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The definitive guide to digital engineering--fully updated Gain a thorough understanding of digital audio tools, techniques, and practices from this completely revised and expanded resource. Written by industry pioneer and Audio Engineering Society Fellow Ken C. Pohlmann, Principles of Digital Audio, Sixth Edition, describes the technologies behind today's audio equipment in a clear, practical style. Covering basic theory to the latest technological advancements, the book explains how to apply digital conversion, processing, compression, storage, streaming, and transmission concepts. New chapters on Blu-ray, speech coding, and low bit-rate coding are also included in this bestselling guide. Learn about discrete time sampling, quantization, and signal processing Examine details of CD, DVD, and Blu-ray players and discs Encode and decode AAC, MP3, MP4, Dolby Digital, and other files Prepare content for distribution via the Internet and digital radio and television Learn the critical differences between music coding and speech coding Design low bit-rate codecs to optimize memory capacity while preserving fidelity Develop methodologies to evaluate the sound quality of music and speech files Study audio transmission via HDMI, VoIP, Wi-Fi, and Bluetooth Handle digital rights management, fingerprinting, and watermarking Understand how one-bit conversion and high-order noise shaping work
Arch Luther is one of the most respected authorities in this field, and in this comprehensive book he provides engineers with a firm grounding in digital technology for audio and video and shows how to apply it to various fields, including the digitally interactive Internet.
As the most popular and authoritative guide to recording Modern Recording Techniques provides everything you need to master the tools and day to day practice of music recording and production. From room acoustics and running a session to mic placement and designing a studio Modern Recording Techniques will give you a really good grounding in the theory and industry practice. Expanded to include the latest digital audio technology the 7th edition now includes sections on podcasting, new surround sound formats and HD and audio. If you are just starting out or looking for a step up in industry, Modern Recording Techniques provides an in depth excellent read- the must have book
Ken Pohlmann's Classic--Completely Updated From the basics to the cutting edge, Ken Pohlmann's Principles of Digital Audio is packed with vital information. Through three editions, this popular text has illuminated the frontiers of digital audio science. Now this completely updated and substantially revised Fourth Edition brings you the tools you need to capitalize on the explosive expansion of digital audio technologies. Widely used as a college text, and as a professional reference by computer and audio designers and enthusiasts, this comprehensive and highly readable sourcebook helps you: ⬢ Stay up-to-speed in a fast-moving field ⬢ Enter or advance a career in digital audio design, new media development, music recording, sound engineering, broadcasting, and related areas ⬢ Master the newest options in DVD, Internet and PC audio, compact disc, workstations, perceptual coding, digital radio, digital television, and more ⬢ Get insider information on new developments available nowhere else ⬢ Apply creative new insights on theory and applications ⬢ Understand complex material through crystal-clear presentations from an award-winning professor and leading digital audio engineer The premier information source in the field, Principles of Digital Audio is the #1 choice of digital audio professionals. NEW IN THIS EDITION ⬢ DVD ⬢ Internet and PC Audio Technologies ⬢ Downloadable and Streaming Music ⬢ Data Compression Standards ⬢ Multichannel Audio Coding ⬢ Digital Broadcasting ⬢ Interconnection and Networking ⬢ DSP Updates ⬢ Additional Chapters and Illustrations
This book provides an expert introduction to audio forensics, an essential specialty in modern forensic science, equipping readers with the fundamental background necessary to understand and participate in this exciting and important field of study. Modern audio forensic analysis combines skills in digital signal processing, the physics of sound propagation, acoustical phonetics, audio engineering, and many other fields. Scientists and engineers who work in the field of audio forensics are called upon to address issues of authenticity, quality enhancement, and signal interpretation for audio evidence that is important to a criminal law enforcement investigation, an accident investigation board, or an official civil inquiry. Expertise in audio forensics has never been more important. In addition to routine recordings from emergency call centers and police radio dispatchers, inexpensive portable audio/video recording systems are now in widespread use. Forensic evidence from the scene of a civil or criminal incident increasingly involves dashboard recorders in police cars, vest-pocket personal recorders worn by law enforcement officers, smart phone recordings from bystanders, and security surveillance systems in public areas and businesses. Utilizing new research findings and both historical and contemporary casework examples, this book blends audio forensic theory and practice in an informative and readable manner suitable for any scientifically-literate reader. Extensive examples, supplementary material, and authoritative references are also included for those who are interested in delving deeper into the field.
