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Where previous histories of Ireland in the war years have focused on high politics, That Neutral Island mines deeper layers of experience. Stories, letters, and diaries illuminate this small country as it suffered rationing, censorship, the threat of invasion, and a strange detachment from the war.
Allied propaganda and Eire censorship were a vital part of the conflict over Irish neutrality in the Second World War. Based upon original research in archives in Ireland, Great Britain, the United States and Canada, this study opens a new page in the history of wartime propaganda and censorship. It examines the channels of propaganda , including the press and other print media, broadcasting and film, employed in Eire and the agencies which operated them, and the structure and operations of the Eire censorship bureau which sought to repress them . It also looks at the role played by Irish-Americans in the conflict, some of whom supported, while others opposed, Irish neutrality. Which side could win this "e;war of words"e;? Could British and American propaganda overcome Eire neutrality, or would re censorship guarantee that it could not? In this detailed and wide-ranging examination of the "e;war of words"e; over Eire neutrality, the author addresses such subjects as public opinion, government policies, propaganda planning, objectives, content and channels of dissemination, and the purpose and tactics of censorship.
For Britain the Second World War exists in popularmemory as a time of heroic sacrifice, survival and ultimate victory overFascism. In the Irish state the years 1939-1945 are still remembered simplyas 'the Emergency'. Eire was one of many small states which in 1939 chosenot to stay out of the war but one of the few able to maintain itsnon-belligerency as a policy.How much this owed to Britain's militaryresolve or to the political skills of amon de Valera is a key questionwhich this new book will explore. It will also examine the tensions Eire'spolicy created in its relations with Winston Churchill and with the UnitedStates. The author also explores propaganda, censorship and Irish statesecurity and the degree to which it involves secret co-operation withBritain. Disturbing issues are also raised like the IRA's relationship toNazi Germany and ambivalent Irish attitudes to the Holocaust.Drawing uponboth published and unpublished sources, this book illustrates the war'simpact on people on both sides of the border and shows how it failed toresolve sectarian problems on Northern Ireland while raising higher thebarriers of misunderstanding between it and the Irish state across itsborder.
This volume of essays on the social, political and military history of Ireland during the Second World War explores the Irish contribution to the Allied cause, in particular the role and experience of Irish men and women who served in the British armed forces during the war. Also covered is the history of Northern Ireland during the war period, as are apsects of the post-war historiography of Irish involvement in the Allied struggle.
Taking seriously Ireland’s euphemism for World War II, “the Emergency,” Anna Teekell’s Emergency Writing asks both what happens to literature written during a state of emergency and what it means for writing to be a response to an emergency. Anchored in close textual analysis of works by Samuel Beckett, Elizabeth Bowen, Flann O’Brien, Louis MacNeice, Denis Devlin, and Patrick Kavanagh, and supported by archival material and historical research, Emergency Writing shows how Irish late modernism was a response to the sociopolitical conditions of a newly independent Irish Free State and to a fully emerged modernism in literature and art. What emerges in Irish writing in the wake of Independence, of the Gaelic Revival, of Yeats and of Joyce, is a body of work that invokes modernism as a set of discursive practices with which to counter the Free State’s political pieties. Emergency Writing provides a new approach to literary modernism and to the literature of conflict, considering the ethical dilemma of performing neutrality—emotionally, politically, and rhetorically—in a world at war.
In the Second World War, the home fronts of many countries became as important as the battle fronts. As governments tried to win and hold the trust of domestic and international audiences, communication became central to their efforts. This volume offers cutting-edge research by leading and emerging scholars on how information was used, distributed and received during the war. With a transnational approach encompassing Germany, Iberia, the Arab world and India, it demonstrates that the Second World War was as much a war of ideas and influence as one of machines and battles. Simon Eliot, Marc Wiggam and the contributors address the main communication problems faced by Allied governments, including how to balance the free exchange of information with the demands of national security and wartime alliances, how to frame war aims differently for belligerent, neutral and imperial audiences and how to represent effectively a variety of communities in wartime propaganda. In doing so, they reveal the contested and transnational character of the ways in which information was conveyed during the Second World War. Allied Communication during the Second World War offers innovative and nuanced perspectives on the thin border between information and propaganda during this global war and will be vital reading for World War II and media historians alike.
John Jenks digs into the archives to give a detailed account of British media discourse, news manipulation and propaganda in the early Cold War.
This edited volume is a sequel to, and a development of, The Long Aftermath: Cultural Legacies of Europe at War, 1936-2016 (2016). It focuses on the six major European countries and states that remained officially neutral throughout the Second World War, namely Ireland, Portugal, Spain, Sweden, Switzerland, and the Vatican. Its transnational, comparative and interdisciplinary approach addresses complex questions pertaining to collective remembrance, national policies and politics, and intellectual as well as cultural responses to neutrality during and after the conflict. The contributions are from a broad range of scholars working across the disciplines of history, literature, film, media, and cultural studies. Their thought-provoking chapters challenge many assumptions about neutrality in the post-war European and global context, thereby filling a gap in the existing scholarship. Common themes that run through the volume include the intertwined and dynamic links between neutrality and moral responsibility during and after the Second World War, the importance of memory politics and popular culture in shaping collective memories, and the impact of the Holocaust in shifting traditional perspectives on neutrality since the 1990s. This volume will be of interest to undergraduates, postgraduates, scholars interested in the field of memory studies, as well as non-specialist readers.
In Northern Ireland, The United States and the Second World War, Simon Topping analyses the American military presence in Northern Ireland during the war, examining the role of the government at Stormont in managing this 'friendly invasion', the diplomatic and military rationales for the deployment, the attitude of Americans to their posting, and the effect of the US presence on local sectarian dynamics. He explores US military planning, the hospitality and entertainment provided for American troops, the renewal and reimagining of historic links between Ulster and the United States, the importation of 'Jim Crow' racism, 'Johnny Doughboys' marrying 'Irish Roses', and how all of this impacted upon internal, transatlantic and cross-border politics. This study also draws attention to influential and understudied individuals such as Northern Ireland's Prime Minister Sir Basil Brooke and offers a reassessment of David Gray, America's minister to Dublin. As a result, it provides a comprehensive examination of largely overlooked aspects of the war and Northern Ireland more generally, and fills important gaps in the history of both. Northern Ireland, The United States and the Second World War is essential for students and scholars interested in the history of Northern Ireland, American-Irish relations, the Second World War on the UK home-front, and wartime transatlantic diplomacy.