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This is the second volume in a trilogy, the first of which is the author's The first rapprochement; and the third being Castlereagh and Adams.
Throughout the world today there are obvious trouble spots that have the potential to explode into serious conflicts at any time in the immediate or distant future. This study examines what history suggests about the future possibilities and characteristics of war and the place that thinking about conflict deserves in the formation of American strategy in coming decades. The author offers a historical perspective to show that armed conflict between organized political groups has been mankind's constant companion and that America must remain prepared to use its military power to deal with an unstable, uncertain, and fractious world.Williamson Murray shows that while there are aspects of human conflict that will not change no matter what advances in technology or computing power may occur, the character of war appears to be changing at an increasingly rapid pace with scientific advances providing new and more complex weapons, means of production, communications, and sensors, and myriad other inventions, all capable of altering the character of the battle space in unexpected fashions. He explains why the past is crucial to understanding many of the possibilities that lie in wait, as well as for any examination of the course of American strategy and military performance in the future—and warns that the moral and human results of the failure of American politicians and military leaders to recognize the implications of the past are already apparent.
In today's military of rapid technological and strategic change, obtaining a complete understanding of the present, let alone the past, is a formidable challenge. Yet the very high rate of change today makes study of the past more important than ever before. The Past as Prologue, first published in 2006, explores the usefulness of the study of history for contemporary military strategists. It illustrates the great importance of military history while simultaneously revealing the challenges of applying the past to the present. Essays from authors of diverse backgrounds - British and American, civilian and military - come together to present an overwhelming argument for the necessity of the study of the past by today's military leaders in spite of these challenges. The essays of Part I examine the relationship between history and the military profession. Those in Part II explore specific historical cases that show the repetitiveness of certain military problems.
Old Man's War author John Scalzi's sendup of the heroic fantasy genre, a finalist for the Hugo Award for Best Short Story. An over-the-top, humorous short story representing the prologue for a "future" book (written as an April Fool's Joke) published on Tor.com. The title of the series and book was created from an amalgamation of the most commonly used words in fantasy and science fiction novels over the previous decade. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
LOST IN THE PACIFIC is the first book in a new narrative nonfiction series that tells the true story of a band of World War II soldiers who became stranded at sea and had to fight for survival. World War II, October 21, 1942. A B-17 bomber drones high over the Pacific Ocean, sending a desperate SOS into the air. The crew is carrying America's greatest living war hero on a secret mission deep into the battle zone. But the plane is lost, burning through its final gallons of fuel.At 1:30 p.m., there is only one choice left: an emergency landing at sea. If the crew survives the impact, they will be left stranded without food or water hundreds of miles from civilization. Eight men. Three inflatable rafts. Sixty-eight million square miles of ocean. What will it take to make it back alive?
The destruction of a town, and the creation of a masterpiece--On April 26, 1937, in the late afternoon of a busy market day in the Basque town of Gernika in northern Spain, the German Luftwaffe began the relentless bombing and machine-gunning of buildings and villagers at the request of General Francisco Franco and his rebel forces. Three-and-a-half hours later, the village lay in ruins, its population decimated. This act of terror and unspeakable cruelty--the first intentional, large-scale attack against a nonmilitary target in modern warfare--outraged the world and one man in particular, Pablo Picasso. The renowned artist, an expatriate living in Paris, reacted immediately to the devastation in his homeland by creating the canvas that would become widely considered one of the greatest artworks of the twentieth century--Guernica. Weaving themes of conflict and redemption, of the horrors of war and of the power of art to transfigure tragedy, Russell Martin follows this monumental work from its fevered creation through its journey across decades and continents--from Europe to America and, finally and triumphantly, to democratic Spain. Full of historical sweep and deeply moving drama, Picasso's War delivers an unforgettable portrait of a painting, the dramatic events that led to its creation, and its ongoing power today.
The crisis facing the United States in 1850 was a dramatic prologue to the conflict that came a decade later. The rapid opening of western lands demanded the speedy establishment of local civil administration for these vast regions. Outraged partisans, however, cried of coercion: Southerners saw a threat to the precarious sectional balance, and Northerners feared an extension of slavery. In this definitive study, Holman Hamilton analyzes the complex events of the anxious months from December, 1849, when the Senate debates began, until September, 1850, when Congress passed the measures.