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The urgent phone call comes from behind the barbed wire. 'This is Ayalon prison,' says one of the guards urgently. 'Listen, he hanged himself, we need an ambulance.' Prisoner X, just 34 years old, was slumped in a small bathroom, separated from his cell by a transparent door. Kept in one of the most technologically sophisticated solitary jail cells, at the behest of one of the world's most feared intelligence agencies, it is not easy to kill yourself. But Ben Zygier managed to do just that. Did he work for Mossad? Was he also working for ASIO? Was he involved in the supply of false passports? Was he a whistle blower or double agent, or simply a young man way out of his depth? In Prisoner X Rafael Epstein uncovers the intriguing story of a young Australian swept up in international intelligence.
Collects Age Of X-Man: Prisoner X #1-5. The Danger Room holds the worst of the worst in the Age of X-Man! When you break the law in paradise, you aren’t sent to just any prison. You’re sent to the Danger Room — a penitentiary filled with the roughest and meanest mutants who don’t fit into X-Man’s utopia. They each have a reason for being there, and they’re all primed and ready to kill each other. But that’s about to change, because the Danger Room’s newest prisoner has just arrived: Lucas Bishop! As Bishop navigates the various mutant gangs to find the truth beyond the walls of the prison, can he trust the other inmates — including Magneto’s daughter, Polaris? Or will Bishop have to break out on his own? One way or another, these walls are coming down!
The Artists' Prison looks askance at the workings of personality and privilege, sexuality, authority, and artifice in the art world. Imagined through the heavily redacted testimony of the prison's warden, written by Alexandra Grant, and powerfully allusive images by Eve Wood, the prison is a brutal, Kafkaesque landscape where creativity can be a criminal offence and sentences range from the allegorical to the downright absurd. In The Artists' Prison, the act of creating becomes a strangely erotic condemnation, as well as a means of punishment and transformation. It is in these very transformations--sometimes dubious, sometimes oddly sentimental--that the book's critical edge is sharpest. In structural terms, The Artists' Prison represents a unique visual and literary intersection, in which Wood's drawings open spaces of potential meaning in Grant's text, and the text, in turn, acts as a framework in which the images can resonate and intensify in significance.
The true-life and deeply satiric odyssey of a punk-rock dropout turned porn empire overlord....
This book constitutes the thoroughly refereed post-conference proceedings of the 10th International Conference on Quantum Interaction, QI 2018, held in Nice, France, in September 2018. The 12 papers presented in this book were carefully reviewed and selected from 15 submissions. The papers address topics such as: psychology, economics, semantic and memory, natural language processing, cognition, information retrieval, biology, and political science.
Deliberate self-harm (DSH) refers to intentionally self-inflicted injuries, and is mainly explained by abuse or neglect, severe psychopathy or at least a trait of a mental disorder. Most functions of DSH serve intrapersonal motives but interpersonal reasons are also found. These range from seeking for attention, pity and sympathy, to benefits like care, help or avoidance of unpleasant tasks or persons. To the latter belongs the deterrence of assaulters, a benefit, especially desirable for prisoners due to the hostile and brutal environment of prisons. This book scrutinizes two hypotheses of avoidance of attacks in prisons by the use of episodes of DSH as costly signals building upon the signaling theory developed in economics and biology. The first hypothesis is that DSH is an honest signal of fearlessness intended to repel other inmates from attacking. The second deals with the avoidance of assaulters by signaling madness via DSH to achieve relocation into an asylum. The underlying motive in this case is the need of protection, and thus, DSH serves as a cry for help to prison authorities. All necessary requirements of both hypotheses are examined, provided with evidence from existing research and analyzed with the help of mathematical models.
What is it really like in 'the hole'? On what basis do prison officials employ the most drastic of carceral punishments – solitary confinement – and to what effect? Michael Jackson, lawyer, professor, activist, made a point of finding out. Approached in 1974 by a group of prisoners in the British Columbia Penitentiary, Jackson listened to their stories, investigated, and became convinced that these prisoners were being held in solitary confinement under unlawful conditions and for arbitrary and unjustified reasons. He then helped launch proceedings on their behalf to have the imposition of solitary confinement in the B.C. Penitentiary declared 'cruel and unusual punishment.' Jackson sets out the facts and legal arguments presented to the Federal Court of Canada against a background of the historical evolution of solitary confinement and penitentiary discipline. Successfully argued, the McCann case (1975) was unique in Canadian judicial history. Since then Jackson has remained in close touch with his prison contacts, maintaining a watching brief on whether prison practice has conformed to the rule of the law. He traces the continuation of solitary confinement in the newest of Canada's maximum security institutions and describes the conditions in the 'special handling units,' the most recent addition to Canada's 'carceral archipelago.' It is clear from his findings that prison officials continue to violate human rights. Though Jackson eschews sensationalism, the raw facts and the record of direct testimony he presents make Prisoners of Isolation a disturbing book.
Seminar paper from the year 2015 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Rostock (Institut für Anglistik/ Amerikanistik), course: Prisoners and Prisons in the U.S., language: English, abstract: The theme of racism outside and inside a prison and how to personally overcome this racism as a victim as well as a perpetrator are major themes of the anti-racist movie "American History X". The life of incarcerated people and how it influenced them is often portrayed in TV series or films which are mostly made to entertain the populace rather than to educate or raise awareness about the problems that arise within the displayed topics, and for that stereotypes and juxtapositions are used as well as certain methods and means of film making. This paper looks at exemplary scenes of "American History X" with emphasis on how some means of film making are used to display the life-changing experiences that main protagonist Derek Vinyard encounters while being incarcerated. Today more than two million people of the United States of America are incarcerated in prisons; serving a sentence for a crime they have committed. The experience each inmate makes individually can have an immense impact on their behaviour and mind-set in and outside prison walls. Prisons in general function as public institutions which should, at the very best, try to help the inmates to “find a lawful, economically stable place” in a community and in society after their time spent in prison (Fleisher and Decker 1-2). Incarcerated people not only have to deal with the limitations of their freedom and privacy, often they also encounter racism and racial segregation by officers and other inmates. According to Philip Goodman, "it is the interaction between the inmate and officer in which categorization is born, and that makes racial categorization and segregation possible" (762).
True stories of prison breaks including those of Frank Abagnale, whose story is told in Catch Me If You Can; Henri Charrière who claimed to have escaped from the supposedly inescapable Devil's Island - the true story as opposed to his questionable memoir, Papillon; Bud Day, said to be the only US serviceman ever to have escaped to South Vietnam; the six prisoners who escaped from Death Row in Mecklenburg Correctional Center; and Pascal Payeret, the French armed robber who escaped not once, but twice from French prisons with the help of a helicopter.