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A classic of modern French literature, the thrilling real-life story of the military hero, ambassador, ladies man, writer, and loving son "I grew up in the certitude that one day I should help give back the earth to those who ennoble it with their courage and warm it with their love." Promise at Dawn begins as the story of a mother’s sacrifice: alone and poor, she fiercely battles to give her son the very best. Romain Gary chronicles his childhood in Russia, Poland, and on the French Riviera and recounts his adventurous life as a young man fighting for France in World War II. But above all he tells the story of the love for his mother that was his life—their secret and private planet, their wonderland “born out of a mother’s murmur into a child’s ear, a promise whispered at dawn of future triumphs and greatness, of justice and love.”
Unlock the more straightforward side of Promise at Dawn with this concise and insightful summary and analysis! This engaging summary presents an analysis of Promise at Dawn by Romain Gary, an autobiographical tale about the author’s childhood, experience in the Second World War and, most importantly, his mother. The writer’s mother was divorced and had to raise her son by herself. However, she overcame the countless obstacles which stood in her way to give her child the brightest future possible. Promise at Dawn was published in 1960 and, although it contains many autobiographical elements, is not an autobiography in the true sense of the world, but more of a tribute to the person in Gary’s life who inspired him the most. Indeed, Romain Gary idolised his mother, from his childhood in Russia, Poland and France to the day she died, and even beyond the grave. Gary was a diplomat, novelist, film director and aviator, and is the only author to be awarded the Prix Goncourt under two different names. He committed suicide in Paris in 1980. Find out everything you need to know about Promise at Dawn in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!
This book identifies Lewis Sperry Chafer, evangelist, teacher, author, and founder of one of the world's largest seminaries, as one who has greatly influenced recent controversies and scholarship concerning the Second Coming of Christ. This work portrays this important figure in the Evangelical movement as a forceful and creative theologian who has had an incredible impact on religious thought and practices, not only in the United States by worldwide. Chafer gathered massive themes, materials and collective dispensational premillennial thought of the latter nineteenth century and the first half of the twentieth century. He did not merely collect, but he interpreted the evangelical theology in a positive manner. He had the ability to interpret the timeless truths of Scripture in a manner which captivated and inspired others. A University Press of America Book.
In this book Ralph Schoolcraft explores the extraordinary career of the modern French author, film director, and diplomat—a romantic and tragic figure whose fictions extended well beyond his books. Born Roman Kacew, he overcame an impoverished boyhood to become a French Resistance hero and win the coveted Goncourt Prize under the pseudonym—and largely invented persona—Romain Gary. Although he published such acclaimed works as The Roots of Heaven and Promise at Dawn, the Gaullist traditions that he defended in the world of French letters fell from favor, and his critical fortunes suffered at the hands of a hostile press. Schoolcraft details Gary's frustrated struggle to evolve as a writer in the eye of a public that now considered him a known quantity. Identifying the daring strategies used by this mysterious character as he undertook an elaborate scheme to reach a new readership, Schoolcraft offers new insight into the dynamics of authorship and fame within the French literary institutions. In the early 1970s Gary made his departure from the conservative literary establishment, publishing works that boasted a quirky, elliptical style under a variety of pseudonymous personae, the most successful of which was that of an Algerian immigrant by the name of Emile Ajar. Moving behind the mask of his new creation, Gary was able to win critical and popular acclaim and a second Goncourt in 1975. But as Schoolcraft suggests, Gary may have "sold his shadow"—that is, lost his authorial persona—by marketing himself too effectively. Going so far as to recruit a cousin to stand in as the public face of this phantom author, Gary kept the secret of his true authorship until his violent death in 1980 from a self-inflicted gunshot wound. The press reacted with resentment over the scheme, and he was shunned into the ranks of literary oddities. Schoolcraft draws from archives of the several thousand documents related to Gary housed at the French publishing firms of Gallimard and Mercure de France, as well as the Butler Library at Columbia University. Exploring the depths of a story that has long remained shrouded in mystery, Romain Gary: The Man Who Sold His Shadow is as much a fascinating biographical sketch as it is a thought-provoking reflection on the assumptions made about identities in the public sphere.
