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Thirty years ago, the world watched in horror as THE PATRON, a hero sent as humanitarian aid from a different dimension, went punch for punch with WOE, a primordial beast and a perfect match for our mighty protector. In the end, hero and villain alike fell...but the Patron returned - and continues to defend us to this day! At least, that's what we've all been told. The truth is, the Patron died that day along with Woe. The UN replaced the Patron with a Reploid, designed to mimic the real Patron and continue on his mission of protection. Today, the Patron Reploid is secretly piloted by an elite team - a team prepared for anything... except for the death of one of their own. A deep dive into the underside of the superhero mythos as only writer Steve Orlando (KILL A MAN, Midnighter, Martian Manhunter) can tell it. Illustrated by Patrick Piazzalunga (Siege, X-Factor).
Behind every great movement of God stands a few generous men and women called Gospel Patrons. This book tells three of their stories from history and invites us to believe God, step out, and serve the purposes of God in our generation too. For bulk orders and more resources, please visit: gospelpatrons.org "I read this book from cover to cover. I couldn't put it down. I'm praying for thousands of similar Gospel Patrons for our generation." -Todd Harper, President of Generous Giving "This is a great read! I love the way these stories paint a picture of stewarding relationship, affluence, and influence to lay up treasure in heaven." -David Wills, President of National Christian Foundation "Gospel Patrons is one of the most important books I have seen this year! It's 100 years overdue and these untold stories urgently need to be told today." -George Verwer, Founder of Operation Mobilization "As I read Gospel Patrons, I found myself weeping for joy. May the Lord powerfully use this vision around the globe!" -Howard Dayton, Founder of Compass--Finances God's Way
Libraries are not exempt from the financial costs of data breaches or leaks, no matter the size. Whether from a library worker unwittingly sharing a patron’s address with a perpetrator of domestic violence to leaving sensitive patron data unprotected, patrons can also pay a hefty price when libraries fail to manage patron data securely and ethically. In this guide, readers will learn concrete action steps for putting the ethical management of data into practice, following two common public and academic library cumulative case studies. The authors explore such key topics as succinct summaries of major U.S. laws and other regulations and standards governing patron data management; information security practices to protect patrons and libraries from common threats; how to navigate barriers in organizational culture when implementing data privacy measures; sources for publicly available, customizable privacy training material for library workers; the data life cycle from planning and collecting to disposal; how to conduct a data inventory; understanding the associated privacy risks of different types of library data; why the current popular model of library assessment can become a huge privacy invasion; addressing key topics while keeping your privacy policy clear and understandable to patrons; and data privacy and security provisions to look for in vendor contracts.
Through the example of Central Pacific Railroad executives, Manufacturing the Modern Patron in Victorian California redirects attention from the usual art historical protagonists - artistic producers - and rewrites narratives of American art from the unfamiliar vantage of patrons and collectors. Neither denouncing, nor lionizing, nor dismissing its subjects, it demonstrates the benefits of taking art consumers seriously as active contributors to the cultural meanings of artwork. It explores the critical role of art patronage in the articulation of a new and distinctly modern elite class identity for newly ascendant corporate executives and financiers. These economic elites also sought to legitimate trends in industrial capitalism, such as mechanization, incorporation, and proletarianization, through their consumption of a diverse array of elite culture, including regional landscapes, panoramic and stop-motion photography, history paintings of the California Gold Rush, the architecture of Stanford University, and the design of domestic galleries. This book addresses not only readers in the art history and visual and material cultures of the United States, but also scholars of patronage studies, American Studies, and the sociology of culture. It tells a story still relevant to this new Gilded Age of the early 21st century, in which wealthy collectors dramatically shape contemporary art markets and institutions.
