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Highly motivating treatment of topics such as logic, permutations and arrangements.
Godzilla, a traditional natural monster and representation of cinema's subgenre of natural attack, also provides a cautionary symbol of the dangerous consequences of mistreating the natural world--monstrous nature on the attack. Horror films such as Godzilla invite an exploration of the complexities of a monstrous nature that humanity both creates and embodies. Robin L. Murray and Joseph K. Heumann demonstrate how the horror film and its offshoots can often be understood in relation to a monstrous nature that has evolved either deliberately or by accident and that generates fear in humanity as both character and audience. This connection between fear and the natural world opens up possibilities for ecocritical readings often missing from research on monstrous nature, the environment, and the horror film. Organized in relation to four recurring environmental themes in films that construct nature as a monster--anthropomorphism, human ecology, evolution, and gendered landscapes--the authors apply ecocritical perspectives to reveal the multiple ways nature is constructed as monstrous or in which the natural world itself constructs monsters. This interdisciplinary approach to film studies fuses cultural, theological, and scientific critiques to explore when and why nature becomes monstrous.
This handbook offers an extensive crosslinguistic and cross-theoretical survey of polysynthetic languages, in which single multi-morpheme verb forms can express what would be whole sentences in English. These languages and the problems they raise for linguistic analyses have long featured prominently in language descriptions, and yet the essence of polysynthesis remains under discussion, right down to whether it delineates a distinct, coherent type, rather than an assortment of frequently co-occurring traits. Chapters in the first part of the handbook relate polysynthesis to other issues central to linguistics, such as complexity, the definition of the word, the nature of the lexicon, idiomaticity, and to typological features such as argument structure and head marking. Part two contains areal studies of those geographical regions of the world where polysynthesis is particularly common, such as the Arctic and Sub-Arctic and northern Australia. The third part examines diachronic topics such as language contact and language obsolence, while part four looks at acquisition issues in different polysynthetic languages. Finally, part five contains detailed grammatical descriptions of over twenty languages which have been characterized as polysynthetic, with special attention given to the presence or absence of potentially criterial features.
These books make available material relating to the statutory regulations covering the degree of accountability required from local authorities during the period 1834-1936. The bulk of historical accounting research has focused on the development of financial accounting although in recent years the development of management accounting has attracted more interest. In both these areas, it has been the accounting practices of the private sector which have received more attention, central government in the Middle Ages some attention, and local government accounting very little. These volumes redress this imbalance in historical investigation, both to provide a comparative basis for work on the private sector and to provide an historical perspective for the system of local government accounting currently in use.
This title focuses on morals, how human beings should live their lives. The essays included treat the history of philosophy as a development that proceeds by deepening appreciation of basic questions rather than the constant replacement of one worldview by another.
Describes essential places to see throughout the United States and Canada, offering information on what to find at each spot, the best time to visit, things to see and do, local accommodations and eateries, and other important information.
Bears are unique. Although they are the world's largest carnivores, their diet is primarily vegetarian. They combine immense physical power with one of the keenest intelligences in the animal kingdom. They refuse to knuckle under to any kind of human domination. That is why we are tremendously fascinated by bears and tremendously fearful of them. Bears: Their Life and Behavior is a superb photographic study by Art Wolfe, one of the world's foremost nature photographers. He vividly portrays in their wilderness retreats and typical habitats all of the three North American bear species -- brown (grizzly) bears, black bears, and polar bears -- over 170 of his stunning photographs of bears in action: working and playing, food gathering, romping, fighting, and courting. There is an awe-inspiring close-up portrait of an Alaskan grizzly gaping at the camera. A brown bear catches salmon. A grizzly shows its speed chasing squirrels. Black bear cubs huddle against a tree. A polar bear feeds on kelp. A polar bear crosses an iced-over lagoon. Standing to full height on its hind legs, a polar bear checks out an intruder. William Ashworth has written an enlightening text based on exhaustive research and a working life spent primarily in bear country. In an introductory chapter he explores the human fascination with bears and their highly distinctive anatomy and physiology. Then he covers in great detail the three specific North American bear species -- where each one lives, their migration patterns, their summer and winter ranges, their habitat requirements, and the unpredictability of bear behavior and the reasons to be wary of them. Finally, he discusses bear management and conservation. This fantastically spectacular full-color book will thrill every nature enthusiast and lover of the great outdoors. Art Wolfe's photographs have appeared in National Wildlife, National Geographic, Smithsonian, Audubon, and Life magazines. His exclusive photographs enrich such books as Owls: Their Life and Behavior, Alakshak, The Kingdom and Light on the Land, and The Imagery of Art Wolfe. He lives in Seattle, Washington