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This book tells Aurora Mardiganian's life story as she relays it to a movie director and screen writer prior to the making of the movie, "Auction of souls." It is written as a cartoon, with color sequences displaying her life story from the past, interspersed with black and white sequences displaying her dialogue with the movie director and screen writer.
Beginning on the shores of West Africa in the sixteenth century and ending in the U.S. Lower South on the eve of the Civil War, Alexis Wells-Oghoghomeh traces a bold history of the interior lives of bondwomen as they carved out an existence for themselves and their families amid the horrors of American slavery. With particular attention to maternity, sex, and other gendered aspects of women's lives, she documents how bondwomen crafted female-centered cultures that shaped the religious consciousness and practices of entire enslaved communities. Indeed, gender as well as race co-constituted the Black religious subject, she argues—requiring a shift away from understandings of "slave religion" as a gender-amorphous category. Women responded on many levels—ethically, ritually, and communally—to southern slavery. Drawing on a wide range of sources, Wells-Oghoghomeh shows how they remembered, reconfigured, and innovated beliefs and practices circulating between Africa and the Americas. In this way, she redresses the exclusion of enslaved women from the American religious narrative. Challenging conventional institutional histories, this book opens a rare window onto the spiritual strivings of one of the most remarkable and elusive groups in the American experience.
A Kirkus Best of Science Fiction and Fantasy pick for 2019! A Library Journal Best Book of 2019! An NPR Favorite Book of 2019! "Everything epic fantasy should be: rich, cruel, gorgeous, brilliant, enthralling and deeply, deeply satisfying. I loved it."—Lev Grossman, author of The Magicians When destiny calls, there's no fighting back. Kihrin grew up in the slums of Quur, a thief and a minstrel's son raised on tales of long-lost princes and magnificent quests. When he is claimed against his will as the missing son of a treasonous prince, Kihrin finds himself at the mercy of his new family's ruthless power plays and political ambitions. Practically a prisoner, Kihrin discovers that being a long-lost prince is nothing like what the storybooks promised. The storybooks have lied about a lot of other things, too: dragons, demons, gods, prophecies, and how the hero always wins. Then again, maybe he isn't the hero after all. For Kihrin is not destined to save the world. He's destined to destroy it. Jenn Lyons begins the Chorus of Dragons series with The Ruin of Kings, an epic fantasy novel about a man who discovers his fate is tied to the future of an empire. "It's impossible not to be impressed with the ambition of it all . . . a larger-than-life adventure story about thieves, wizards, assassins and kings to dwell in for a good long while."—The New York Times A Chorus of Dragons 1: The Ruin of Kings 2: The Name of All Things 3: The Memory of Souls
Book of Souls picks up the action a year after the conclusion of the international sensation Library of the Dead. Will Piper’s life has been forever changed by the astonishing secret he discovered hidden at the government’s clandestine installation deep under the Nevada desert. His uneasy retirement from the FBI is interrupted when a long-missing book surfaces at an auction house in London. A group of ex-Area 51 employees recruits Will to assist them in obtaining the book and in helping them solve a mystery that will affect the fate of all mankind. As government operatives try to stop him, Will discovers the ancient missing volume has had a profound effect on history. Remarkably, a newly found puzzle sonnet by a young William Shakespeare seems to have been inspired by the book. As Will peels back the onion to solve a series of clues hidden in the poem, he finds the book has influenced not only Shakespeare but also the religious philosophy of John Calvin, the father of predestination, and the prophesies of the seer Nostradamus. When the final clue yields the ultimate secret, Will is forced to confront a truth which humanity may not be prepared to accept.
The #1 New York Times bestselling third installment in the All Souls series, from the author of The Discovery of Witches and The Black Bird Oracle. Look for the hit series “A Discovery of Witches,” now streaming on AMC+, Sundance Now, and Shudder! Bringing the magic and suspense of the All Souls Trilogy to a deeply satisfying conclusion, this highly anticipated finale went straight to #1 on the New York Times bestseller list. In The Book of Life, Diana and Matthew time-travel back from Elizabethan London to make a dramatic return to the present—facing new crises and old enemies. At Matthew’s ancestral home, Sept-Tours, they reunite with the beloved cast of characters from A Discovery of Witches—with one significant exception. But the real threat to their future has yet to be revealed, and when it is, the search for Ashmole 782 and its missing pages takes on even more urgency.
