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Progressive Rock Organ Practice Sessions Volume 1 In All 12 Keys Catalog Number: ADG236 Author: Andrew D. Gordon Publisher: ADG Productions I have created various Progressive Rock riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. This is the largest book I have written totaling 107 pages. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play Progressive Rock so that you can try to become equally adept at playing in as many keys as possible. Each of the riffs are either 2, 4 or 8 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a typical rock chord progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Organ with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Organ with rhythm tracks recorded in a Rock chord progression in a designated key. 4. Rhythm tracks recorded in a Rock chord progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head. Excellent for sight reading. Review from Keyboardist Extraordinaire Mike Garson www.mikegarson.com Andrew Gordon has written his best book to date. It has wonderful licks in all 12 keys for someone who wants to learn rock piano. Andrew lays out so many possibilities with high-quality licks. This is a very useful companion for any pianist who wants to play in a band. Andrew was a student of mine in the early to mid 1980’s and to see how far he’s come with his writings and books makes me very proud. Do enjoy.
Progressive Rock Piano Practice Sessions Volume 1 In All 12 Keys Catalog Number: ADG235 Author: Andrew D. Gordon Publisher: ADG Productions I have created various Progressive Rock riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. This is the largest book I have written totaling 107 pages. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play Progressive Rock so that you can try to become equally adept at playing in as many keys as possible. Each of the riffs are either 2, 4 or 8 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a typical rock chord progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Piano with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Piano with rhythm tracks recorded in a Rock chord progression in a designated key. 4. Rhythm tracks recorded in a Rock chord progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head. Excellent for sight reading. Review from Keyboardist Extraordinaire Mike Garson www.mikegarson.com Andrew Gordon has written his best book to date. It has wonderful licks in all 12 keys for someone who wants to learn rock piano. Andrew lays out so many possibilities with high-quality licks. This is a very useful companion for any pianist who wants to play in a band. Andrew was a student of mine in the early to mid 1980’s and to see how far he’s come with his writings and books makes me very proud. Do enjoy.
For beginner flautist. A great introduction to the fundamentals of Flute playing and understanding music. Covers a variety of styles including Rock, Jazz, Blues, Pop and Classical.
Includes music.
For young pianists. Introduces very easy arrangements of over 35 favorite children's songs. Covers five notes on each hand, using the white keys only.
This new Kalmus Edition offers pianists a complete set of technical exercises, from simple warm-ups through more advanced studies. Titles: * Section I, Five Finger Studies * Section II, Finger Studies with progressive movement of the hand * Section III, Scale Passages * Section IV, Chord Passages * Section V, Studies for changing fingers on one key * Section VI, Studies in Thirds, Sixths and Chord Combinations * Section VII, Octave and Chord Studies * Section VIII, Extension Studies * Section IX, Studies for crossing and changing hands * Section X, Playing different rhythms with both hands together * Section XI, A complete manual of Scales and Arpeggios * Section XII, Modulatory Examples * Glossary of Musical Terms Kalmus Editions are primarily reprints of Urtext Editions, reasonably priced and readily available. They are a must for students, teachers, and performers.