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DeCONNICK (Captain Marvel, BITCH PLANET) and ROS (ISLAND, MIRROR) present the follow up to the Eisnernominated, New York Times bestselling PRETTY DEADLY, VOL. 1: THE SHRIKE. Sarah Fields is dying and her children strike a bargain with the Immortals: give them one month, until the moon is full again, to find her son. The boy is far away, in the trenches of France, stalked by the Reapers of Vengeance and Cruelty. Collects PRETTY DEADLY #6-10
The Eisner-nominated, New York Times bestselling world of PRETTY DEADLY returns, this time to the sun-soaked strips of "30s-era Hollywood. Here, the best and brightest are dimmed and broken and the granddaughter of Sara Fields is found dead. Desperate to solve her murder, her heartbroken uncle calls on the Reaper of Vengeance to aid him. Collects PRETTY DEADLY: THE RAT #1-5 "Grand and majestic storytelling." Warren Ellis "Cherish it." Kieron Gillen "A masterpiece of mythopoeism." N.K. Jemisin, NYT Book Review "Pushes the boundaries of comics storytelling in the most wicked ways. I love it." -Ed Brubaker "Sergio Leone crossed with Neil Gaiman's American Gods." Tor.com
A feminist send-up of the exploitation film genre that takes place in a dystopian reality where non-compliant women are sent to an off-planet prison.
When Barbarella's spaceship breaks down, she finds herself trapped on the planet, Lythion. There, she has a series of adventurous, and erotic encounters with a variety of strange beings, from robots to angels. In Wrath of the Minute-Eater (previously unpublished in English) Barbarella's travelling Circus Delirium enters another dimension, led by the mysterious and alluring aquaman, Narval, whose machinations catapult Barbarella & Co. into a complex battle for the planet, Spectra.
Completing this never-before-reprinted series, volume two shifts focus to Iron Fist, the Living Weapon! Written by Chris Claremont and with lush artwork by Rudy Nebres, Danny Rand battles Firebird and Dhasha Khan in a saga filled with the mystery of K'un-Lun! Meanwhile, from the ashes of the Sons of the Tiger, Bill Mantlo and George Pérez introduce Hector Ayala, the White Tiger! Also featuring Shang-Chi, Master of Kung Fu; Jack of Hearts; Swordquest's samurai action; two team-ups with all of Marvel's martial arts heroes; and Claremont and Marshall Rogers' beautiful Daughters of the Dragon! COLLECTING: DEADLY HANDS OF KUNG FU (1974) 19-33; MATERIAL FROM BIZARRE ADVENTURES (1981) 25
Sarah Fields is dying and her children strike a bargain with the Immortals: give them one month more, until the moon is full again, to find their little brother so that he may see his mother one last time. But the boy is far, far away, in the trenches of France, stalked by the Reapers of Vengeance and Cruelty.
It's the ultimate father-daughter showdown as Ginny faces off against Death himself in the bloody conclusion to PRETTY DEADLY's opening arc.
Contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing Zhang Monsters seem to be everywhere these days, in popular shows on television, in award-winning novels, and again and again in Hollywood blockbusters. They are figures that lurk in the margins and so, by contrast, help to illuminate the center—the embodiment of abnormality that summons the definition of normalcy by virtue of everything they are not. Samantha Langsdale and Elizabeth Rae Coody’s edited volume explores the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. To analyze monstrous women is not only to examine comics, but also to witness how those constructions correspond to women’s real material experiences. Each section takes a critical look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. Featured are essays on such comics as Faith, Monstress, Bitch Planet, and Batgirl and such characters as Harley Quinn and Wonder Woman. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.
Contributions by Bart Beaty, Jenny Blenk, Ben Bolling, Peter E. Carlson, Johnathan Flowers, Antero Garcia, Dale Jacobs, Ebony Flowers Kalir, James Kelley, Susan E. Kirtley, Frederik Byrn Køhlert, John A. Lent, Leah Misemer, Johnny Parker II, Nick Sousanis, Aimee Valentine, and Benjamin J. Villarreal More and more educators are using comics in the classroom. As such, this edited volume sets out the stakes, definitions, and exemplars of recent comics pedagogy, from K-12 contexts to higher education instruction to ongoing communities of scholars working outside of the academy. Building upon interdisciplinary approaches to teaching comics and teaching with comics, this book brings together diverse voices to share key theories and research on comics pedagogy. By gathering scholars, creators, and educators across various fields and in K-12 as well as university settings, editors Susan E. Kirtley, Antero Garcia, and Peter E. Carlson significantly expand scholarship. This valuable resource offers both critical pieces and engaging interviews with key comics professionals who reflect on their own teaching experience and on considerations of the benefits of creating comics in education. Included are interviews with acclaimed comics writers Lynda Barry, Brian Michael Bendis, Kelly Sue DeConnick, and David Walker, as well as essays spanning from studying the use of superhero comics in the classroom to the ways comics can enrich and empower young readers. The inclusion of creators, scholars, and teachers leads to perspectives that make this volume unlike any other currently available. These voices echo the diverse needs of the many stakeholders invested in using comics in education today.
DeCONNICK (Captain Marvel, BITCH PLANET) and RÍOS (ISLAND, MIRROR) present the follow up to the Eisnernominated, New York Times bestselling PRETTY DEADLY, VOL. 1: THE SHRIKE. Sarah Fields is dying and her children strike a bargain with the Immortals: give them one month, until the moon is full again, to find her son. The boy is far away, in the trenches of France, stalked by the Reapers of Vengeance and Cruelty.