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No Treatment Of Modern Criticism Is Possible Without Discussing I.A. Richards, Since In The Most Literal Sense His Influence Combined With That Of T.S. Eliot And F.R. Leavis Served To Create It. As One Of Seminal Thinkers Paving The Way For The Development Of New Criticism, Richards Made A Systematic Attempt To Formulate A Theory Of Poetry In Consonance With The Demands Of Modern Scientific Thought.The Present Book Stems From The Need To Offer An Objective Appraisal Of Richards Thought System In The Context Of The Evolution Of His Ideas In Foundations Of Aesthetics, The Meaning Of Meaning, Principles Of Literary Criticism, Science And Poetry (Later Reissued As Poetries And Sciences) And Practical Criticism. In The Context Of Wide-Spread Misinterpretations And Distortions Of Richards Point Of View, The Author Has Tried Throughout This Inter-Disciplinary Work To Allow Richards To Speak For Himself. While Unfolding The Subtle, Suggestive And Consistent Nature Of Richards Early Writings, The Book Studies His Criticism Of Modern Poets Like T.S. Eliot, W.B. Yeats, G.M. Hopkins, Thomas Hardy And D.H. Lawrence. The Chapter On Practical Criticism Throws Light On Richards Technique Of Evaluating Poems And Teaches The Art Of Appreciating Poetry.
This book is the first comprehensive study of the basic principles that govern the editing of literary texts. The focus is on English and American literature, and discussion is illuminated by a multitude of examples from the Renaissance to the present time. It deals with the topics that are essential to all editorial work and conveys attitudes and approaches that should animate all literary scholarship.
This Guide introduces theory in a clear, accessible way, focusing on the major approaches and theorists.
This clear, succinct primer for literary theory provides students with a useful guide to contemporary theory and methodologies. Theoretical overviews summarize each literary approach for clarification and "Application Essays" by well-known scholars, on works by authors such as Shakespeare, Austen, Melville, Faulkner, and Angelou, represent the stated principles. The text helps students generate consistent, well-focused analyses based on any of ten critical methodologies, including New Criticism, Psychoanalytic Analysis, Deconstruction, Feminist Analysis, and New Historicism.
Cover -- Title Page -- Copyright -- Contents -- Preface -- Introduction -- 1. The Critical Revolution Turns Right -- 2. The Scholarly Turn -- 3. The Historicist/Contextualist Paradigm -- 4. The Critical Unconscious -- Conclusion: The Future of Criticism -- Appendix: The Critical Paradigm and T.S. Eliot -- Notes -- Acknowledgments -- Index
First Published in 2001. This is Volume 3 of the Selected Works of I.A. Richards from 1919 to 1938 and concerns itself with the principles of literary criticism from 1924.