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Unravel the mysteries of the Masons All the myths and rumors about Masonic organizations probably have you wondering "what do Masons really do?" Questions like this one are a natural by-product of being the oldest and largest "secret society" in the world. This book is an ideal starting place to find answers to your questions about the secret and not-so-secret things about Freemasonry. Now in its third edition, this international best-seller peeks behind the door of your local Masonic lodge and explains the meanings behind the rituals, rites, and symbols of the organization. Along the way the book covers nearly 3,000 years of Masonic history, introduces you to some famous Freemasons you already know from history books, and explains the relationship with related groups like Knights Templar, Scottish Rite, Order of Eastern Star, and the beloved fez-wearing Shriners. Look inside the book to learn: What it takes to become a member of the Freemasons, and what you can expect when you join How Lodges are organized and what really goes on during Masonic ceremonies The basic beliefs and philosophies of Freemasonry, including how Masons contribute to charity, and society in general The origins behind some of the wild myths and conspiracy theories surrounding Freemasonry and how to debunk (most of) them Written by a 33rd degree Scottish Rite Mason and the Public Relations and Marketing Director for the Grand Lodge F&AM of Indiana, Freemasons For Dummies is a must-read guide for anyone interested in this ancient fraternal order, whether you're looking to join or are just curious about some of the more mysterious aspects of Freemasonry.
The history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Civil War to the Civil Rights Movement • Examines the letters of Prince Hall, legendary founder of the first black lodge • Reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, and Nat King Cole • Explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois When the first Masonic lodges opened in Paris in the early 18th century their membership included traders, merchants, musketeers, clergymen, and women--both white and black. This was not the case in the United States where black Freemasons were not eligible for membership in existing lodges. For this reason the first official charter for an exclusively black lodge--the Prince Hall Grand Lodge of Massachusetts--was granted by the Grand Lodge of England rather than any American chapter. Through privileged access to archives kept by Grand Lodges, Masonic libraries, and museums in both the United States and Europe, respected Freemasonry historian Cécile Révauger traces the history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Abolition Movement and the Civil War to the genesis of the Civil Rights Movement in the early 1900s up through the 1960s. She opens with a look at Prince Hall, legendary founder and the chosen namesake when black American lodges changed from “African Lodges” to “Prince Hall Lodges” in the early 1800s. She reveals how the Masonic principles of mutual aid and charity were more heavily emphasized in the black lodges and especially during the reconstruction period following the Civil War. She explores the origins of the Civil Rights Movement within black Freemasonry and the roles played by Booker T. Washington and W. E. B. Du Bois, founder of the NAACP, among others. Looking at the deep connections between jazz and Freemasonry, the author reveals how many of the most influential jazz musicians of the 20th century were also Masons, including Louis Armstrong, Duke Ellington, Nat King Cole, Eubie Blake, Cab Calloway, and Paul Robeson. Unveiling the deeply social role at the heart of black Freemasonry, Révauger shows how the black lodges were instrumental in helping American blacks transcend the horrors of slavery and prejudice, achieve higher social status, and create their own solid spiritually based social structure, which in some cities arose prior to the establishment of black churches.
"Fantasies That Run In My Head" is the authors collection of original Web inspired poems. Almost everything said and done between people in this Net-based environment is pure fantasy and wishful thinking. Here you can be whoever you want to be and say almost anything you want to say. The poem "In Realtime Too", is a synopsis of web life. It is often hard to separate the "fantasy" from the reality and the merging of desires with time and distance, often make revelations of the heart and mind possible. So while you read, see if you can decipher the real from the unreal, the actual acts from the make-believe desires. See if you agreed that: "Making all our cyber plans Courting all those cyber fans. Doing what we must do The same as if in real time too."
There is no book which adequately covers the whole subject of Prince Hall and the fraternity which honors him. The subject is too vast, too complex, and too sparsely documented. As Wesley (Prince Hall: Life and Legacy, 1977) and Walkes (Black Square & Compass, 1979) both remark, many previous works are inadequately researched or otherwise untrustworthy.The present work is an updated and abbreviated hybrid; originally written as the basis for a series of lectures to be presented to brethren in Australia and New Zealand in 2003. It comprises some carefully com-piled historical essays (where I am indebted primarily to the works of Wesley, Walkes, Parham and Davis, and also to mainstream researchers such as Upton, Draffen and Pope).
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
During his lifetime, Joseph A. Walkes, Jr., was the most prolific Prince Hall writer ever. He wrote eight books and had two unpublished manuscripts at the time of his death in 2006. He also wrote scores of articles and papers.
This volume pays tribute to the formidable legacy of Hena Maes–Jelinek (1929–2008), a pioneering postcolonial scholar who was a professor at the University of Liège, in Belgium. Along with a few moving and affectionate pieces retracing the life and career of this remarkable and deeply human intellectual figure, the collection contains poems, short fiction, and metafiction. The bulk of the book consists of contributions on various areas of postcolonial literature, including the work of Wilson Harris, the ground-breaking writer to whom Hena Maes–Jelinek devoted much of her career. Other writers treated include Ben Okri, Leone Ross, Kamau Brathwaite, Jamaica Kincaid, Peter Carey, Murray Bail, Patrick White, Janice Kulyk Keefer, Dan Jacobson, Joseph Conrad, and Eslanda Goode Robeson. Caryl Phillips revisits his earlier reflections on the ‘European tribe’. There are wide-ranging essays analysing consanguineous authors, on such topics as Caribbean treatments of the Jewish Diaspora, Swiss-Caribbean authors, the contemporary Australian short story and the Asian connection, and ‘habitation’ in Australian fiction, as well as a searching examination of the socio-political fallout from the scandal of Australia’s ‘Stolen Generations’. Contributors are: Gordon Collier, Tim Cribb, Fred D'Aguiar, Geoffrey V. Davis, Jeanne Delbaere, Marc Delrez, Jean–Pierre Durix, Wilson Harris, Dominique Hecq, Marie Herbillon, Louis James, Karen King–Aribisala, Bénédicte Ledent, Christine Levecq, Alecia McKenzie, Carine Mardorossian, Peter H. Marsden, Alistair Niven, Annalisa Oboe, Britta Olinder, Christine Pagnoulle, Caryl Phillips, Lawrence Scott, Stephanos Stephanides, Klaus Stuckert, Peter O. Stummer, Petra Tournay–Theodotou, Daria Tunca, Cynthia vanden Driesen, Janet Wilson.
Radicalism is as American as apple pie. One can scarcely imagine what American society would look like without the abolitionists, feminists, socialists, union organizers, civil-rights workers, gay and lesbian activists, and environmentalists who have fought stubbornly to breathe life into the promises of freedom and equality that lie at the heart of American democracy. The first anthology of its kind, The Radical Reader brings together more than 200 primary documents in a comprehensive collection of the writings of America's native radical tradition. Spanning the time from the colonial period to the twenty-first century, the documents have been drawn from a wealth of sources—speeches, manifestos, newspaper editorials, literature, pamphlets, and private letters. From Thomas Paine's “Common Sense” to Kate Millett's “Sexual Politics,” these are the documents that sparked, guided, and distilled the most influential movements in American history. Brief introductory essays by the editors provide a rich biographical and historical context for each selection included.