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In Pride and Solace, Norman Jacobson presents a novel perspective on the history of politcal theory. He sees an implicit conspiracy between political thinkers and their audience, in which theory feeds the common longing for solace, while the conversion of the audience to the thinker’s truth gratifies a craving for immortality, the thinker’s pride. In each age since the birth of the modern state, political theorists have found new forms of solace to meet the needs and character of their times. Machiavelli offers his Prince, the political warrior and national savior. Hobbes combats people’s fears of their innate disorderly passions with great artificial systems of law and science. And to give people all the the advantages of both the state of nature and civilized life, Rousseau fashions the social contract as the new basis of human political community. Despite attempts to develop a political theory without solace by such writers as Orwell, Arendt, and Camus, theorists still flourish who profess a dogmatic faith in history or in revolution, in Western technological superiority or Third World righteousness, and who condone torture and casual murder to attain ends seen as just, honorable, or foreordained. Jacobson’s book wages an intellectual struggle on two fronts: against the prideful offer of salvation by political means, and against the stoical rejection of solace in any form whatever. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.
In Pride and Solace, Norman Jacobson presents a novel perspective on the history of politcal theory. He sees an implicit conspiracy between political thinkers and their audience, in which theory feeds the common longing for solace, while the conversion of the audience to the thinker’s truth gratifies a craving for immortality, the thinker’s pride. In each age since the birth of the modern state, political theorists have found new forms of solace to meet the needs and character of their times. Machiavelli offers his Prince, the political warrior and national savior. Hobbes combats people’s fears of their innate disorderly passions with great artificial systems of law and science. And to give people all the the advantages of both the state of nature and civilized life, Rousseau fashions the social contract as the new basis of human political community. Despite attempts to develop a political theory without solace by such writers as Orwell, Arendt, and Camus, theorists still flourish who profess a dogmatic faith in history or in revolution, in Western technological superiority or Third World righteousness, and who condone torture and casual murder to attain ends seen as just, honorable, or foreordained. Jacobson’s book wages an intellectual struggle on two fronts: against the prideful offer of salvation by political means, and against the stoical rejection of solace in any form whatever. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.
An illuminating portrait of young LGBTQ people in China, the latest addition to the acclaimed photobook series celebrating LGBTQ communities around the world Same-sex relationships have been an accepted part of Chinese culture for centuries. It was only in the eighteenth and nineteenth centuries, under the influence of the West, that homophobia became more prevalent; and under Mao, homosexuality was criminalized. By the turn of the last millennium, same-sex relationships were once again legal, and by 2001, homosexuality had been declassified as a mental disorder. Polling suggests that the younger generation embraces sexual diversity and LGBTQ rights. But the stigma against queer people still remains. Recent reports from China have noted government attempts to clamp down on LGBTQ media and events, and numerous citizens are still being sent by family members to conversion therapy. Photographer Sarah Mei Herman first started photographing young queer people and their personal relationships during an artist residency in Xiamen in Fujian Province on China’s southeastern coast. As she explored what drew these people together, she herself built up close friendships with her subjects and, even after her residency had ended, returned to Xiamen to photograph them, capturing the way they have changed over the course of a number of years. The sixteenth entry in The New Press’s worldwide LGBTQ photobook series, Solace is a stunning collection of full-color photos in a beautiful, affordable volume. It provides a portrait of young people navigating the ambiguities of friendship and sexuality as they enter adulthood and grapple with what it means to be queer in modern-day China. Solace was designed by Emerson, Wajdowicz Studios (EWS).
Consolation has always played an uncomfortable part in the literary history of loss. But in recent decades its affective meanings and ethical implications have been recast by narratives that appear at first sight to foil solace altogether. Illuminating this striking archive, Discrepant Solace considers writers who engage with consolation not as an aesthetic salve but as an enduring problematic, one that unravels at the centre of emotionally challenging works of late twentieth- and twenty-first-century fiction and life-writing. The book understands solace as a generative yet conflicted aspect of style, where microelements of diction, rhythm, and syntax capture consolation's alternating desirability and contestation. With a wide-angle lens on the contemporary scene, David James examines writers who are rarely considered in conversation, including Sonali Deraniyagala, Colson Whitehead, Cormac McCarthy, W.G. Sebald, Doris Lessing, Joan Didion, J. M. Coetzee, Marilynne Robinson, Julian Barnes, Helen Macdonald, Ian McEwan, Colm Toibin, Kazuo Ishiguro, Denise Riley, and David Grossman. These figures overturn critical suppositions about consolation's kinship with ideological complaisance, superficial mitigation, or dubious distraction, producing unsettling perceptions of solace that shape the formal and political contours of their writing. Through intimate readings of novels and memoirs that explore seemingly indescribable experiences of grief, trauma, remorse, and dread, James demonstrates how they turn consolation into a condition of expressional possibility without ever promising us relief. He also supplies vital traction to current conversations about the stakes of thinking with contemporary writing to scrutinize affirmative structures of feeling, revealing unexpected common ground between the operations of literary consolation and the urgencies of cultural critique. Discrepant Solace makes the close reading of emotion crucial to understanding the work literature does in our precarious present.
