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In this book, Kenneth F. Rogerson explores the first half of Kant's Critique of Judgment, entitled the "Critique of Aesthetic Judgment." Rogerson provides an interpretation of arguably the most important issue in Kant's aesthetic theory, namely, a free harmony of the imagination and understanding. He uses this interpretation to explore several other important issues in Kant's aesthetic theory, including his distinction between art and natural beauty, the doctrine of aesthetic ideas, and the connection between beauty and morality.
Through an original interpretation of Hannah Arendt's historiography, Marcin Moskalewicz reveals an under-acknowledged philosophy of history in her vast and variegated oeuvre, including the historical magnum opus, The Origins of Totalitarianism. Hannah Arendt's Ambiguous Storytelling argues that the key to understanding the fragmentary thought of Arendt is through the speculative and critical dimensions of the philosophy of history. It unravels the essential aporia of Arendt's thinking – the discrepancy between political and historical meaning of events – and proposes its overcoming through aesthetic historical judgment. Reading her approach as “fragmented historiography”, the project she was committed to reveals itself as the only credible methodological response to totalitarianism and scientific approach to history, which both function as a retrospective prophecy, erroneously presenting the past as a forecast of the future. A novel contribution to Arendt scholarship, this book will appeal to philosophers of history, political scientists and theorists alike.
For philosophers such as Kant, the imagination is the starting point for all thought. For others, such as Wittgenstein, what is important is only how the word 'imagination' is used. In spite of the attention the imagination has received from major philosophers, remarkably little has been written about the radically different interpretations they have made of it. The HypoCritical Imagination: Between Kant and Levinas is an outstanding contribution to this vaccuum. Focusing on Kant and Levinas, John Llewelyn takes us on a dazzling tour of the philosophical imagination. He shows us that despite the different treatments they accord to the imagination, there is much to be gained from comparing these two key thinkers. From Kant, Llewelyn shows how the imagination is the common root of all understanding. He contrasts this with the thought of Emmanuel Levinas, for whom the imagination plays an ambivalent role both as necessary for and a threat to recognition of the other. John Llewelyn also introduces the importance of the work of Heidegger Schelling, Hegel, Arendt and Derrida on the imagination and what this work can tell us about the relationship between the imagination and ethics, aesthetics and literature. The HypoCritical Imagination: Between Kant and Levinas is a brilliant reading of a neglected but important philosophical theme and is essential reading for those in contemporary philosophy, art theory and literature.
This is the first book-length study in any language to examine in detail and critically assess the second part of Kant's ethics--an empirical, impure part, which determines how best to apply pure principles to the human situation. Drawing attention to Kant's under-explored impure ethics, this revealing investigation refutes the common and long-standing misperception that Kants ethics advocates empty formalism. Making detailed use of a variety of Kantian texts never before translated into English, author Robert B. Louden reassesses the strengths and weaknesses of Kantian ethics as a whole, once the second part is re-admitted to its rightful place within Kant's practical philosophy.
The Revolutionary Kant offers a new appreciation of Kant’s classic, arguing that Kant's reform of philosophy was far more radical than has been previously understood. The book examines his proposed revolutionary reform — to abandon traditional metaphysics and point philosophy in a new direction — and contends that critics have misrepresented conflicts between Kant and his predecessors. Kant, Bird argues, was not a flawed innovator but an advocate of a new philosophical project, one that began to be appreciated only in the twentieth century.
This work presents Kant as a vital revolutionary thinker, showing that his Practical Philosophy has been marred by views that it is formalist and centred on categorical imperative. Discussing his commitment to the notion of rational religion and his treatment of evil, this important study provides a vivid account of Kant's concerns.