Canadian, Australian, and (post)colonial contexts. The contributors to this collection write about the war from a literary perspective, reinterpreting poetry, fiction, letters, and essays created during or shortly after the war, exploring contemporary discourses of commemoration, and presenting in-depth studies of complex conceptual issues, such as gender and citizenship. Re-Imagining the First World War also includes historical, philosophical and sociological investigations of the first industrialised conflict of the 20th century, which focus on responses to the Great War in political discourse, life writing, music, and film: from the experience of missionaries isolated during the war in the Arctic and Asia, through colonial encounters, exploring the role of Irish, Chinese and Canadian First Nations soldiers during the war, to the representation of war in the world-famous series Downton Abbey and the 2013 album released by contemporary Scottish rock singer Fish. The variety of themes covered by the essays here not only confirms the significance of the First World War in memory today, but also illustrates the necessity of developing new approaches to the first global conflict, and of commemorating “new” victims and agents of war. If modes of remembrance have changed with the postmodern ethical shift in historiography and cultural studies, which encourages the exploration of “other” subjectivities in war, so-far concealed affinities and reverberations are still being discovered, on the macro- and micro-historical levels, the Western and other fronts, the battlefield, and the home front. Although it has been a hundred years since the outbreak of hostilities, there is a need for increased sensitivity to the tension between commemoration and contestation, and to re-member, re-conceptualise and re-imagine the Great War.
Despite sustained scholarly interest in the politics of modernism, astonishingly little attention has been paid to its relationship to Conservatism. Yet modernist writing was imbricated with Tory rhetoric and ideology from when it emerged in the Edwardian era. By investigating the many intersections between Anglophone modernism and Tory politics, Conservative Modernists offers new ways to read major figures such as T. S. Eliot, Ezra Pound, T. E. Hulme, and Ford Madox Ford. It also highlights the contribution to modernism of lesser-known writers, including Edward Storer, J. M. Kennedy, and A. M. Ludovici. These are the figures to whom it most frequently returns, but, cutting through disciplinary delineations, the book simultaneously reveals the inputs to modernism of a broad range of political writers, philosophers, art historians, and crowd psychologists: from Pascal, Burke, and Disraeli, to Nietzsche, Le Bon, Wallas, Worringer, Ribot, Bergson, and Scheler.