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Woodblock printing is an ancient art form, which produces beautiful, subtle and lively pieces with just a few simple materials. This book introduces the art, and shares technical information and ideas for those with more experience. A wide range of exciting examples of printed woodcuts are shown along with advice on materials and tools, and a step-by-step guide to sharpening. Techniques to achieve quality prints and perfect registration are covered too. Drawing on the vibrant living traditions from China and Japan, it is both a technical guide and an inspiration. Beautifully illustrated with 160 colour photographs.
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
A fully illustrated instructional printmaking book presenting step-by-step examples alongside representative works from thirty top contemporary printmaking artists. Printmaking is flourishing in the modern era, appealing to both traditional artists as well as those interested in graphic design and digital techniques. This all-in-one guide is both technical and inspirational, examining the history and contemporary processes of relief, intaglio, lithography, serigraphy, mixed media, digital transfers, and post-digital graphics. Featuring step-by-step examples alongside representative works and profiles of top printmaking artists, this colorful resource provides a truly fresh look at printmaking today, in all its forms.
• Spotlights “green” technology, safe for all artists • Distinguished author has worked with Andy Warhol, Red Grooms, Romare Bearden, and other top artists • Techniques range from the traditional hands-on to the latest in digital screenprinting For many years, screenprinting was oil-based—and presented significant health risks even as it damaged the environment. Today, fortunately, screenprinting has shifted to water-based technologies. NowRoni Henning, a leading expert on screenprinting, offers her tips and techniques for getting the most out of these safer, “greener” water-based methods ranging from the traditional hands-on methods to the latest digital technology. She explains separations and color correcting, then discusses the artist-printmaker collaboration, giving intriguing examples from her own work with such luminaries as Andy Warhol, Red Grooms, and Romare Bearden. Henning also offers step-by-step instructions for monoprinting, her own direct-to-screen watercolor process. Illustrated with glowing examples of the printmaking medium, including works by Bearden, Jack Youngerman, Gene Davis, and Elizabeth Osbourne, this is the definitive work on an increasingly popular art.
This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research.
An exhibition at the British Library, 7 November 2003-7 March 2004 in association with the Muban Foundation.
This book provides a comprehensive overview of printmaking in South Africa, replacing the now outdated monograph by F. L. Alexander. It discusses historically artists who made major contributions within each of the printmaking techniques, giving great detail on contemporary South African art. It is also a handbook on artists working in various mediums and gives full explanations of each work chosen for the exhibition at the 1998 South African National Arts Festival, lists 785 known printmakers born after 1900, and illustrates the work of 89 important artists. It is an essential guide to this important aspect of South African art.
This revised and expanded edition takes the reader step by step through the history and techniques of over forty-five print-making methods. From the traditional etching, engraving, lithography, and relief print processes to today’s computer prints, Mylar lithography, copier prints, water-based screen printing, helio-reliefs, and monotypes, The Complete Printmaker covers various aspects of fine printmaking. The book also includes a survey of issues and contemporary concerns in the printmakers world.
Discusses the significance and history of printmaking and evaluates 700 prints.