Beginning with Marcel Ophus's documentary The Sorrow and the Pity (1970) there has been an attempt to question the idea of a totally unified, courageous and resistant wartime France. Even more startling have been the increasingly shocking revelations that the politics of collaboration were a mere extension of a deep-seated French anti-semitic tradition. In the shadow of these developments French writers and philosophers today are reflecting on the meaning of Jewish identity in the contemporary world. Auschwitz and After analyses for the first time how the memory of Auschwitz and the collaboration continue to haunt the French. These critical evaluations are accompianed by provocative essays on the "jewish Question" and the politics of race as they have been studied by writers, historians, philosophers and film makers in postwar France.
Airman, war hero, immigrant, law student, diplomat, novelist and celebrity spouse, Romain Gary had several lives thrust upon him by the history of the twentieth century, but he also aspired to lead many more. He wrote more than two dozen books and a score of short stories under several different names in two languages, English and French, neither of which was his mother tongue. Gary had a gift for narrative that endeared him to ordinary readers, but won him little respect among critics far more intellectual than he could ever be. His varied and entertaining writing career tells a different story about the making of modern literary culture from the one we are accustomed to hearing. Born Roman Kacew in Vilna (now Lithuania) in 1914 and raised by only his mother after his father left them, Gary rose to become French Consul General in Los Angeles and the only man ever to win the Goncourt Prize twice. This biography follows the many threads that lead from Gary's wartime adventures and early literary career to his years in Hollywood and his marriage to the actress Jean Seberg. It illuminates his works in all their incarnations, and culminates in the tale of his most brilliant deception: the fabrication of a complex identity for his most successful nom de plume, Émile Ajar. In his new portrait of Gary, David Bellos brings biographical research together with literary and cultural analysis to make sense of the many lives of Romain Gary - a hero fit for our times, as well as his own.
"This thoughtful study should interest anyone concerned with social and political life at the periphery of today's Russian Federation."—Choice
Blanch, writer, artist and adventuress, followed her own compass in everything she did. She called herself a romantic traveller; her appetite for the exotic colours all her books. The first, The Wilder Shores of Love, became a worldwide bestseller and is still in print. Emotions, she insisted, can be transposed to places or countries and in this she was her own best example. Her guiding passion for Russia began in childhood; later she found the 'eternal Slav' in Romain Gary, Franco-Slav diplomat and writer, and with him embarked on a series of postings from Bulgaria to Los Angeles. After their divorce she transferred her obsession to Turkey, Persia and the Islamic East where she travelled widely, with tremendous baggage. She eventually settled on the Cote d'Azur, in a small pink villa dressed as exotically as herself. Lesley Blanch loved mystery; vivid yet elusive, she hid as much as she revealed and created a legend about her early past. In this first biography, Anne Boston draws on publishers' archives, unpublished journals and conversations with those who knew her, to piece together the portrait of an escapist for whom 'character plus opportunity equals fortune'.
Self-Portrait, with Parents and Footnotes is a story of movement. Moving from city to city characterized the author's growing up—from Poland to Belgium and from the East Coast to the West Coast of the United States. The book also moves between past and present. The authors' parents, Jews from Eastern Europe, lived through the Spanish Civil War, the Second World War, the post-war Communist world, and much migration in between. How were these events transmitted to their child, and what questions do they give rise to today? The book moves between straightforward story-telling and reflections on memory, on politics and religion, and on literature. It seeks the genesis of intellectual interests in personal story.
In Life in Common Tzvetan Todorov explores the construction of the self and offers new perspectives on current debates about otherness. Through the seventeenth century, solitude was considered the human condition in the Western philosophical tradition. The self was not dependent on others to perceive itself as complete. Todorov sees a reversal of this thinking beginning with the writings of Jean-Jacques Rousseau in the eighteenth century. For the first time the self was defined as incomplete without the other, and the gaze no longer served only to satisfy personal vanity but constituted the fundamental requisite for human identity. ø Todorov traces the far-reaching implications of Rousseau's new vision of the self and society through the political, philosophical, and psychoanalytical theories of Adam Smith, Georg Wilhelm Friedrich Hegel, Georges Bataille, Melanie Klein, and others, and the relevant literary works of Karl Philipp Moritz, the Marquis de Sade, and Marcel Proust. In an original study of the bond between parent and child, Todorov develops a compelling vision of the self as social.