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Born in the Caribbean, Philomena Jones is abandoned by her mother and left to the mercy of her grandmother, who, after raising eight children and grandchildren, is not capable of dedicating herself to another child. Love-starved, Philomena is easy prey for the island’s new pastor. She leaves home for America, hoping to find her mother, but ends up drifting and battling mental illness. Relocated to a supportive housing facility, Philomena meets a diverse cast of women who, despite their wildly differing backgrounds and difficulties, share one common bond; their history of abuse. In this most unexpected of places, will Philomena finally find the family she has been longing for?
Fairy tales are where most of us got our first true taste of the magic and endless possibilities provided by imagination. "Princess Philomena & The Troll" exemplifies everything that is sweet, innocent and wondrous about a classic fairy tale.This story of courage, kindness and the beauty of finding someone truly special that makes us happy in a way that no one else can is a wonderful escape for the little ones, as well as princesses and trolls of every age.If you have ever been touched or moved by a fairy tale - or for that matter - any story at any time, then you must experience "Priness Philomena & The Troll"... And most of all, create a special and magical moment by sharing the tale with your own little princess, prince or troll.
In their third adventure, Filomena and company set off to Snow Country, rescue Lord Sharif of Nottingham, reverse a spell that turned Prince Charming into a Frog, and form the League of the Seven-fearless warriors devoted to fighting the orges at any cost.
Winner, 2017 Oklahoma Book Award, sponsored by the Oklahoma Center for the Book Winner, 2016 Outstanding Book on Oklahoma History, sponsored by the Oklahoma Historical Society At the beginning of America’s Great Depression, Texas and Oklahoma armed up and went to war over a 75-cent toll bridge that connected their states across the Red River. It was a two-week affair marked by the presence of National Guardsmen with field artillery, Texas Rangers with itchy trigger fingers, angry mobs, Model T blockade runners, and even a costumed Native American peace delegation. Traffic backed up for miles, cutting off travel between the states. This conflict entertained newspaper readers nationwide during the summer of 1931, but the Red River Bridge War was a deadly serious affair for many rural Americans at a time when free bridges and passable roads could mean the difference between survival and starvation. The confrontation had national consequences, too: it marked an end to public acceptance of the privately owned ferries, toll bridges, and turnpikes that threatened to strangle American transportation in the automobile age. The Red River Bridge War: A Texas-Oklahoma Border Battle documents the day-to-day skirmishes of this unlikely conflict between two sovereign states, each struggling to help citizens get goods to market at a time of reduced tax revenue and little federal assistance. It also serves as a cautionary tale, providing historical context to the current trend of re-privatizing our nation’s highway infrastructure.
Why do we play games and why do we play them on computers? The contributors of »Games and Rules« take a closer look at the core of each game and the motivational system that is the game mechanics. Games are control circuits that organize the game world with their (joint) players and establish motivations in a dedicated space, a »Magic Circle«, whereas game mechanics are constructs of rules designed for interactions that provide gameplay. Those rules form the base for all the excitement and frustration we experience in games. This anthology contains individual essays by experts and authors with backgrounds in Game Design and Game Studies, who lead the discourse to get to the bottom of game mechanics in video games and the real world - among them Miguel Sicart and Carlo Fabricatore.
Discover a new middle-grade fantasy saga from Melissa de la Cruz, the #1 New York Times bestselling author of The Descendants series, with Never After: The Stolen Slippers, where real life and fairy tales collide! Tossed back into the not-so-familiar fairy-tale world of Never After, Filomena Jefferson-Cho and her friends set off on another adventure . . . this time in search of Cinderella’s glass slipper. Or rather, glass slippers. It turns out the classic story of Cinderella is full of lies—starting with how Cinderella herself is far from the innocent heroine everyone thinks she is. She is manipulative and cunning—willing to do anything to be the princess of Eastphalia. The real heroines of her story are her “wicked” stepsisters, Hortense and Beatrice, who aren’t actually wicked at all! With the help of the dashing Jack Stalker, adorable Alastair, and glamorous Gretel, Filomena must track down the slippers, which may be the key to a certain mysterious prophecy . . . And when Filomena and Beatrice get tossed into the Beast’s dungeon, all hope seems to be lost. Will the conniving Cinderella shatter everyone’s hopes for a true un-twisted ending? Or will Filomena and her friends secure the happily ever after Cinderella’s stepsisters deserve?