Since World War II, Protestant sermons have been an influential tool for defining American citizenship in the wake of national crises. In the aftermath of national tragedies, Americans often turn to churches for solace. Because even secular citizens attend these services, they are also significant opportunities for the Protestant religious majority to define and redefine national identity and, in the process, to invest the nation-state with divinity. The sermons delivered in the wake of crises become integral to historical and communal memory—it matters greatly who is mourned and who is overlooked. Melissa M. Matthes conceives of these sermons as theo-political texts. In When Sorrow Comes, she explores the continuities and discontinuities they reveal in the balance of state power and divine authority following the bombing of Pearl Harbor, the assassinations of JFK and MLK, the Rodney King verdict, the Oklahoma City bombing, the September 11 attacks, the Newtown shootings, and the Black Lives Matter movement. She argues that Protestant preachers use these moments to address questions about Christianity and citizenship and about the responsibilities of the Church and the State to respond to a national crisis. She also shows how post-crisis sermons have codified whiteness in ritual narratives of American history, excluding others from the collective account. These civic liturgies therefore illustrate the evolution of modern American politics and society. Despite perceptions of the decline of religious authority in the twentieth century, the pulpit retains power after national tragedies. Sermons preached in such intense times of mourning and reckoning serve as a form of civic education with consequences for how Americans understand who belongs to the nation and how to imagine its future.
From the acclaimed author of the New York Times bestseller The Mark of the Dragonfly comes another magical and thrilling tale that takes readers on an exciting new adventure. Perfect for fans of Wrinkle in Time! Lina Winterbock lives in the mountain strongholds of Solace. She’s an apprentice to the archivists and should be spending her days with books, but the Iron War has changed everything—it’s too chaotic to study. The strongholds are now a refuge, so instead of learning about how to preserve the objects that mysteriously fall from the sky, she whiles away her time exploring the hidden tunnels and passages of her home. And in one of the forgotten chambers, Lina discovers a secret. Hidden deep in a cavern is a half-buried airship like nothing she has ever seen before. Then she meets Ozben, a mysterious boy who has a secret of his own—a secret that’s so dangerous it could change the course of the Iron War and the world of Solace forever. Praise for Jaleigh Johnson’s The Secrets of Solace ★ “Highly recommended for those who have finished with Harry and are too young for Katniss.” —SLJ, Starred “An engaging world rich in detail, mayhem, and adventure. . . . All aboard for fantasy lovers with a dual penchant for girl power and keeping up with the Indiana Joneses.” —Kirkus Reviews Praise for Jaleigh Johnson’s The Mark of the Dragonfly ★ “This magnetic middle-grade debut . . . [is] a page-turner that defies easy categorization and ought to have broad appeal.” —Publishers Weekly, Starred ★ “Heart, brains, and courage find a home in a steampunk fantasy worthy of a nod from Baum.” —Kirkus Reviews, Starred ★ “A fantastic and original tale of adventure and magic. . . . Piper is a heroine to fall in love with: smart, brave, kind, and mechanically inclined to boot.” —SLJ, Starred
A BookPage Best Book of 2020, Young Adult Thirteen Short Stories from Bold New YA Voices & Writing Advice from YA Icons Created by New York Times bestselling authors Emily X. R. Pan and Nova Ren Suma, Foreshadow is so much more than a short story collection. A trove of unforgettable fiction makes up the beating heart of this book, and the accompanying essays offer an ode to young adult literature, as well as practical advice to writers. Featured in print for the first time, the thirteen stories anthologized here were originally released via the buzzed-about online platform Foreshadow. Ranging from contemporary romance to mind-bending fantasy, the Foreshadow stories showcase underrepresented voices and highlight the beauty and power of YA fiction. Each piece is selected and introduced by a YA luminary, among them Gayle Forman, Laurie Halse Anderson, Jason Reynolds, and Sabaa Tahir. What makes these memorable stories tick? What sparked them? How do authors build a world or refine a voice or weave in that deliciously creepy atmosphere to bring their writing to the next level? Addressing these questions and many more are essays and discussions on craft and process by Nova Ren Suma and Emily X. R. Pan. This unique compilation reveals and celebrates the magic of reading and writing for young adults.
She can heal any wound, but the price is her freedom, her humanity, and her love.After a brutal attack, medical student Cassie Whelan discovers she has empathic healing abilities. She's become an exohuman - a non-human according to the law. She must choose between hiding the miracles she can perform or becoming an anonymous, numbered government slave - like Guardian 175, the horribly disfigured exo who is falling in love with her. With her empathic senses, she can actually feel his growing affection for her. But his loyalties are divided between love and duty. She wants to trust him, but betrayal by him could destroy everything. And the one thing she can't heal is her own heart.
Best Books of 2019: Washington Post • O, The Oprah Magazine • Time • NPR • People • Buzzfeed A TODAY Show #ReadWithJenna Book Club Selection Winner • Lambda Literary Award [Lesbian Fiction] A Washington Post Lily Lit Club Selection Longlisted • PEN/Faulkner Award for Fiction American Library Association • A Barbara Gittings Literature Award Honor Book (Stonewall Book Awards) Finalist • Aspen Words Literary Prize Apple Books • Best Books of the Month New York Times Book Review • Editors’ Choice Selection Kirkus Reviews • Most Memorable Fictional Families of 2019 Longlisted • The Morning News Tournament of Books A Rumpus Book Club Selection A beautifully layered portrait of motherhood, immigration, and the sacrifices we make in the name of love from award-winning novelist Nicole Dennis-Benn. Heralded for writing “deeply memorable . . . women” (Jennifer Senior, New York Times), Nicole Dennis-Benn introduces readers to an unforgettable heroine for our times: the eponymous Patsy, who leaves her young daughter behind in Jamaica to follow Cicely, her oldest friend, to New York. Beating with the pulse of a long-withheld confession and peppered with lilting patois, Patsy gives voice to a woman who looks to America for the opportunity to love whomever she chooses, bravely putting herself first. But to survive as an undocumented immigrant, Patsy is forced to work as a nanny, while back in Jamaica her daughter, Tru, ironically struggles to understand why she was left behind. Greeted with international critical acclaim from readers who, at last, saw themselves represented in Patsy, this astonishing novel “fills a literary void with compassion, complexity and tenderness” (Joshunda Sanders, Time), offering up a vital portrait of the chasms between selfhood and motherhood, the American dream and reality.