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Everything has changed. Once the best hunter in his clan, Tev is on a journey he is only beginning to understand. He questions everything he once knew, and longs to return to a planet he might never see again. Kindra wakes in the middle of the night, haunted by memories of the man she helped to kill. She begins to wonder if being a part of Fleet was ever the right choice for her. Behind them, a threat once considered dormant stirs to life again with one last desperate grab for power. Their actions will threaten the fragile peace in the galaxy. Tev, Kindra, and the crew of the Destiny must compete in an interstellar race against a foe of staggering power.
Darkness knows no bounds, nothing tethers it to reality. Darkness is in the eye of the beholder. Primal instincts run through us all, a call to the wilder side of life, a call to arms for those of us that shift within the shadows. When the darkness and the primal instincts merge, no one is safe. Faith and fate are pulled to the forefront and all that is left is a choice. Do you join the darkness, or do you run and try to let faith lead you to your salvation?My name is Emerson Davenport and this is my choice. My life hangs in the balance if I chose wrong. The dominoes of destiny have started to fall, now it's up to me to outrun them and the darkness that rides the wave that crests at my door.Either way, death is coming.
Thousands of years before the Aryan invasion of Europe, the people of Old Europe created sacred signs, the Primal Runes, and gave birth to our most ancient ancestral tradition of divination and magic. Based on the phases of the Moon, these archetypal rune-forms each have a sacred sound; they form a complete system of invocation and empowerment.
How are we to think of works of art? Rather than treat art as an expression of individual genius, market forces, or aesthetic principles, Michael Jackson focuses on how art effects transformations in our lives. Art opens up transitional, ritual, or utopian spaces that enable us to reconcile inward imperatives and outward constraints, thereby making our lives more manageable and meaningful. Art allows us to strike a balance between being actors and being acted upon. Drawing on his ethnographic fieldwork in Aboriginal Australia and West Africa, as well as insights from psychoanalysis, religious studies, literature, and the philosophy of art, Jackson deploys an extraordinary range of references—from Bruegel to Beuys, Paleolithic art to performance art, Michelangelo to Munch—to explore the symbolic labor whereby human beings make themselves, both individually and socially, out of the environmental, biographical, and physical materials that affect them: a process that connects art with gestation, storytelling, and dreaming and illuminates the elementary forms of religious life.
These selected writings of Gottfried Benn or primal visions of the 1920s anticipated in certain ways the positions of such writers today as Beckett and Genet, the French antinovelists and the American Beats.
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Vols. for 1892-1941 contain the transactions and proceedings of the society.
This book provides a comprehensive overview of Celtic mythology and religion, encompassing numerous aspects of ritual and belief. Topics include the presence of the Celtic Otherworld and its inhabitants, cosmology and sacred cycles, wisdom texts, mythological symbolism, folklore and legends, and an appreciation of the natural world. Evidence is drawn from the archaeology of sacred sites, ethnographic accounts of the ancient Celts and their beliefs, medieval manuscripts, poetic and visionary literature, and early modern accounts of folk healers and seers. New translations of poems, prayers, inscriptions and songs from the early period (Gaulish, Old Irish and Middle Welsh) as well as the folklore tradition (Modern Irish, Scottish Gaelic, Welsh, Cornish, Breton and Manx) complement the text. Information of this kind has never before been collected as a compendium of the indigenous wisdom of the Celtic-speaking peoples, whose traditions have endured in various forms for almost three thousand years.