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"Thrilling and illuminating."--LA Times "A hypnotic psychological thriller." --People A chance encounter sparks an unrelenting web of lies in this new gripping and complex psychological thriller from the New York Times bestselling author of The Good Girl and the upcoming page-turner Don't You Cry, Mary Kubica She sees the teenage girl on the train platform, standing in the pouring rain, clutching an infant in her arms. She boards a train and is whisked away. But she can't get the girl out of her head... Heidi Wood has always been a charitable woman: she works for a nonprofit, takes in stray cats. Still, her husband and daughter are horrified when Heidi returns home one day with a young woman named Willow and her four-month-old baby in tow. Disheveled and apparently homeless, this girl could be a criminal--or worse. But despite her family's objections, Heidi invites Willow and the baby to take refuge in their home. Heidi spends the next few days helping Willow get back on her feet, but as clues into Willow's past begin to surface, Heidi is forced to decide how far she's willing to go to help a stranger. What starts as an act of kindness quickly spirals into a story far more twisted than anyone could have anticipated. More Praise: "Hypnotic and anything but predictable." --Kirkus, starred review "A superb psychological thriller...stunning."--Publishers Weekly, starred review Read the New York Times bestselling novel that everyone is talking about, The Good Girl, by Mary Kubica Look for Mary's latest complex and addictive tale of deceit and obsession, Don't You Cry. Order your copies today
A queer teen rebel escapes small-town Appalachia and becomes Los Angeles's Renowned Lesbian Dominatrix in this searing and darkly funny memoir that upends our understanding of sexuality, class, and power. "The dominatrix is the id of American femininity," writes Chris Belcher. "She says the words that we wish we could say when we find ourselves frozen. No is principal among them." From an early age, Belcher appeared destined for a life of conventional femininity. At all of eight months old, she took first place in an infant beauty contest, a minor glory that tends to follow you around a working-class town of 1,600 people in rural Appalachia. As a high school freshman, she goes along with what's expected of her: joining the cheerleaders and winning over the boys. Girls who cater to male desire are admired. But admiration is fleeting, double standards are enraging, and Belcher is restless for a chance to act on her own desires. When she falls in love with another girl and shares the secret of her queerness, the conservative community that had once celebrated its prettiest baby swiftly turns on her. A decade later and two thousand miles away, living in Los Angeles and trying to stay afloat in the early years of a PhD program, Belcher plunges into the work of a pro-domme. Branding herself as LA's Renowned Lesbian Dominatrix, she specializes in male clients who want a woman to make them feel worthless, shameful, and weak--all the abuse regularly heaped upon women for free. A queer woman whom men can trust with the unorthodox side of their sexualities, Belcher is paid to be the keeper of the fantasies that they can't enact in their everyday relationships. But moonlighting as a sex worker also carries risks, like the not-so-submissive who tries to turn the tables and the jealous client who seeks revenge through blackmail. Belcher refuses to feel shame about the work she does, but fear that her doctorate program won't approve--even in the field of gender and sexuality studies--burdens her with a double life. Pretty Baby is her second coming out. As Lisa Taddeo's New York Times bestseller Three Women gave us a revelatory look inside female desire, this sharp and discerning memoir dissects male desire--its harm, its greed, and its secrets--and examines how queerness could hold the answers to subverting it.
Complete lyrics for well-known folk songs, hymns, popular and show tunes, more. Oh Susanna, The Battle Hymn of the Republic, When Johnny Comes Marching Home, hundreds more. Indispensable for singalongs, parties, family get-togethers, etc.
“At fifty the good Buddhist takes to the road, leaving all his belongings behind. His sole possession is a begging bowl. That’s how it should be. The problem was, there were four million dollars in my begging bowl and the mafia were after me. It was their money. They wanted it back, and they also wanted the girl, the woman who was with me: Sonia Kovalevskaya”. Not only a thriller about murder and big money but also a powerful evocation of the cruel history that binds Russia and Germany. Günter Ohnemus, born in 1946, lives in Munich and writes novels, essays and translations. This is his first novel to be translated into English.
This official history of the British Board of Film Classification (BBFC) draws on unprecedented access to the BBFC's archives to trace 100 years of film classification, with contributions from leading film critics and historians and case studies of controversial films such as Battleship Potemkin and A Clockwork Orange.
Poems about the people, lifestyle, thoughts and feelings at that time in my life.
When music lives inside you the shadow dims is a lyrical view of life. From being a young teenager through to adulthood. Music releases the bonds of childhood trauma and brings awareness to the soul to grow. From the pain of falling in and out of love lyrics guide Tobika to become more than a scared and confused child. She blossoms, she falls down, she survives She can allow herself to become Kal, the true woman she should be. The message is to keep striving to allow yourself the freedom to stand in the light and force the past shadows back into the darkness.
Cuban American Theater brings together six plays on the Cuban American experience. Here are presented dramatically the themes of exile, culture clash, the generation gap and discrimination, along with the full gamut of concerns about art, theatre and life itself. The plays vary in format from conventional two act realism, to absurdist theatre and, of course, to Cuban musical farce (teatro bufo), which accounts for some of the humor and characterization. Professor Rodolfo J. Cortina has provided an introduction to situate this theatrical production within an historical and aesthetic context. In all respectsÑ linguistic, artistic and philosophicalÑ Cuban American Theater is the first of its kind, a truly historical and ground-breaking document.