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With its fragile beauty and dark power, the Amazon has fascinated people throughout the centuries. Enthralled by its exotic and impenetrable mystery on his first visit to the region in 1998, Jerry Burchfield sought to utilize his skills as a photographer both to celebrate the Amazon’s stunning beauty and also communicate his concern for its future. Primal Images is the product of his passion, composed of exquisite lumen prints created entirely without a camera or lens. To create his lumens, Burchfield placed plant cuttings directly onto aged black-and-white photographic paper that he secured to the deck of his Amazon boat. He then let the beautifully chaotic interaction of sunlight, rain, temperature, and each plant’s inherent moisture and chemistry, among other factors, play out freely in prolonged exposures. The result is an astonishing array of images—from the starkly representational to pure abstractions of color, shape, and form—that powerfully celebrate the rare and resplendent beauty of the world’s largest tropical rain forest. Burchfield’s photographic technique draws on methods formulated during the origins of photography, beginning with the shadowgrams of nineteenth-century pioneers William Henry Fox Talbot and Anna Atkins and, more recently, twentieth-century innovators Harry Callahan and Robert Heinecken. Yet Burchfield adds a depth to the process that, as Wade Davis writes in his foreword, “seeks to see beneath the surface of things to the very inner worlds that shamans desire to know.” “Jerry Burchfield’s images are a testament to the respect in which he holds the natural world. There is a reverence in these photograms that moves them beyond the decorative, outside the scientific, and above the formal. Burchfield quietly collaborates with the form and rhythms of the natural, celebrates the authority and simplicity of his process, and respects the products and demands of time. His images reflect an artmaking sensibility more attuned to discoveries than to dictates.”—Tim Wride, associate curator of photography, Los Angeles County Museum of Art
Grammatology of Images radically alters how we approach images. Instead of asking for the history, power, or essence of images, Sigrid Weigel addresses imaging as such. The book considers how something a-visible gets transformed into an image. Weigel scrutinizes the moment of mis-en-apparition, of making an appearance, and the process of concealment that accompanies any imaging. Weigel reinterprets Derrida’s and Freud’s concept of the trace as that which must be thought before something exists. In doing so, she illuminates the threshold between traces and iconic images, between something immaterial and its pictorial representation. Chapters alternate between general accounts of the line, the index, the effigy, and the cult-image, and case studies from the history of science, art, politics, and religion, involving faces as indicators of emotion, caricatures as effigies of defamation, and angels as embodiments of transcendental ideas. Weigel’s approach to images illuminates fascinating, unexpected correspondences between premodern and contemporary image-practices, between the history of religion and the modern sciences, and between things that are and are not understood as art.
Contains a complete 3-D model of the entire skeleton with muscles, ligaments, bones, arteries, and nerves, complete with detailed text describing each body part and its function.
The Everyday: Experiences, Concepts and Narratives is an inter-disciplinary book problematizing the slippery notion of 'Everyday Life'. Contributing to a tradition of 20th century scholarly work focusing on 'Everyday Life', this book specifically attends to the multiple ways that the quotidian aspects of our day-to-day existence become knotted into situated narratives and concepts. In their depth and breadth, the chapters compiled here all work with an understanding of everyday life that is i...
Eric Berne, best known as the originator of transactional analysis and the author of the 1965 classic Games People Play, presents a comprehensive overview of sexuality based on a series of lectures he delivered in 1966.
These selected writings of Gottfried Benn or primal visions of the 1920s anticipated in certain ways the positions of such writers today as Beckett and Genet, the French antinovelists and the American Beats.
The noted German sociologist and philosopher Georg Simmel wrote a number of essays that deal directly with religion as a fundamental process in human life. These essays set forth Simmel's mature reflections on religion and its relation to modernity, personality, art, sociology, psychology, philosophy, and science. They also include his views on methods in the study of religion and his thoughts on achieving a broader perspective on religion. Originally published between 1898 and 1918, the last twenty years of Simmel's life, the essays are collected here in English for the first time. The essays provide an excellent picture of the development of the characteristic doctrines of Simmel's thought as applied to religion, based on phenomenological analysis of human experience that emphasizes the subjective dimensions of life.
Faith, Hope and Poetry explores the poetic imagination as a way of knowing; a way of seeing reality more clearly. Presenting a series of critical appreciations of English poetry from Anglo-Saxon times to the present day, Malcolm Guite applies the insights of poetry to contemporary issues and the contribution poetry can make to our religious knowing and the way we 'do Theology'. Readers of this book will return to their reading of poetry equipped with new insights and enthusiasm and will be challenged to integrate imaginative ways of knowing into their other academic and intellectual pursuits.
Around 1800, German Romantics fixated on Dante's Divine Comedy as a model for the creation of a new mythology of reason. This book traces that fixation across Romantic and Neo-Romantic texts, showing how the Romantic Dante cult in fact generated ominous amalgams of art, myth, and fascism in the twentieth century.