Empire of Magic offers a genesis and genealogy for medieval romance and the King Arthur legend through the history of Europe's encounters with the East in crusades, travel, missionizing, and empire formation. It also produces definitions of "race" and "nation" for the medieval period and posits that the Middle Ages and medieval fantasies of race and religion have recently returned. Drawing on feminist and gender theory, as well as cultural analyses of race, class, and colonialism, this provocative book revises our understanding of the beginnings of the nine hundred-year-old cultural genre we call romance, as well as the King Arthur legend. Geraldine Heng argues that romance arose in the twelfth century as a cultural response to the trauma and horror of taboo acts--in particular the cannibalism committed by crusaders on the bodies of Muslim enemies in Syria during the First Crusade. From such encounters with the East, Heng suggests, sprang the fantastical episodes featuring King Arthur in Geoffrey of Monmouth's chronicle The History of the Kings of England, a work where history and fantasy collide and merge, each into the other, inventing crucial new examples and models for romances to come. After locating the rise of romance and Arthurian legend in the contact zones of East and West, Heng demonstrates the adaptability of romance and its key role in the genesis of an English national identity. Discussing Jews, women, children, and sexuality in works like the romance of Richard Lionheart, stories of the saintly Constance, Arthurian chivralic literature, the legend of Prester John, and travel narratives, Heng shows how fantasy enabled audiences to work through issues of communal identity, race, color, class and alternative sexualities in socially sanctioned and safe modes of cultural discussion in which pleasure, not anxiety, was paramount. Romance also engaged with the threat of modernity in the late medieval period, as economic, social, and technological transformations occurred and awareness grew of a vastly enlarged world beyond Europe, one encompassing India, China, and Africa. Finally, Heng posits, romance locates England and Europe within an empire of magic and knowledge that surveys the world and makes it intelligible--usable--for the future. Empire of Magic is expansive in scope, spanning the eleventh to the fifteenth centuries, and detailed in coverage, examining various types of romance--historical, national, popular, chivalric, family, and travel romances, among others--to see how cultural fantasy responds to changing crises, pressures, and demands in a number of different ways. Boldly controversial, theoretically sophisticated, and historically rooted, Empire of Magic is a dramatic restaging of the role romance played in the culture of a period and world in ways that suggest how cultural fantasy still functions for us today.
Behind every good man...is the love of an even better woman. Those were just pretty words before I met Claire Montgomery. Before my fairy queen burst into my life, I didn’t recognize the bastard in my morning mirror—but her love has given me the strength to face the imposter, even embrace him. With Claire at my side, I’m the king I always wanted to be, the Killian Stone I always dreamed of becoming. Which means for once, I want the mask guarding my secret to stay right where it is. If you want the grown-up fairy tale... learn to love the dark side. Profound sentiment. Wish I could get on board with it but the prince in pinstripes has other ideas. Life has been a dream since Killian burst into the ball offering the perfect fit— his heart and mine. But the treasures he bestows have become his armor, hiding the man I yearn to know. I refuse to open his little velvet box until he opens himself, letting me see even the dark hallways of his soul... Fate has always bowed to my bidding. I should have known it was just picking it's time to exact the best revenge, to reveal the secrets that will destroy everything. Without my disguise, am I still the man Claire fell in love with...or another penniless prince vying for an unattainable dream? Mistress of his ruin? He always told me to be careful what I wish for. By demanding his truth, have I not only demolished the dream we had...but the man I’ve loved more than any other?
Dear Martin meets They Both Die at the End in this gripping, evocative novel about a Black teen who has the power to see into the future, whose life turns upside down when he foresees his younger brother’s imminent death, from the acclaimed author of SLAY. Sixteen-year-old Alex Rufus is trying his best. He tries to be the best employee he can be at the local ice cream shop; the best boyfriend he can be to his amazing girlfriend, Talia; the best protector he can be over his little brother, Isaiah. But as much as Alex tries, he often comes up short. It’s hard to for him to be present when every time he touches an object or person, Alex sees into its future. When he touches a scoop, he has a vision of him using it to scoop ice cream. When he touches his car, he sees it years from now, totaled and underwater. When he touches Talia, he sees them at the precipice of breaking up, and that terrifies him. Alex feels these visions are a curse, distracting him, making him anxious and unable to live an ordinary life. And when Alex touches a photo that gives him a vision of his brother’s imminent death, everything changes. With Alex now in a race against time, death, and circumstances, he and Isaiah must grapple with their past, their future, and what it means to be a young Black man in America in the present.
Join your favorite My Little Pony characters on a coloring adventure. Embark on an unforgettable coloring journey with the Mane 6! In this beautifully illustrated coloring book featuring detailed black-and-white line illustrations, you’ll color in your favorite pony pals and meet new friends and foes from My Little Pony: The Movie. Follow along as these pony friends go on a quest to use the magic of friendship and save Equestria. With wonderful pictures, patterns, and borders to be colored in, this is the perfect book for grown-up pony fans.