It's a common word to hear these days—crowdfunding. Websites such as Kickstarter and Patreon are bringing businesses and creators together with donators and investors. This guide explains the basics of how crowdfunding works. This title will inform readers of how Kickstarter, the world’s largest crowdfunding platform, works and about some of the projects it has made possible. All the steps readers need to follow to start a Kickstarter campaign or create content and find supporters on Patreon are covered in depth. Furthermore, the text uncovers well-known campaigns and content—and teaches readers how to bring their own ideas to life.
The Writer's Gift or the Patron's Pleasure? introduces a new approach to literary patronage through a reassessment of the medieval paragon of literary sponsorship, Charles V of France. Traditionally celebrated for his book commissions that promoted the vernacular, Charles V also deserves credit for having profoundly altered the literary economy when bypassing the traditional system of acquiring books through gifting to favor the commission. When upturning literary dynamics by soliciting works to satisfy his stated desires, the king triggered a multi-generational literary debate concerned with the effect a work's status as a solicited or unsolicited text had in determining the value and purpose of the literary enterprise. Treating first the king's commissioned writers and then canonical French late medieval authors, Deborah McGrady argues that continued discussion of these competing literary economies engendered the concept of the "writer's gift," which vernacular writers used to claim a distinctive role in society based on their triple gift of knowledge, wisdom, and literary talent.
For over a decade, some academic libraries have been purchasing, rather than borrowing, recently published books requested by their patrons through interlibrary loan. These books had one circulation guaranteed and so appealed to librarians who were concerned about the large percentage of books selected and purchased by librarians but never checked out by their patrons. Early assessments of the projects indicated that patrons selected quality books that in many cases were cross disciplinary and covered emerging areas of scholarly interest. However, now we have a significant database of the ILL purchase records to compare these titles with books selected through normal methods. The projects described in this book present a powerful argument for involving patrons in the book selection process. This book looks at patron-driven acquisitions for printed books at Purdue University, the University of Nebraska-Lincoln and the University of Illinois, as well as exploring new programs that allow patrons to select e-books or participate in other innovative ways in building the library collections. This book was published as a special issue of Collection Management.
If you've ever found yourself wondering what your school district patrons are really thinking-and why-then Think Like a Patron (Without Losing Your Mind) is for you. Based on 20 years of research data, this book explains what your patrons really care (and want to know more) about, what they're somewhat interested in, and what makes their eyes glaze over. Filled with real-life examples and specific recommendations you can put to use right away, it's the workbook for modern school district administrators who want to Think Like a Patron (without losing their minds).
Assuming that women’s empowerment would accelerate the pace of social change in rural Nepal, the World Bank urged the Nepali government to undertake a “Gender Activities Project” within an ongoing long-term water-engineering scheme. The author, an anthropologist specializing in bureaucratic organizations and gender studies, was hired to monitor the project. Analyzing her own experience as a practicing “development expert,” she demonstrates that the professed goal of “women’s empowerment” is a pretext for promoting economic organizational goals and the interests of local elites. She shows how a project intended to benefit women, through teaching them literary and agricultural skills, fails to provide them with any of the promised resources. Going beyond the conventional analysis that positions aid givers vis-à-vis powerless victimized recipients, she draws attention to the complexity of the process and the active role played by the Nepalese rural women who pursue their own interests and aspirations within this unequal world. The book makes an important contribution to the growing critique of “development” projects and of women’s development projects in particular.
The last survivors of the Multiverse live among us under new, superheroic identities, five survivors of doomed worlds...taking a second chance to ensure our world lives on. A new twist on strange superhero comics, with a bleeding-edge eye on the modern moment, COMMANDERS IN CRISIS follows in the footsteps of Doom Patrol and Thunderbolts as five unexpected heroes come together to solve a murder unlike any other. The victim? Compassion itself…This is ideacide! A new series by acclaimed writer STEVE ORLANDO (Wonder Woman, Doom Patrol: Milk Wars, Martian Manhunter) and artist DAVIDE TINTO (Marvel Action: Spider-Man), an intense, weird action thriller reminding us about the importance of compassion and hope in the present moment, and putting fists to faces along the way!