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Sébastien Roch Nicolas Chamfort (1740-1794), whom Nietzsche called the "wittiest of all moralists," is now known for little more than brillian aphorisms that captivated a long line of thinkers, from Stendhal to Cioran, Schopenhauer to Camus. Yet the fascination of Chamfort's life is barely suggested by the fragments of writing that have survived him. In Claude Arnaud's captivating biography, Chamfort the libertine, playwright, journalist, and revolutionary stands revealed as the most telling emblem of his times.
The World of the Salons is a revisionist study of the French salon of the eighteenth century, arguing that it was a place governed by social hierarchy, not equality, connected to the world of the Court, and not the fount of the Enlightenment as has traditionally been believed.
America today is a mobile society. Many of us travel abroad, and few of us live in the towns or cities where we were born. It wasn't always so. "Travel from America to Europe became a commonplace, an ordinary commodity, some time ago, but when I first went such departure was still surrounded with an atmosphere of adventure and improvisation, and my youth and inexperience and my all but complete lack of money heightened that vertiginous sensation," writes W. S. Merwin. Twenty–one, married and graduated from Princeton, the poet embarked on his first visit to Europe in 1948 when life and traditions on the continent were still adjusting to the postwar landscape. Summer Doorways captures Merwin at a similarly pivotal time before he won the Yale Younger Poets Award in 1952 for his first book, A Mask for Janus—the moment was, as the author writes, "an entire age just before it was gone, like a summer."
The third installment of Steven Carter's multi-volume series 222: Aphorisms & Reflections features 222 additional entries, including a generous sampling of "meetings of the minds"--dialogues between the author and aphorists and thinkers of the past.
At the pinnacle of a grand and prolific career, W. S. Merwin has given us a shimmering new verse translation of the central section of Dante's Divine Comedy -- the Purgatorio. Led by Virgil, inspired by his love for Beatrice, Dante makes the arduous journey up the Mountain of Purgatory, where souls are cleansed to prepare them for the ultimate ascent to heaven. Presented with the original Italian text, and with Merwin's notes and commentary, this luminous new interpretation of Dante's great poem of sin, repentance, and salvation is a profoundly moving work of art and the definitive translation for our time. From the Hardcover edition.
Exploring the ways in which French women went public through publication, this book shows how they contributed to the formation of the public sphere in the seventeenth and eighteenth centuries. Going Public also takes the critical literature on the woman writer to a new level by examining the implications of print publicity. The contributors investigate the intersection of gender and publicity in a wide range of printed texts, from memoirs and legal briefs to novels, poems, and fairy tales. In doing so they reveal much about why individual women drawn from the whole spectrum of society embraced the medium of print and about the impact this form of publicity had on their lives.
This book contains the first English translations of The Origin of the Moral Sensations and Psychological Observations, the two most important works by the German philosopher Paul Rée. These essays present Rée’s moral philosophy, which influenced the ideas of his close friend Friedrich Nietzsche considerably. Nietzsche scholars have often incorrectly attributed to him arguments and ideas that are Rée’s and have failed to detect responses to Rée’s works in Nietzsche’s writings. Rée’s thinking combined two strands: a pessimistic conception of human nature, presented in the French moralists’ aphoristic style that would become a mainstay of Nietzsche’s own writings, and a theory of morality derived from Darwin’s theory of natural selection. Rée’s moral Darwinism was a central factor prompting Nietzsche to write On the Genealogy of Morals and the groundwork for much of today’s “evolutionary ethics.” In an illuminating critical introduction, Robin Small examines Rée’s life and work, locating his application of evolutionary concepts to morality within a broader history of Darwinism while exploring Rée’s theoretical and personal relationship with Nietzsche. In placing Nietzsche in his intellectual and social context, Small profoundly challenges the myth of Nietzsche as a solitary thinker.
After centuries of oppressive Ottoman rule, the Arab world began to find new vitality and freedom in the twentieth century. The accompanying resurgence of creative expression is splendidly reflected in this definitive anthology of contemporary Arabic poetry, which spans the modern Arab world from the turn of the century to the present, from the Arab Gulf to Morocco. The editor, Salma Khadra Jayyusi, a renowned expert on modern Arabic literature, presents a through introduction to the works of more than ninety Arab poets. To create the best possible English translation, each selection has been translated first by a bilingual expert and then by an English-language poet, who creatively renders it into idiomatic English.
Since the beginning of the 21st century, global warming, terrorism, the pandemic and now the war in Ukraine have created a widespread feeling that the world is an increasingly dangerous place. In response to this situation, it is understandable that many people are inclined to retreat to the safety of their home – the last refuge and safeguard against the savagery of the outside world. But the home is not just a shelter: it is a space that supplants and replaces the world, a wired cocoon that gradually renders any journey to the outside world superfluous. From our couch, we can enjoy remotely the pleasures once offered by the cinema, the theatre and the café. Everything, from food to love to art, can be delivered to your door. Armed with a smartphone and a Netflix account, why would anyone risk life and limb to venture out to the cinema? Compulsory confinement, the nightmare of the pandemic years, seems to have been replaced by voluntary self-confinement. Fleeing from the cities, working remotely, relinquishing travel and tourism, we risk becoming reclusive creatures that cower at the slightest tremor. In this witty and spirited book, Pascal Bruckner takes aim at today’s voluntary seclusionism and the self-inflicted atrophy that comes with it, tracing its philosophical contours and historical roots. It is no longer the tyranny of lockdowns that threatens us but rather the tyranny of the sofa: will the slipper and the dressing gown be the new symbols of tomorrow's world?