Now the standardisation work of DAB (Digital Audio Broadcasting)system is finished many broadcast organisations, network providersand receiver manufacturers in European countries and outside ofEurope (for example Canada and the Far East) will be installing DABbroadcast services as pilot projects or public services. Inaddition some value added services (data and video services) areunder development or have already started as pilot projects. The new digital broadcast system DAB distinguishes itself fromexisting conventional broadcast systems, and the various newinternational standards and related documents (from ITU-R, ISO/IEC,ETSI, EBU, EUREKA147, and others) are not readily available and aredifficult to read for users. Therefore it is essential that a wellstructured technical handbook should be available. The Second Edition of Digital Audio Broadcasting has beenfully updated with new sections and chapters added to reflect allthe latest developments and advances. Digital Audio Broadcasting: Provides a fully updated comprehensive overview of DAB Covers international standards, applications and othertechnical issues Combines the expertise of leading researchers in the field ofDAB Now covers such new areas as: IP-Tunneling via DAB; ElectronicProgramme Guide for DAB; and Metadata A comprehensive overview of DAB specifically written forplanning and system engineers, developers for professional anddomestic equipment manufacturers, service providers, as well aspostgraduate students and lecturers in communicationstechnology.
This new book by Ken Steigliz offers an informal and easy-to-understand introduction to digital signal processing, emphasizing digital audio and applications to computer music. A DSP Primer covers important topics such as phasors and tuning forks; the wave equation; sampling and quantizing; feedforward and feedback filters; comb and string filters; periodic sounds; transform methods; and filter design. Steiglitz uses an intuitive and qualitative approach to develop the mathematics critical to understanding DSP. A DSP Primer is written for a broad audience including: Students of DSP in Engineering and Computer Science courses. Composers of computer music and those who work with digital sound. WWW and Internet developers who work with multimedia. General readers interested in science that want an introduction to DSP. Features: Offers a simple and uncluttered step-by-step approach to DSP for first-time users, especially beginners in computer music. Designed to provide a working knowledge and understanding of frequency domain methods, including FFT and digital filtering. Contains thought-provoking questions and suggested experiments that help the reader to understand and apply DSP theory and techniques.
A digital filter can be pictured as a "black box" that accepts a sequence of numbers and emits a new sequence of numbers. In digital audio signal processing applications, such number sequences usually represent sounds. For example, digital filters are used to implement graphic equalizers and other digital audio effects. This book is a gentle introduction to digital filters, including mathematical theory, illustrative examples, some audio applications, and useful software starting points. The theory treatment begins at the high-school level, and covers fundamental concepts in linear systems theory and digital filter analysis. Various "small" digital filters are analyzed as examples, particularly those commonly used in audio applications. Matlab programming examples are emphasized for illustrating the use and development of digital filters in practice.
Introduction to Digital Audio Coding and Standards provides a detailed introduction to the methods, implementations, and official standards of state-of-the-art audio coding technology. In the book, the theory and implementation of each of the basic coder building blocks is addressed. The building blocks are then fit together into a full coder and the reader is shown how to judge the performance of such a coder. Finally, the authors discuss the features, choices, and performance of the main state-of-the-art coders defined in the ISO/IEC MPEG and HDTV standards and in commercial use today. The ultimate goal of this book is to present the reader with a solid enough understanding of the major issues in the theory and implementation of perceptual audio coders that they are able to build their own simple audio codec. There is no other source available where a non-professional has access to the true secrets of audio coding.