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Worldwide and national events generated a fountain of political commentary in 2010 from editorial cartoonists in North America. This fascinating collection features the winners and finalists for ten major editorial cartooning awards for that year. The Pulitzer, Fischetti, National Headliner, Berryman, and many more awards contests are included here, with information about those organizations, biographies and photos of the winning cartoonists, and a sampling of their outstanding cartoons.
In Everyone Has the Right to My Opinion, Michael Ramirez, the internationally known editorial cartoonist for Investor's Business Daily, offers a comprehensive collection of his award-winning cartoons, accompanied by an introduction to the images highlighted throughout the book. Each cartoon shows that a picture is worth a thousand words and transforms the news of the day into eye-catching, provocative, and hilarious images that draw people into the democratic process. His commentary on everything from the economy and markets to politics and international affairs offers a unique perspective on today's issues.
A collection of award-worthy commentary. The award-winning artists featured in this collection have made an impact with their compelling statements and provocative images. Whether it's the loose, expressive style of Pulitzer Prize-winner Mike Keefe or the sharp, satirical works of Matt Wuerker, these cartoons by artists from around the world reflect some of the most heated political controversy of the past year. Featured awards include the Pulitzer Prize, National Headliner Award, and the Herblock Prize, to name a few.
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
This is a collection of editorial and political cartoons focused on the highs and lows of the Chicago and Illinois politics that produced both the first African American president and a string of corrupt gubernatorial administrations.
A lively graphic narrative reports on censorship of political cartoons around the world, featuring interviews with censored cartoonists from Pittsburgh to Beijing. Why do the powerful feel so threatened by political cartoons? Cartoons don't tell secrets or move markets. Yet, as Cherian George and Sonny Liew show us in Red Lines, cartoonists have been harassed, trolled, sued, fired, jailed, attacked, and assassinated for their insolence. The robustness of political cartooning--one of the most elemental forms of political speech--says something about the health of democracy. In a lively graphic narrative--illustrated by Liew, himself a prize-winning cartoonist--Red Lines crisscrosses the globe to feel the pulse of a vocation under attack. A Syrian cartoonist insults the president and has his hands broken by goons. An Indian cartoonist stands up to misogyny and receives rape threats. An Israeli artist finds his antiracist works censored by social media algorithms. And the New York Times, caught in the crossfire of the culture wars, decides to stop publishing editorial cartoons completely. Red Lines studies thin-skinned tyrants, the invisible hand of market censorship, and demands in the name of social justice to rein in the right to offend. It includes interviews with more than sixty cartoonists and insights from art historians, legal scholars, and political scientists--all presented in graphic form. This engaging account makes it clear that cartoon censorship doesn't just matter to cartoonists and their fans. When the red lines are misapplied, all citizens are potential victims.
The best editorial cartoons from the Miami Herald’s Jim Morin, “one of the great under-appreciated cartoonists of the last quarter century” (The Comics Reporter). Political cartoonists distill opinions about power and culture into art and commentary with the sharp points of their pens Most recently, during and after Election 2016, the remarkable artist’s pen of Jim Morin has produced a steady stream of Donald Trump cartoons that have both delighted and infuriated followers, depending upon their side of the Donald Trump divide. This book of best cartoons by Jim Morin is both funny and poignant. It is a nostalgic journey through the last forty years of the comedy and reality of our world. Upon awarding the prestigious Herblock Prize to Jim Morin in 2007, Harry Katz, the Herb Block Foundation curator, praised this two-time Pulitzer Prize winner for his “impressive, unrelenting barrage of cartoons and caricatures displaying artistry, courage and conviction.” Morin should also be praised for his wit and timely wry sense of humor, which has been a staple of the Miami Herald since 1978. Jim Morin’s World: 40 Years of Social Commentary From A Two-Time Pulitzer Prize–Winning Cartoonist is a collection of some of the best cartoons by this gifted artist and commentator on our times. “We’re lucky to have one of the very best, waiting with pen in hand to carve up the phonies, blowhards, crooks and hypocrites who make headlines. They might not want to end up in a Jim Morin cartoon, but they will.” —Carl Hiaasen, from the foreword
'One book, in fact the only one we know of, where you can enjoy the best of the year in one place.' 'Hollywood Inside Syndicate. A plummeting global economy, a worldwide energy crisis, and the historic election of Barack Obama as the country's 44th president were the major issues in 2008. This annual compilation of more than 400 cartoons by some 165 editorial cartoonists showcases their finest works in exploring and offering pithy commentary on a wide range of political and cultural topics. From Barack Obama and Hillary Clinton to John McCain, from Joe Biden to Sarah Palin, these thought-provoking examples of the cartoonist's art span the spectrum from liberal to conservative and include the year's major award-winning cartoons.
How do you poke fun at a man who’s so absurd he practically satirizes himself? Even two-time Pulitzer Prize–winning cartoonist Mike Luckovich admits it’s been a challenge covering the Cheeto-in-Chief in his internationally syndicated political cartoons. But Mike rose to the challenge, pulling no punches and stripping down Trump and his cronies with his signature wit and style. Covering Trump’s antics from the 2016 election through to the Mueller investigation, the cartoons in A Very Stable Geniustackle key moments in Trump’s political career, offering scathing insights on everything from his disastrous track record with women to his revolving-door cabinet to his suspiciously intimate relationship with a certain Russian leader. Woven through with searing commentary and personal anecdotes, Mike’s cartoons will shock and delight you, making you think as much as they make you laugh — when you’re not too busy being terrified.