The #1 New York Times bestselling second installment in the All Souls series, from the author of The Discovery of Witches and The Black Bird Oracle. Look for the hit series “A Discovery of Witches,” now streaming on AMC+, Sundance Now, and Shudder! Picking up from A Discovery of Witches’ cliffhanger ending, Shadow of Night takes reluctant witch Diana Bishop and vampire geneticist Matthew Clairmont on a trip through time to Elizabethan London, where they are plunged into a world of spies, magic, and a coterie of Matthew's old friends, the School of Night. As the search for Ashmole 782—the lost and enchanted manuscript whose mystery first pulled Diana and Matthew into one another's orbit—deepens and Diana seeks out a witch to tutor her in magic, the net of Matthew's past tightens around them. Together they find they must embark on a very different—and vastly more dangerous—journey. “A captivating and romantic ripping yarn,”* Shadow of Night confirms Deborah Harkness as a master storyteller, able to cast an “addictive tale of magic, mayhem and two lovers”(Chicago Tribune).
She stood beside me—a slight little girl with glossy black hair. Until I spoke to her and she lifted her eyes in which were written the indelible story of her suffering, I could not believe that she was Aurora Mardiganian whom I had been expecting. She could not speak English, but in Armenian she spoke a few words of greeting. It was our first meeting and in the spring of last year. Several weeks earlier a letter had come to me telling me about this little Armenian girl who was to be expected, asking me to help her upon her arrival. The year before an Armenian boy had come from our relief station in the Caucasus and kind friends had made it possible to send him to boarding school. I had formed a similar plan to send Aurora to the same school when she should arrive. We talked about education that afternoon, through her interpreter, but she shook her head sadly. She would like to go to school, and study music as her father had planned she should before the massacres, but now she had a message to deliver—a message from her suffering nation to the mothers and fathers of the United States. The determination in the child’s eyes made me ask her her age and she answered “Seventeen.” Tired, and worn out nervously, as she was, Aurora insisted upon telling us of the scenes she had left behind her—massacres, families driven out across the desert, girls sold into Turkish harems, women ravished by the roadside, little children dying of starvation. She begged us to help her to help her people. “My father said America was the friend of the oppressed. General Andranik sent me here because he trusted you to help me,” she pleaded. And so her story was translated. Sometimes there had to be intervals of rest of several days, because her suffering had so unnerved her. She wanted to keep at it during all the heat of the summer, but by using the argument that she would learn English, we persuaded her to go to a camp off the coast of Connecticut for three weeks. You who read the story of Aurora Mardiganian’s last three years, will find it hard to believe that in our day and generation such things are possible. Your emotions will doubtless be similar to mine when I first heard of the suffering of her people. I remember very distinctly my feelings, when, early in October of 1917, I attended a luncheon given by the Executive Committee of the American Committee for Armenian and Syrian Relief, to a group of seventeen American Consuls and missionaries who had just returned from Turkey after witnessing two years of massacre and deportation. I listened to persons, the truthfulness of whose statements I could not doubt, tell how a church had been filled with Christian Armenians, women and children, saturated with oil and set on fire, of refined, educated girls, from homes as good as yours or mine, sold in the slave markets of the East, of little children starving to death, and then to the plea for help for the pitiful survivors who have been gathered into temporary relief stations.
A Pulitzer Prize-winning history of the mistreatment of black Americans. In this 'precise and eloquent work' - as described in its Pulitzer Prize citation - Douglas A. Blackmon brings to light one of the most shameful chapters in American history - an 'Age of Neoslavery' that thrived in the aftermath of the Civil War through the dawn of World War II. Using a vast record of original documents and personal narratives, Blackmon unearths the lost stories of slaves and their descendants who journeyed into freedom after the Emancipation Proclamation and then back into the shadow of involuntary servitude thereafter. By turns moving, sobering and shocking, this unprecedented account reveals these stories, the companies that profited the most from neoslavery, and the insidious legacy of racism that reverberates today.