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This book comprehensively surveys the origin, production and reception of the canonical gospels in the early church. The discussion unfolds in three steps. Part One traces the origin of the 'gospel' of Jesus, its significance in Jewish and Hellenistic contexts of the first century, and its development from eyewitness memory to oral tradition and written text. Part Two then more specifically examines the composition, design and intentions of each of the four canonical gospels. Widening the focus, Part Three first asks about gospel-writing as viewed from the perspective of ancient Jews and pagans before turning to the question of reception history in the proliferation of 'apocryphal' gospels, in the formation of the canon, and in the beginnings of a gospel commentary tradition.
The structure and content of the Johannine prologue determine the structure and content of the whole Gospel. It provides the reader with seminal statements about the cosmic situation and God's plan for mankind, statements which are explicated thereafter. Elizabeth Harris demonstrates that a type of prologue found in ancient Greek literature could be the literary convention behind John 1.1-18.
Completely re-evaluates the backgound to and provenance of the preface to Luke's Gospel.
Central to God’s character is the quality of holiness. Yet, even so, most people are hard-pressed to define what God’s holiness precisely is. Many preachers today avoid the topic altogether because people today don’t quite know what to do with words like “awe” or “fear.” R. C. Sproul, in this classic work, puts the holiness of God in its proper and central place in the Christian life. He paints an awe-inspiring vision of God that encourages Christian to become holy just as God is holy. Once you encounter the holiness of God, your life will never be the same.
Jesus Becoming Jesus presents a theological interpretation of the Gospels of Matthew, Mark and Luke. Unlike many conventional biblical commentaries, Weinandy concentrates on the theological content contained within the Synoptic Gospels. He does thi
Word and Glory challenges recent claims that Gnosticism, especially as expressed in the Nag Hammadi tractate Trimorphic Protennoia, is the most natural and illuminating background for understanding the Prologue of the Fourth Gospel. Scriptural allusions and interpretive traditions suggest that Jewish wisdom tradition, mediated by the synagogue of the diaspora, lies behind the Prologue and the Fourth Gospel as a whole, not some form of late first-century Gnosticism. Several features of the Fourth Gospel reflect the synagogue and nascent Christianity's struggle to advance and defend its beliefs about Jesus who, as God's son and Agent, was understood as the embodiment of the Divine Word. All of the ingredients that make up Johannine christology derive from dominical tradition, refracted through the lens of Jewish interpretive traditions. There is no compelling evidence that this christology derived from or was influenced by gnostic mythology. Word and Glory also develops and tests criteria for assessing the relative value of post-New Testament sources for the interpretation of New Testament documents.
This study explores the background to the interpretation of the Prologue of the Fourth Gospel and the various layers of meaning.
In Scripting Jesus, Michael White, famed scholar of early Christian history, reveals how the gospel stories of Jesus were never meant to be straightforward historical accounts, but rather were scripted and honed as performance pieces for four different audiences with four different theological agendas. As he did as a featured presenter in two award-winning PBS Frontline documentaries (“From Jesus to Christ” and “Apocalypse!”), White engagingly explains the significance of some lesser-known aspects of The New Testament; in this case, the development of the stories of Jesus—including how the gospel writers differed from one another on facts, points of view, and goals. Readers of Elaine Pagels, Marcus Borg, John Dominic Crossan, and Bart Ehrman will find much to ponder in Scripting Jesus.